In the Voice of the Songbird

I am Marcella, called the Songbird because of my voice and because I can make men’s bodies sing. I can write my story in my own hand, because my father paid for a tutor. He was a merchant who sailed to the Bosphorus and the Black Sea.
     Bruno brings me figs and young green olives of Lucca, the best of the new harvest. The cloth of gold that trims my dress belonged to my mother. The mad monk of Florence tried to kill her for wearing it, under his sumptuary laws. Witch, they called her, as they call me, though none dares to raise a hand against me so long as I have the favor of the bishop. I confess that I sewed the mouth of a toad shut to punish a calumniator for speaking against me and to silence his abuses, and that I melted a wax imago of Cosimo’s organ after he raped me.
     I will never marry, but I know men and they know me. There is no one in the city as practiced in the arts of love, though there are acts I will not perform, not even for the bishop.
    Bruno will guard my body with his life, and he is as strong as a bear. But I know I will not be allowed the fullness of my years. I have no wish to survive the withering of my body, still firm and juicy as a maiden’s after forty summers.
    I will heed the wishes of my sisters of the Hive. We are about in all the countries of Christendom and in many that have never heard of Christ or accepted his message.

~

I wrote these lines after leading a group journey to real place in the Imaginal Realm, a Chamber of Mirrors where you can look into the lives of personalities in other times who are part of your multidimensional family. Participants in the workshop were asked to write an autobiographical statement in the voice of a personality of another time. The voice that wanted to speak through me was that of Marcella. Her reference to her mother's persecution by a "mad monk" (evidently Savonarola, a Dominican who ruled Florence and staged the notorious Bonfire of the Vanities before he was excommunicated and executed in 1498) suggests she lived in 16th century Italy. I am glad to know her, because in most of my impressions of past lives closely associated with my own, I have found myself linked to men, typically men of power.
     Where are the women? I have often asked myself. Oh, there is that woman of the future; I feel her even now, as I write. She is a priestess and a scientist, working to restore our world, seven generations into the future. Dreaming is central to her practice and that of her Order, and I am driven by a sense of obligation to her, the obligation - through my work as a dream teacher - to help make her possible.
    Perhaps Marcella and I will now be able to share gifts. In psychological terms, such episodes may mean that I am getting more deeply in touch with my female side, and I would be happy with that. Except that the encounter also feels transpersonal. Jane Robert's Seth insists that "the entire reincarnational framework must involve both sexual experiences. Abilities cannot be developed by following a one-sex line. There must be experiences in motherhood and fatherhood." Perhaps I am making a little progress.
     Marcella hints at an Order of women content to call themselves a Hive. I have encountered this language, and similar women, in other times and other lands, "in all the countries of Christendom and in many that have never heard of Christ or accepted his message", just as Marcella says.

Illustration: Portrait of Beatrice d'Este by Bartolemeo Veneto (1510) Public Domain

The Dream Holds True in [at Least] Half the Universe

 

In The Varieties of Religious Experience, William James (1842-1910) observed that "The founders of every church owed their power originally to the fact of their direct personal communion with the divine."

That “direct personal communion" has been conducted through dreams, visions and interior dialogue and observation of signs and marvels in the natural world, all facets of dreaming in the broader sense understood by our ancestors and by active dreamers in all cultures. James reminds us that religion without dreaming is divorced from its very origins.

In a letter to Henry Rankin on June 16, 1901, he put it this way: "The mother sea and fountainhead of all religions lie in the mystical experiences of the individual, taking the word mystical in a very wide sense. All theologies and ecclesiasticisms are secondary growths superimposed."  Borrowing from his friend, the great British psychic researcher and scholar, Frederic Myers, James explained that "mystical consciousness" is related to the existence of an "extended subliminal self, with a thin partition through which messages make irruption."

For most of us, it is through dreams that the subliminal self most frequently irrupts through that "thin partition" into everyday awareness.

In The Principles of Psychology (1890), James offers these interesting reflections on the orders of reality we may enter in dreams, and why dreaming is our mode of experiencing half the "total universe":

 "The world of dreams is our real world whilst we are sleeping, because our attention then lapses from the sensible world. Conversely, when we wake the attention usually lapses from the dream-world and that becomes unreal. But if a dream haunts us and compels our attention during the day it is very apt to remain figuring in our consciousness as a sort of sub-universe alongside of the waking world. Most people have probably had dreams which it is hard to imagine not to have been glimpses into an actually existing region of being, perhaps a corner of the spiritual world. 

"And dreams have accordingly in all ages been regarded as revelations, and have played a large part in furnishing forth mythologies and creating themes for faith to lay hold upon. The 'larger universe,' here, which helps us to believe both in the dream and in the waking reality which is its immediate reductive, is the total universe, of Nature plus the Super-natural. The dream holds true, namely, in one half of that universe; the waking perceptions in the other half." 

Dwell with that last statement for a moment.  The dream "holds true" in half the "total" universe, and is our way to access and experience this reality. If James is correct, then if we have divorced ourselves from dreaming, we are only halflings, only half present in the universe.

So it is a mystery why he chose not to include a chapter on dreams in The Varieties of Religious Experience, a book that continues to exert enormous influence in the field of religious studies and beyond that. 

During his life on Earth, William James seems to have invested less effort in recording and exploring his own dreams than in sitting with psychic mediums and seeking verification of paranormal phenomena according to the protocols of the Society for Psychical Research. He did record some powerful dreams, including a series of nocturnal adventures he had while sleeping at Stanford University in February 1906. His San Francisco nights that shocked him into the realization that in dreams we may be in several places - or worlds - at the same time.

If William James is truly the speaker in Jane Roberts' channeled book The Afterlife Journal of an American Philosopher, his understanding of the importance of dreamwork grew measurably on the Other Side. If he had his life over, he declared, he would pay more attention to "how soul operates in life". For this the study of dreams is essential. 

He observes that dreams may be “test patterns” for waking events. "Dream images and imaginative acts prepare the way for physical ones, impressing large areas in general, preshapes which are later ‘filled in’. It is as if the mind makes preliminary test patterns that are projections in space-time, but in a ghostly fashion. These dream images, however, are laid upon initial fields of probabilities which are characteristic of the physical medium itself.” If this is correct. as I believe it is, then dreams hold true in more than half the universe. 

 

Perennial Lessons of Oversoul 7

 "Let's see...I'm a man on Wednesday and Friday, a woman on Sunday and Thursday, and I have the rest of the time off for independent study.

   "Actually...this is somewhat more complicated. Each life is lived in a different area of time to which various designations are given. As Lydia I'm in the twentieth century, as Josef in the seventeenth, as Ma-ah in 35,000 B.C., and as Proteus in the 23rd century, A.D."

As the opening of a novel, this is hard to beat as an attention-grabber. I remember sitting forward in my seat, catching my breath, the first time I read these lines in the summer of 1988, fifteen years after they were written. If you don't recognize the source, maybe it's time for you to go find it, even if you think you don't like didactic fiction. The Education of Oversoul 7, the first of a trilogy by Jane Roberts, presents a working model of our possible relationships with personalities connected to us in other places and times, and with intelligences on higher levels of being and consciousness.

     The speaker on the opening page is Oversoul 7. He is a fallible being, responsible for four very fallible humans facing different, yet interrelated, challenges in different places in time, from the Ice Age to a future in which most humans are "floaters" living in a plastic environment suspended above the Earth.
     The first lines of the novel are not a spoiler, because we soon come to understand that things are even more complex and exciting than Oversoul 7 understands at this point. He is not some all-knowing "spirit guide" or guardian angel. Though to a certain extent he can play guide and teacher to his trans-temporal set of human charges, he is answerable to his own mentor and supervisor on a level above himself. This mysterious entity, who never stays long in any single form, is identified as Cyprus. It is hinted that Oversoul 7, like the humans he supervises, may be one of a set of "oversouls" all related, and subject, to Cyprus. Most certainly, Oversoul 7 is no "master". He is a student whose classroom is the world. All his engagements with his human personalities are tests on which he is being graded.

      When he's reporting to Cyprus, as he is doing in the opening scene, Oversoul Seven generally adopts the default appearance of a fourteen-year-old boy, very appropriate since in relation to higher intelligence he is a schoolboy. When his humans perceive him, most often in dreams, they see him as a wise old man. His ability to stay present to all four of his human personalities and help out in times of crisis is impeded by his tendency to play favorites and get drawn into one of the dramas, while losing track of the other three.

      Thus the first great lesson we derive from the adventures of Oversoul 7 is: the teacher is a student too. Our ability to gain from our teachers and communicate with the Self on higher levels will be severely limited until we understand this simple and fundamental truth.

      The second great lesson, for us, in the Oversoul 7 story is that we may have relationships with personalities in other times and other probable realities, past and future, that are intensely relevant to our current life dramas - and that all these lives are going on now. What is happening in 35,000 B.C. can change a situation today, and what is happening in the 23rd century can inspire and transform the life of a painter living in the 17th century. There are constant "bleed-throughs" between one life and another life, rarely noticed by humans on the ground except in dreams that are frequently forgotten.

      That is the third great lesson: that to understand how all of this works first-hand, we need to become more active and conscious dreamers.

      The fourth great lesson, for me, is this: yes, reincarnation is possible, but it is not automatic and it does not operate only according to the rules of linear time. One of Oversoul 7's favorite personalities is Lydia, a feisty, chain-smoking woman writer who has set off in a well-furnished trailer, at seventy-three, for a sunset romance with her younger lover. 

       In the first Oversoul 7 novel and in its sequel (The Further Education of Oversoul 7) we follow Lydia's journey through death and the choices she comes to make when her understanding of the soul (which she wasn't sure about in life) begins to grow. She enjoys herself, for a time, in a young and attractive body in a personal post-death world she builds from her desire and imagination. When this begins to pall, she eventually agrees to be reborn as the child of a person in the family of selves that Oversoul 7 is supervising. She will take up residence of a baby that will be born in the seventeenth century. Her past life will be her future life. By my own experience and observation, by the way, such things are entirely possible.

     There are profound and perennial lesson here. 

      This is fiction, right? Yes and no. For one thing, it is grounded in Jane's long engagement with the entity called Seth who dictated a series of books that - to my mind - contain one of the best working models of the multidimensional self. Jane, a brilliant original thinker and writer as well as a gifted psychic medium, shows here that she knows how to bring ideas to vivid life, in many voices.

       Here she gives a marvelously animated version of some of Seth's central propositions including this: "You have other centuries to play with. In the dream state, you meet and interact with our own reincarnational selves. I prefer that you think of them as simultaneous selves. In the dreaming condition, there's a great interchange of information with these other portions of your selves." (Seth Speaks)
      Then again, when I consider genres, I remember a young boy who was once in line ahead of me for a library sale. His mother asked him if he knew the difference between fiction and nonfiction. This was his response: "Nonfiction is what you think in your head. Fiction is what you see."
      The Oversoul 7 stories are books through which we see. For me, the idea of reincarnation in a "previous" time is entirely plausible. But don't let's just sit on the sidelines discussing these things. Like Jane Roberts' "Seth" books, the Oversoul 7 novels are an incitement to gather first-hand knowledge of these matters by dreaming on them.

I write about the impact of the Seth material and the Oversoul 7 books in a critical phase of my own life in chapter 13 of The Boy Who Died and Came Back.

Digital image: "Window for Oversoul 7" by RM

Ten Books That Gave Roadside Assistance on My Soul Journey

 

Books have been faithful and essential friends all my life. I had a difficult and lonely boyhood, an only child who suffered double pneumonia twelve times between the ages of three and eleven. Books were my portals to realms of imagination and wonder as I lay in the half light of sick rooms. I thrived on good historical novels and on scifi and fantasy.

I like to own paper copies of all the books I read so I can sniff them and caress them and interact with a pencil. I live with an extended book family of around 14,000 volumes. My best finds are often mediated by dreams and by lively shelf elves of the kind that make books materialize and dematerialize in magical ways. My cat Lucy has recently asserted herself as a shelf elf or more - a supervising librarian- on four paws 

Like my favorite writer, Jorge Luis Borges, I sometimes picture paradise as an Infinite library. Like another of my favorite writers, Mircea Eliade, I also know that the most important book I will ever write - and one of the most important I will ever read - is my own journal. Recording dreams, observations and reading reports in my journal is essential daily practice for me.

I was recently invited to identify ten books that have provided guidance and inspiration in my spiritual odyssey and share what was happening in my life when they came to me. My journal was there to remind me what restored my inner compass and put gas in my tank in the critical passages.

 

1

The Odyssey 

Since I was boy, the Odyssey has been my favorite vision of life as a mythic journey. Beyond the thrill of sea monsters and angry gods and one-eyed monsters, the tale of Odysseus, the “man of many ways” is the story of a wounded warrior who is healed in the realm of the Divine Feminine. This is why Robert Graves thought it was created by a woman, and I believe he is right. In the Odyssey we see what it means to travel consciously in the presence of a guiding spirit, in this case the goddess Athena. We see that dreams are a field of interaction between gods and humans and transit lounge between the Otherworld and the physical world. Has it been made clearer anywhere else that the hardest part of the heroic quest is the homecoming? A large part of the epic is devoted to the struggles of the returning traveler to find their feet on home ground. I have used many translations over the years, not least for occasional bibliomancy; my favorite now is the most recent; the clean, spare poetic version by Emily Wilson.

 

2

W.B.Yeats, Collected Poems 

I knew many of Yeats’ poems by heart before I was presented with my first copy of his collected poems at my graduation from Canberra Grammar School as a prize for writing verse.  In his “Song of Wandering Aengus” I thrilled to the bardic voice of one who lived close to the Otherworld, who knew the secrets of shapeshifting and understood soul loss and soul recoveryI learned much more from Yeats’ other writings, especially Mythologies and A Vision and from walking in his footsteps in Ireland, where it is easy to understand his statement that “the visible is the skin of the invisible”. He appeared to me during a shamanic journey, saying “What better guide to the Other Side than a poet?” and I was enchanted to let him play that role in my inner life as I wrote The Dreamer’s Book of the Dead. I learned the truth of his conviction that kindred spirits reach to each other across time and may generate a “mingling of minds”. I shared his experience of a creative daimon that is forever driving us to attempt the things that are most difficult, short of the impossible.

 

3

Dion Fortune, Secrets of Dr Taverner 

She was a true priestess of the Wester Way. I came to her first through her important book Psychic Self-Defence, which is not for the faint-hearted. I proceeded to read, over the years, everything that I could find by her. I was excited to discover that she regarded her fiction as her most important writing on the practice of real magic A character in her novel The Goat-Foot God says that "writers will put things into a novel that they daren't put in sober prose." Dion Fortune herself said "the novels give the practice." While I love The Sea Priestess and her other novels, it is the stories collected in The Secrets of Dr Taverner that I return to again and again. The central character is a soul doctor in tweeds who deals with such complains as reincarnational dramas, astral repercussion, psychic attack, soul theft and energy vampirism. The Taverner stories are both entertaining and a valuable source of practical guidance on psychic protection and spiritual cleansing. In its fictional wrapping, The Secrets of Dr Taverner is a practitioner's casebook and perhaps the most accessible of all Dion Fortune's works for the contemporary reader.

 

4

Jesuit Relations and Allied Documents *

When I moved in the 1980s to a farm on the edge of traditional Mohawk country in upstate New York, because of a hawk and a white oak, I started dreaming in a language I did not know, which proved to be an archaic version of the Mohawk language. The speaker was an ancient arendiwanen, or “woman of power”. Our encounters recalled me to ancient ways of dreaming and healing and gave me immense research assignments. In the way of synchronicity, a used book dealer turned up at my door with all 73 volumes of the Jesuit Relations in the back of his truck. These are the reports of blackrobe missionaries from Indian country in the 17^th century. Read carefully, drawing aside the veils of religious prejudice and fear, we have here an extraordinary source on the spiritual practices of Native Americans in Northeast America at the time of first contact. The Iroquois taught their children that dreams are the single most important source of both practical and spiritual guidance. They believed that dreams show us “the secret wishes of the soul.” In a time of war and imported disease, they recognized dreaming as a key survival tool and sent their dream shamans to scout the future. You’ll find the essential things I learned from the Jesuit reports -and the direct teachings of the Mother of the Wolf Clan who led me to use them – in my book Dreamways of the Iroquois: Honoring the SecretWishes of the Soul.

 

5

C.G. Jung, Memories, Dreams, Reflections 

I discovered Jung in high school and devoured many volumes of his Collected Works when I was an undergraduate. In the midst of my own psychic storms in 1987–1988, I turned to Jung again, to see how he made sense of his own “confrontation with the unconscious.” My main source was Memories, Dreams, Reflections, his life story as recorded and edited by Aniela Jaffé. We did not yet have the Red Book, and the memoir is in any event a more accessible account of what was essentially the Underworld ordeal and initiation of a shaman-scholar of the West. Central to Jung’s ability to restore his inner compass was his daily recording of dreams. “Dreams are the facts from which we must proceed” is one of the most helpful statements that has ever been made about dreams and dreamwork, and confirmation for me of the method I was obliged to improvise in my own time of testing. He confirmed for me that engaging with images in your inner life – including the terrifying ones – is a path to healing and self-empowerment. I felt the deep truth of his ringing assertion that “anyone who takes the sure road is as good as dead.” I write about Jung as “The Dream Shaman of Switzerland” in my book Dreaming the Soul Back Home.

 

6

Jane Roberts, Seth Speaks 

When I was going through a crisis of spiritual emergence at midlife, a friend prevailed on me to read Seth Speaks, a book channeled by Jane Roberts from an intelligence who describes himself as “ an energy personality essence, no longer focused in physical matter”. Previously somewhat resistant to channeled material, I found myself gifted with the clearest model of multidimensional reality and the multidimensional self that I had encountered. The book was a life ring for me in my efforts to understand and navigate “past life” and parallel life connections. Seth confirmed for me that we may live many existences at one time. We are connected to personalities living in the past and the future and in parallel realities, ane it is all happening Now.  Reincarnation is for real, but only one of many after-death options, and we mustn't get trapped in linear conceptions of karma and in past-life "passion plays" because any past or future is a probable reality that can be accessed and changed Now.

 

7

Joan Grant, Winged Pharaoh 

Winged Pharaoh thrilled me with its vivid depiction of the practices of a dream school in ancient Egypt operating in the precinct of Anubis. Joan Grant published it as a novel, but revealed later that it is actually a book of “far memory” of a life in early dynastic Egypt. We follow Grant’s alter ego, Sekeeta, as she learns to go scouting in dreams to find lost objects, look into the future, observe things happening at a distance, and discover what is going on behind the scenes. As a child, she sleeps with a wax tablet beside her bed, and her first task each morning is to record her dreams. She takes her reports to the priest of Anubis, her dream teacher. Some days she must carry out assignments he gave her inside a dream – for example to bring him a certain flower, or bird feather, or colored bead. She learns to travel in dreaming beyond time and space, to scout the possible future, and to communicate with the deceased. She encounters people who have died and are confused about their condition and moves into the role of psychopomp. In the language of ancient Egypt, a dream (rswt) is literally an “awakening”. Winged Pharaoh reawakened me to what it means to dream like an Egyptian and I have used it as a handbook in guiding others.  

 

8

Henry Corbin, The Man of Light in Iranian Sufism 

A lifelong student of the medieval Sufi philosophers, French scholar Henry Corbin brought the term Imaginal Realm into currency in the West. In Arabic, the term is Alam al-Mithal and it refers to the realm of true imagination, an order of reality that is at least as real as the physical world, with cities and schools and palaces where human travelers can interact with master teachers. Corbin’s great work Creative Imagination in the Sufism of Ibn ‘Arabi is a marvelous essay in visionary spirituality that embodies his driving purpose of helping to free the religious imagination from all types of fundamentalism. Corbin regarded study as a quest. In The Voyage and the Messenger looking back on his scholarly journey, he wrote that “to be a philosopher is to take to the road, never settling down in some place of satisfaction with a theory of the world…The adventure is…a voyage which progresses towards the Light". His books were with me, to anchor and orient, through the incandescent nights when I found myself in dialogue with Persian philosopher mystics and riding with the heaven bird of Persian mythology, the Simurgh. The Man of Light is Corbin’s most accessible work and one to which I return again and again. The subtitle of my book Mysterious Realities is Tales of a Dream Traveler from the Imaginal Realm.

9

W.T. Stead, The Blue Island 

I love the Victorian ghost hunters, especially F.W.H. Myers, W.T. Stead and William James. They were passionately dedicated to producing evidence of the survival of consciousness after physical death that would meet the scientific standards of their day. They promised that after their deaths they would continue their work by trying to communicate in exact detail from the Other Side. Among all the channeled books that resulted, my favorite is The Blue Island,in which Stead (who went down with the Titanic) recounts his early after death experiences to male mediums sitting in the presence of his daughter. As a former journalist, Stead is especially interested in how news is transmitted in the transition zone where he finds himself. He describes a communications center, “an amazingly well organized and businesslike place” constantly filled with ex-physicals. “Those who had on earth believed and those who had not, came to try and wire a message home.” The ones who feel a “heart call” always get priority. They have a system of “travelers”, who can reach receptive minds on Earth. Stead describes how the living can reach to the departed in a similar way. You concentrate on an individual in the spirit world, and if you put enough energy into that thought, the individual you have in mind will feel you and you may be able to open a communications channel. This beautiful little book is one of the essential Western books of the dead.

 

10

Viktor Frankl, Man’s Search for Meaning 

I reread this extraordinary book every few years. A successful Jewish psychiatrist in Vienna, Viktor Frankl was carried off to Auschwitz and reduced to a walking skeleton with a tattoo on his arm. In one of the darkest nightmares of history, he applied his imagination. He grew an impossible dream: of a scene in the future when the Nazis were a memory and he was standing in front of a well-fed audience in a good suit giving a lecture on “The psychology of the Concentration Camps”. In his vision the Nazi evil was so thoroughly destroyed – and he so thoroughly restored – that he could lecture about it from an objective perspective. Frankl not only survived the Holocaust. His dream played out a year after the war, in every detail. I have derived three life-orienting lessons from this. First, that however tough our situation may seem to be, we always have the freedom to choose our attitude, and this can change everything. Second, that our problems, however bad, are unlikely to be quite as bad as the situation of someone who has been sent to a Nazi death camp. That thought may help us to gain perspective, and to stand back from a welter of grief and self-pity and rise to a place where we can start to dream up something better.Third, we can make inner movies, and if they are good enough it is possible that they will play in the theater of the world.

 I look over this list and wonder why it does not include so many other books and authors that have affected me deeply: Albert Camus, Rilke, Herman Hesse, the Upanishads, Dostoyevsky, Christopher Brennan, The Tibetan Book of the Dead, Hilda Ellis Davidson, Ursula Le Guin, Mary Oliver, AE (George Russell), the (for me) inescapable Borges and Eliade. Again, my journal shaped my selections, reminding me how certain books converged with critical passages of spiritual emergence in my life, when I needed confirmation even more than inspiration.

*I'm not expecting anyone to read the 73 volumes of the Jesuit Relations that are on my shelves although today you can no doubt find them onlne. I was looking over the books that gave me anchors and life rings in decisive passages in my journey.In this case, I needed confirmation of what I was learning from the Mother of the Wolf Clan I call "Island Woman"in my books. In another book that was very important to me, The Journal of Major John Norton, a half-Cherokee British officer in the war of 1812, I confirmed the historical identity of Island Woman as the grandmother of Molly and Joseph Brant, born Huron (Wendat) and adopted into the Mohawk natoion after she was captured by a Mohawk raiding party aged about five.

 

The afterdeath journal of an American philosopher

The Afterlife Journal of an American Philosopher is  Jane Roberts’ version of the afterlife reflections of the great American philosopher and pioneer of psychology William James. Jane Roberts, an excellent writer and thinker in her own right, became famous for channeling the "interdimensional teacher" known as Seth. Seth was unknown to the public before Jane started publishing the Seth material but was quickly recognized as an extraordinary guide to the multidimensional self and to dreaming as the best way to explore the multiverse and practice reality creation.
    Here we find Jane in contact with a mind that influenced many in this world before it left the body. Like other luminaries of the Society for psychical Research, William James was keenly interested in assembling scientific evidence of the survival of consciousness after physical death. Like his British associates F.W.H. Myers and W.T. Stead, he let it be known that after he took up residence on the Other Side. he would seek to report back, via sensitives, on what he had discovered. What better scientific data on survival could there be than first-hand reports from the afterlife from towering and trustworthy intellects like his own?
    I have deep appreciation for what came through from Stead (The Blue Island) and Myers (The Road to Immortality).  The Afterlife Journal of an American Philosopher has less geography and fewer road maps. It was transcribed  69 years after the death of the supposed communicator in 1910. However, it is a wonderfully plausible account of a desirable afterlife environment, especially interesting on what persuades the dead to take a lively interest in the living.

     Can we believe that the voice is really that of William James? We are told, “I am the William James that I was but I am no longer William James in the same way that he adult is not the child.” He says he is more “lively” now than he was in life, when he was prone to deep depression.
     His role has changed. He is no longer an investigator of psychic phenomena but an ideal case study for later investigators. “I have turned from being an investigator of ‘strange sources’ into a perfect instance of the kind of phenomena that in life I would have tracked down.” 

     Looking back over the life he left behind, he says that had he known what he now knows: “I would have sought more ambitiously for proof of the soul’s existence in life rather than seeking for evidence of its afterdeath existence through communications from the dead. The soul’s abilities in life, clearly defined , would in life show themselves to be independent of the body’s physical confinements. Therefore I would have looked even more vigorously for accelerations and extensions of the creative abilities as they appear in telepathy, clairvoyance, healings and out of body travel, and I would have examined those characteristics of mind (or soul) that display mind’s control of matter” 

    He tries to describe how the mind generates the reality we inhabit often without recognizing what is going on. “The private cast of consciousness works upon the objective world landscape by giving it its final, private, definite form; as if before the individual perceives objects, here is instead a field of pliable, malleable, pseudoshapes. The perceptions themselves bring these into focus and form…The processes are so smooth and automatic, so beautifully executed, that man rarely catches himself in the act of this multiple creativity, as the mind forms the world pattern of objects and events.”
    Active dreamers will be encouraged by the suggestion that dreams may be test patterns, rehearsals for physical events that will follow. “Dream images and imaginative acts prepare the way for physical ones, impressing large areas in general preshapes which are later ‘filled in’. It is as if the mind makes preliminary test patterns that are projections in space-time, but in a ghostly fashion. These dream images, however, are laid upon initial fields of probabilities which are characteristic of the physical medium itself.”
    One thing the philosopher reporting from the afterlife can confirm for sure: "lifelines begin before birth and continue after it."

For more on the adventures of the great Victorian "ghost hunters" before and after death, please see The Dreamer's Book of the Dead.

Seth and the Dream Department of Literary Production

I love first-hand stories of how writers are inspired and spurred to action by dreams. In an old journal, I found notes I made while reading Susan M. Watkins' account of the classes she took with Jane Roberts and Seth in the early 1970s. She reported that a dream pushed her to jettison her doubts about turning her journals into a book. She dreamed she saw a print shop growing out of her backyard garage, “literally growing, like a time-lapse garden film – out of the garage walls and floor”. She knew this print shop contained everything she needed to produce her book and get it circulating to an audience.
    She proceeded to put together and publish her book, Conversations with Seth, a treasury for those of us who are drawn to the Seth material and its wonderfully clear description of multidimensional reality and the multidimensional self and the vital importance of dreaming in all of this.

    Susan compared the mobilizing effect of this dream to the kind of experience described by Jane Roberts in Adventures in Consciousness, when a surge of creative energy is given to us by the psyche at exactly the right moment.
    As a writer myself, I assign such episodes (devoutly to be wished) to the Dream Department of Literary Production.

My rediscovery of the Watkins story made me open her book again, at random. I found precious thoughts from Seth on two very important themes: how absence of dream recall may be caused by fear of the inner self, and how the dream world s not only a real world but may be the source of events in the physical world.

    In a session of Jane Roberts class in June 1973 Seth had this to say to a participant who wanted to know why, if dreams are important, she could not remember hers:

    “You are still afraid of the inner self. You still do not trust your dreams, and you are afraid of them. You do not want to remember them. When you give yourselves the suggestion that you will remember your dreams…you do not mean it. You are afraid or what you might meet, and you are still afraid of one particular dream, and you know the one to which I am referring.

     “You can change the ending of the dream by understanding the nature of reality: that you form it….You must believe in the power and energy and strength and glory of your being, and know that problems are challenges for you to solve…Then face them joyfully [with] your entire self….

    “Stop cowering! Do not cower before your own belief that the inner self is frightening, or that you are a bad person, or that while you are good, there are bad things hidden down there. Tell yourself, and convince yourself, that since you area part of All That Is, you are in your own way, now, a unique expression of All That Is, and there is nothing in All That Is to be afraid of and there  is nothing in you to be afraid of.”

     Later in that session Seth comes to his favorite theme:

    “How real is a dream? What makes you think that there is any difference between what you think of as a dream and what you think of as reality? You assume that a dream is less real; yet through what you think of as your dreaming life, you make your physical life…You choose in the dream state the probable realities that you will then make physical.”

The inner psychic combustion that gave us a great multidimensional teacher

There is one God, but within that God are many. There is one self, but within that self are many. There is one body, in one time, but the self has other bodies in other times. All “times” exist at once.

The voice is that of Seth, the "energy personality essence" channeled by Jane Roberts. We are near the beginning of the third of the Seth books, titled The "Unknown" Reality. I see from my note on the flyleaf that I purchased this book on 8.8.88.
    I came to the Seth materials reluctantly, even after I moved to upstate New York, not so far from where Jane Roberts had lived and practiced (in the Saratoga area and later in Elmira). I was wary around psychic mediums, perhaps because my great-aunt, the opera singer, had foreseen my death in the tea leaves when I was three years old. She was entirely accurate, by the way; in the words of a doctor in a hospital in the winter that followed, I was a boy who died and came back.
    Then, too, I winced at the slovenly or overly portentous verbiage of much of the channeled material that had come to my attention. Much of it seemed quite lacking in humor or wordcraft.
    It took an intervention to get me to start reading the Seth books. The intervention came embodied by a lively, intelligent woman from Caracas named Romelia. I had met her the previous year in Brazil, where we had investigated the mixology of caipirinhas. On a visit to New York, she called me at the farm to which I had recently moved. Naturally, I invited her to visit. At the end of the long drive to the farm house, she could not wait to cross my threshold before she shouted, "Robert, you must read Jane Roberts!"
    And I did, and I did. I started with Seth Speaks. I was stunned. Here was the clearest model I had so far found for the nature of the self and the conditions for reality creation in the multiverse. I could have done without all the interruptions to the text (as we are told that Jane paused to smoke a cigarette, for example) but nonetheless the voice came through, bold and clear. 

Who is Seth? In describing himself, he prefers not to use the word “spirit”. He jokes that he is a “ghost writer”. He says, “I am an energy personality essence, no longer focused in physical matter...     To write this book…I adopt from my own bank of past personalities those characteristics that seem most appropriate.” He can communicate through Jane Roberts because she is a "window". Within her psyche is “what amounts to a transparent dimensional warp that serves almost like an open window through which other realities can be perceived.”

    Where is Seth based? Not in what we think of as the afterlife. “You must die many times before you enter into this particular plane of existence.”

    The plot thickens when Seth starts speaking of an entity called, for convenience, Seth Two, a personality operating on a level above his. Jane Roberts speculates  that “Seth may be as much of a creation as his book is.” A form of the Speaker generated by a multidimensional intelligence to communicate in her time, and ours.
     As a former journalist, I am trained and disposed to check on the reliability of any source. But the true test for a source of this kind is the quality of the material that comes through. And the Seth material is extraordinary. 

    Seth is one of the really great dream educators. He is crystal clear about the important things that go on in dreaming. Consciousness travels outside the body, every night, in dreams. Dreaming, we travel to other realities, no less real (maybe more so) than the physical world.  Dreaming, we choose from an infinity of probable events those which will become physical. As we become conscious dreamers, we can not only shape reality on other planes, but can engage in reality creation on the physical plane. Thus:

“You can learn to change your physical environment by learning to change and manipulate your dream environment.” 

“Each of you intrudes into other systems of reality in your dream states” 

“This sleeping self of yours is far more knowledgeable than the waking self of which you are so proud.” 

“As there is continuity in your daily life, so there is continuity in your sleeping life...Dreams are no more hallucinatory than your waking life is. Your waking physical self is the dreamer, as far as your dreaming self is concerned. You are the dreamer it sends on its way. Your daily experiences are the dreams that it dreams.” 

Before long I was dreaming my own version of Seth. He looked like a knobby Dutch or Scandinavian publican, who might have spent time at sea, and I drew him looking like that. Years later, when I saw a picture of Seth by Jane Roberts’ husband Rob Butts, I was struck by the strong resemblance.

     I became content to respond to the Seth material channeled by Jane Roberts according to its inherent quality, without asking many questions about the source.
     As I listen to Seth again, I am again thrilled by the simplicity and vital importance of his key statements. Re-read the one that opens this post. This goes to the heart of what it means to be a conscious citizen of the multiverse.
     I was interested to find a detailed account by Jane Roberts in a 1976 essay of what it was like to be speaker for The "Unknown" Reality. She described the book as the product of “an inner psychic ‘combustion’ – the spark that is lit in our world, as Seth’s reality strikes mine – or vice versa." She said that in her trance of transmission she entered "a higher state of wakefulness rather than the sleep usually associated with trance – but a different kind of wakefulness, in which the usual world seems to be sleeping.” This type of trance brought "a feeling of inexhaustible energy, emotional wholeness, and subjective freedom.” In a striking attempt to define her relationship with Seth, she added, “I think I’m alive in Seth’s subjective ‘body’ in the same way that one of my cells is alive in my physical body.” 

Portrait of Seth by Robert F. Butts
    

Books that were life rings: Seth Speaks

“You must read Jane Roberts!” the lively, voluble Latin woman shouted at me on my doorstep before she had even crossed the threshold, on August 5, 1988. I had met her in Brazil, a couple of years before. We shared a taste for caipirinhas and spiritual adventures, and when she told me she was visiting a daughter who lived half an hour south of me, I naturally invited her to visit us at the farm.
    I had heard of Jane Roberts, and was aware that I was living in her neighborhood, since she came from Saratoga Springs and later lived in Elmira, New York, whose other familiar presences included my beloved Mark Twain. But I had never opened one of her books. I was wary of psychic mediums, maybe because one in the family had foreseen my death (accurately) when I was three years old. I was usually unimpressed by channeled material, which sometimes seemed to come through in overly pompous, foggy or inelegant forms.
    I could not resist the archetypal cameo of the messenger on the doorstep. I went to a bookshop and purchased everything by Jane Roberts that they had in stock. I started reading Seth Speaks, as Romelia suggested, and discovered one of the books that became life rings for me in a period of psychic storms and shamanic trials.

Who is Seth? In describing himself, he prefers not to use the word “spirit”. He jokes that he is a “ghost writer”. He says, “I am an energy personality essence, no longer focused in physical matter...     To write this book…I adopt from my own bank of past personalities those characteristics that seem most appropriate.” He can communicate through Jane Roberts because she is a "window". Within her psyche is “what amounts to a transparent dimensional warp that serves almost like an open window through which other realities can be perceived.”

    Where is Seth based? Not in what we think of as the afterlife. “You must die many times before you enter into this particular plane of existence.”

    The plot thickens when, quite late in the book, Seth makes room for an entity called, for convenience, Seth Two, a personality operating on a level above his. In her introduction, Jane Roberts speculates  that “Seth may be as much of a creation as his book is.” A form of the Speaker generated by a multidimensional intelligence to communicate in her time, and ours.
     As a former journalist, I am trained and disposed to check on the reliability of any source. But the true test for a source of this kind is the quality of the material that comes through. And the Seth material is extraordinary. Here are the main things that Seth Speaks confirmed for me, while helping me to grow my ability to explain the rules of engagement in the multiverse to myself and others:

We live in many times, and it is all happening Now

“You live many existences at one time." We are connected to personalities living in the past and the future and in parallel realities. Their gifts and their dramas are relevant to us. And it is all happening Now.
     Reincarnation is for real, but only one of many after-death options, and we mustn't get trapped in linear conceptions of karma and in past-life "passion plays" because any past or future is a probable reality that can be accessed and changed Now.

    “You may draw upon knowledge that belongs to other independent selves.” We can tune into parallel selves by switching consciousness and by above all by waking up to what is going on in our dreams. Great creativity is "multidimensional art", in which the creative mind is able to draw on the gifts and the energy of many selves, In ordinary life, we may be able to borrow physical strength and skills from other selves who developed differently from our present self by drawing on "latent layers" that are traveling close to us.

    You can tune in to parallel selves by switching consciousness “They are a part of the same river of your identity.” Great creativity is multidimensional. “Its origin is not from one reality, but from many, and it is tinged with the multiplicity of that origin.” 

Wake up and dream

Seth is one of the really great dream educators. He is crystal clear about the important things that go on in dreaming. Consciousness travels outside the body, every night, in dreams. Dreaming, we travel to other realities, no less real (maybe more so) than the physical world.  Dreaming, we choose from an infinity of probable events those which will become physical. As we become conscious dreamers, we can not only shape reality on other planes, but can engage in reality creation on the physical plane. Thus:

“You can learn to change your physical environment by learning to change and manipulate your dream environment.” 

“Each of you intrudes into other systems of reality in your dream states” 

“This sleeping self of yours is far more knowledgeable than the waking self of which you are so proud.” 

“As there is continuity in your daily life, so there is continuity in your sleeping life...Dreams are no more hallucinatory than your waking life is. Your waking physical self is the dreamer, as far as your dreaming self is concerned. You are the dreamer it sends on its way. Your daily experiences are the dreams that it dreams.” 

If we want to become better dreamers, and thereby more conscious citizens of the multiverse, Seth insists we much change our relationship with sleep. He recommends two sleep periods in the 24-hour cycle, each of about three hours. He notes that oversleeping results in sloth and fogged memory because consciousness or spirit has been away from the body too long. All of this becomes clearer is we grasp the simple fact that consciousness leaves the body during sleep.

We are in the afterlife now

Seth tells us, that in sleep and dreams we are already engaged in the same dimension in which we will have our after-death experiences. 

“You are already familiar with all conditions you will meet after death.”

“When you dream you are flying, you often are. In the dream state you operate under the same conditions, more or less, that are native in a consciousness not focused in physical reality. Many of your experiences, therefore, are precisely those you may meet after death.” 

As for ghosts, well, the living manufacture ghosts all the time.

“You yourselves appear as apparitions to others, particularly when you send strong thought-forms of yourself from the sleep state, or even when unconsciously you travel out of your physical body...Your rooms are full now of thought forms that you do not perceive.” 

 How multidimensional teachers are made

What thrilled me most in Seth Speaks was the account of the training and functions of a true teacher in the multiverse.

“In my work as a teacher I travel into many dimensions of existence, even as a traveling professor might give lectures in various states or countries. Here, however, the resemblance ends, largely, since before I can begin to work I must set up preliminary psychological structures and learn to know my pupils.” 

“When I enter your environment, I turn my consciousness in your direction...

When I contact your reality…it is as if I were entering one of your dreams."

A multidimensional teacher is trained to monitor and engage with all “probable selves” of a subject in different times and dimensions. (In her Oversoul Seven trilogy, Jane Roberts gives a simplified and engaging version of how this work).

    A teacher of this kind opens paths and doors in the multiverse where none were perceptible before. “The pathways we make continue to exist and can be used by others.” 
     This kind of ambassador of the multiverse remembers enough of life and death to have developed a cosmic sense of humor.

"When one has been born and died many times, expecting extinction with each death, and when this experience is followed by the realization that existence still continues, a sense of the divine comedy enters in."

I jotted in the margin, I want that job! 

Art: Rob Butts, Jane Robert's husband, made this picture of Seth, which Seth (in channeled session 168 in which he called Rob "Joseph", as he called Jane "Ruburt" ) pronounced an excellent likeness.