Tuesday, August 26, 2014

Call of the rainbird



There it is again, the call of the rainbird. But it can't be. I have never heard this bird in any part of North America, let alone this urban park in the Northeast. It has to be someone whistling for his dog. The whistle changes, a happy dog with flapping ears materializes through the maples, and my guess is confirmed.
    But for a moment, I am transported, back to a another park, in Surfers Paradise, Queensland, where my parents retired. I walked a path there, slowly, with my father when I visited him before his death. He loved to hear the call of the rainbird and would imitate it perfectly. even after his stroke. The Pacific koel - as ornithologists and bird-watchers call this kind of cuckoo - derives its familiar name from the fact that it is often heard before rain and storm. The males are black with red eyes, and their calls in mating season are very demanding.
    Strange and welcome, this vivid reminder of a scene from the other side of the world in the whistle of a dog walker. When I heard the rainbird, I was thinking about the content of a class I leading this evening in a teleseminar for The Shift Network. The theme tonight is "Partnering with Spiritual Guides." I was reminded that our spiritual guides include loved ones who have gone to the Other Side before us, and that they can become extraordinary life counselors.
    My father played a very direct role in healing old family wounds within days of his death. After the funeral, I sat out on a balcony with my mother. Emotions were raw, we were drinking rather heavily, and my mother started voicing an old list of complaints. When I responded curtly, she rushed inside the apartment.  I was deeply sad, and ashamed. In desperation, I spoke to my father. I begged him to forgive me for getting drawn into old, petty family disputes. “Dad, if you can, please speak to Mum. Please lift the burden and the bitterness from her.”
     The next instant, my mother flew through the door to the balcony like a leaf being blown by a strong wind. She stood behind me, placing her right arm over my shoulder, and her left hand over my heart. She spoke to me of love and forgiveness. She spoke of the deep love she had always felt for me, and apologized that she had so often found it impossible to demonstrate that love, and had been so prone to get distracted by things that really weren’t important.
     All the while, she had her left hand on my heart. When I mentioned this later, she was stunned. She found it hard to believe what I was telling her. She was never one for physical contact and had no idea that her hand was on my heart. This gust of emotion, this tremendous release, had come from someone who had been emotionally bottled up since I was very young, who avoided showing her feelings and did not hold me like a mother. She said, “I came back out on the balcony because something grabbed me and pushed me outside.”
    I was certain it was my father who had blown her back to me, and held her hand over my heart, to make peace between us, and bring us back to the heart center. I felt the depth of my father’s blessing, and deep gratitude for what becomes possible when we recognize that our dead are alive, and that we can help each other to live better and remember what matters.
    In the year that followed, my father visited me, and another family member, repeatedly. He confirmed the reality of life beyond physical death. He delivered messages for the family that helped us to navigate life issues. For example, concerned that my mother needed to move to a more sheltered environment, he visited me and insisted that I tell her to get in touch with someone named "Rodriguez." I had no idea who this might be, but when I duly phoned my mother, she told me that she knew a Ron Rodriguez quite well. He was a real estate agent. She followed my father's advice and Rodriguez helped her to sell her apartment and move to a new home in a retirement community where she made new friends and was happy in her last years.
    My father showed me something of his transitions on the side, and his eventual choice of a new life situation where he would no longer be available for communication on a regular basis. I think of him now, with deep love and gratitude for playing the role of family angel in so many ways. Thank you, Dad. And I thank whatever inspired that other dog walker to make the call of the rainbird today.


Part of this article is adapted from The Boy Who Died and Came Back by Robert Moss. Published by New World Library.

Photo of Pacific koel by Aviceda

You can listen to the call of the rainbird here. 
    


Monday, August 25, 2014

You take the high road and I'll take the low road


You take the high road and I'll take the low road.
And I'll be in dreamland before you.



The way up is the way down.
Lower World, Middle World, Upper World. Go traveling like a shaman, and you might find the cosmos is not arranged like a layer cake.



Good morning, willow. I share your green yearnings.
Any tree may be the Tree of Life, whose roots are in heaven.


The young Rimbaud said that to prepare himself to write poetry, he would stare into a river until he could see a cathedral at the bottom. Sometimes this takes no time at all, because the world of living symbols is looking at you. This is what I found at the lake in my local park today.

photos (c) Robert Moss

Sunday, August 24, 2014

I had a dream



I had a dream, you say,
but maybe a dream had you.
A dream may slip through the keyhole
and stand over your head, whispering,
or creep under the covers with you.

You could say that you saw a dream
or you heard one. On juicy nights
you might taste a dream and wake
with the tang of raspberries
or runny cheese on your mouth.

Dreams may be visitors.
Dreams are also places you visit
where your experiences may be
realer than what you call real
on an ordinary day.

When you wake up to what’s going on
you know you don’t have to lie down
and let just any dream have you.
You don’t need to keep going
to bad neighborhoods in the dreamlands.

You can make better dreams.
You have a starship full of dream producers
waiting for your call. Dump your old scripts
and they’ll help you create worlds.
Then you’ll have a dream.

- August 24, 2014


Art: "Making Songlines" (c) Robert Moss






Tuesday, August 19, 2014

Where there's a Goddess there's a way


WHERE THERE'S A GODDESS, THERE'S A WAY

This is my catch phrase from my last dream of last night. In the dream:

I am on a road that becomes impassable, thanks to erosion and then construction that has left a gaping L-shaped hole (actually more like the Greek letter lambda)  through which I can see water below. Now fully lucid, I consider my options. I can fly over the obstruction, as I have done in dreams before. But that does not feel right.
    Whatever is going on here needs to be sorted out on the ground - or on the water. Different dream lands have different physics and requirements. It seems I am stopped on a bridge. Why not call up a boat to take me where I want to go? 

    Now I hear a tremendous feminine voice, saying, I will open the road from Halicarnassus to Sinope. 
   I sit up in bed with the words vibrating in my mind I am certain I have heard the words of a goddess, delivered by a priestess of her oracle. I am thrilled with excitement.
    Of course my dream has set me yet another research assignment, starting at the birth city of Herodotus, whose Histories were already in my current reading because of a dream from a few days ago, extending to a Black Sea port associated with the quest of the Golden Fleece. No doubt I will be called again into the realm of the Great Goddess of Anatolia....



Image: The Cyblele fountain in Madrid. Though it's at the other end of the Mediterranean, and was sculpted in the 18th century, this is one of my favorite images of the Great Goddess of Anatolia, Matar Kubileya to the Phrygians, Kumbaba to the Hittites, Kybele to the Greeks (syncretized with Artemis at Ephesus), Magna Mater or Cybele to the Romans, and often, quite simply, the Mountain Mother or Mother of the Gods.

Monday, August 18, 2014

Driving a Car with Brique Affinée.


I am driving fast on curving roads at night. This car is controlled by a white oval knob on top of the dashboard. I find it easiest to operate when I work it with a piece of French cheese. This is a very particular cheese, a creamy gourmand delight called brique affinée. It's shaped like a thin brick, and I use the edge on the knob, pressing hard when I want to work the brakes. 

Feelings: Amused. 

Reality: I usually eat brique affinée when I teach in southern France, where my wonderful translator introduced me to it. Made in very traditional style by Vieux Pané, it is nonetheless a fairly recent arrival on the immense French cheeseboard.

Intention: My intention for dreams last night was simple: "I want to have some fun in my dreams and then have more fun talking about them and creating from them." This tasty scene, one of many, seems to be a direct response. Not quite as much fun as other dreams from last night, of a new kitten tickling the back of my neck, and of swimming in the warm turquoise waters or a lagoon at a mermaid beach. However, I am always happy to talk about cheese!

Action: I shall certainly want to eat some brique affinée when I lead my dream teacher training near Montpellier in October.



Sunday, August 17, 2014

The Audience with the Rememberer


A woman traveler describes her experiences in an extraordinary land, to the astonishment of people who know this country only from a book. They learn from her that the land of legends is real. She learns from their book what the anomalous events and conditions she has experienced may mean.

This was the 50 word report of a dream, as I recorded it on waking on the morning of March 23, 2003. The legacy of the dream was a sense of wonder, and a keen desire to know more. However, the details were flown, and I had no time to try to journey back inside the dream, because I was catching an early plane and needed to get dressed, finish packing, and rush to the airport.
     A good friend named Carol had agreed to assist me in leading a workshop, and we were booked on the same flight to Chicago, en route to places West. After we had claimed our seats and survived the automated safety briefing, I told Carol what I remembered from my dream. "What do you want to know?" she asked, following our regular dream-sharing process. "I want to know more about everything. I want to know all about the land of legends."
     Gently, Carol started a line of questioning that brought the dream alive in my mind. As I responded, I started taking frantic notes. Soon they had filled a dozen pages of my journal, and were already more than notes. They were becoming the first draft of a story. When I got to my hotel, I typed it up.
    It recounts the adventure of a young woman named Constantina. On her way to her sister's baby shower, she slips into another reality, into a strange country known to her people only through "a book compiled by an itinerant schoolmaster who was charged with sacrilege and forced to flee into exile. It is a land that is hard to describe, because it has more angles.” 

     She meets the Rememberer, a prince of the city with a forked beard, half white and half black. Their audience takes place in a pool shaped like a figure 8 or lemniscate symbol of infinity. The Rememberer is submerged below the waist. He communicates through a tablet composed of lines and waves of some electric force. It crackles like a toaster or an old bar radiator about to explode. The flashes conform to an unknown but coherent alphabet of signs. 
     When she returns home, there is a great public gathering where people ply her with questions. 
They ask her for her feelings about the strange man. She tells them, “I felt his indifference, the indifference of one who has seen the birth and death of suns and has outlived everything he ever loved. What I mostly noticed was his smell. It was the smell of attar of roses, cut with turmeric. And his eyes. His eyes are bottomless wells.”
     And so on, and on. When I was finished typing, I had 4,000 words, raw and strange, organized by dream logic and poetic resemblance. 


This was a quite magical experience of dream retrieval. So much can come back to us, from the other side of the wall between the worlds, when we allow it to come. The process can be greatly assisted by a caring friend who knows how to tease us to bring back more. It truly prospers when we don't interrupt ourselves by asking, Am I making this up?
    All of this came back to me when I lunched with my friend Carol and recollected in conversation how she had helped me to bring through this story. Alas, I had left my story 
unfinished. I had meant to go back to the draft, after that trip, and see what it wanted to become. I did go back, in a break in my travels, and developed my journal notes into something closer to a publishable story. But I could not find that version when I was choosing and polishing some of my stories for my collection Here, Everything Is Dreaming. Maybe it was time to complete it. 
    I went looking for the draft and found the journal version I have excerpted here, but not the more elaborate second draft. It seemed that the second draft had never made it to my electronic data base. I did find the drawing I made, which I titled "The Audience with the Rememberer".
    Then another friend recounted a dream that, while scary, had given her the gift of a terrific scene and a marvelously wicked villain for a novel she is writing. 
    
I felt an acute desire to get back to completing one of my own dream-driven stories. Yes, I could work from my journal entries with that raw first draft. But I would really like to resurrect the second draft and remember where I had taken the tale, or where the tale had taken me. Surely I had hard copy somewhere in my house.
    With some trepidation, I confronted the hundred documents boxes (no kidding) in a storeroom in my basement, many of them allowed to languish for years. Where to begin? On a whim, I pulled out a box that had unrelated materials on top. Brushing these aside, I found, in the second folder below, a typed draft of "The Rememberer". This gave me a little shiver of recognition; the shelf elves were in friendly mood.
    My second draft is the length of a novella, but (as I said) unfinished, containing many mysteries, not all of the kind that can ever be figured out by the reasoning mind. Yes, I remember: I have a significant dream-directed writing assignment to fulfill.

"Audience with the Rememberer" (c) Robert Moss

Saturday, August 16, 2014

My dream boat is good for a pleasure cruise


I am on board a motor yacht. It is beautifully appointed, with gleaming brass and wood panels. It can sleep twenty passengers, or more, in great comfort.
     The plan is to sail across the seas of the world, to Goa and other places along the Malabar coast. But I am starting to think that this plan is too ambitious. The boat is old, and its equipment has not been properly maintained. I fear it could spring some leaks, and I suspect that the control instruments are not reliable. In the wheelhouse, I inspect three knobs or buttons that are vital to navigation. One seems to be loose. I can picture it falling off.
    I say firmly that I am not willing to risk taking this tub to the other side of the world. However, it is surely still good for a pleasure cruise. I am willing to take it out for the day, on a jaunt around the bay. I look out with delight over sparkling blue waters.
    I am confident that even if we break down or spring a leak, we can get safely back to shore. Anchors away!

Feelings: I woke from this dream this morning feeling jolly and breezy.
Reality: The luxury boat reminds me of a private yacht in which I was fortunate enough to take a cruise, as an invited guest, from Rhodes along the Mediterranean coast of Turkey many years ago. I have not (yet) been to Goa or the Malabar coast, but I love spicy food and this region produces the spiciest food in the Indian subcontinent. Of course I notice that the state of the boat - classy but aging and in need of some maintenance - may also be an analog for the state of my body!
Intention: I had set an intention before sleep: I would like impetus for fresh writing.
Linking dream to intention: I think my dream producers gave me an elegant advisory on how to approach new creative writing in this period of my life: as a little pleasure cruise, or a succession of them. No need to go round the world on an immense agenda (though I might always get to Goa through a series of pleasure jaunts).

Action phrase (also my action plan): My writing life is a pleasure cruise.