Lick the sky and rule China

The future of an empress of ancient China was foreshadowed by a dream in which she rose to the sky and drank from it. The crucial role of dreams and shamanic experience in imperial China is another chapter in the history we weren't taught in school.

   Deng Sui (81-121) ruled China as dowager empress in the Later Han Dynasty. As a young girl, she dreams that she rises up to the sky. It is beautiful, flawlessly blue. She touches it, moving her hand lightly across the smooth, rounded surface. Her exploring fingers find something shaped like “the nipple on a bronze bell”. She puts this in her mouth and sucks on it like a baby, feeling herself fed and nourished. 

    When she tells the dream to her parents, her father, a high official and royal tutor, calls in a dream interpreter. The professional draws on precedents. He recalls that two of the legendary “sage kings” of ancient China dreamed of rising to the sky before they rose to take the throne. Yao dreamed that he climbed up to the sky. Tang dreamed he rose to the sky and licked it. Both dreamers became emperors, ranked among the “sage kings” because of their wisdom and innovation. The dream interpreter declared that Deng Sui’s dream was “unspeakably auspicious.”
    For a second opinion, a face reader was called. He studied Deng Sui’s physiognomy and pronounced that her features closely resembled those of the sage king Cheng Tang. Therefore her destiny would be tremendous, as the dream seemed to promise.
    Still in her teens, Deng Sui was selected as a consort of the young Emperor He. A slightly older consort, Yin, was raised to the status of empress. Jealous and scheming, Yin hired sorcerers to attack Deng Sui with black magic. When this was discovered, Yin was deposed and Deng Sui took her place on the throne. When the emperor died, she became the regent for his child successor, and ruled China as dowager empress for several years, fulfilling the dream  prophecy.

     My source for Deng Sui's dream is an excellent scholarly study of shamanism, religion and poetry in early China: Gopal Sukhu, The Shaman and the Heresiarch: A New Interpretation of the Li sao. (Albany: State University of New York Press, 2012). This is the first book-length study in English of the Chinese poetic classic, the Li sao, attributed to Qu Yuan, a high official of the kingdom of Chu in the 3rd century BCE who lost his position thanks to the jealous intrigues of rivals.
    The title is translated here as “Encountering Sorrow”. It might also be rendered as "Departing from Sorrow". In his sorrow, the poet contemplates suicide; according to tradition Qu Yuan drowned himself in a river in 278 BCE, an event memorialized by the Duanwu or Dragon Boat festival. Yet the force of the poet's violent emotions is also the departure lobby for vividly described shamanic journeys between the worlds. He rides on dragons and phoenix-like birds, summons elemental powers, talks with gatekeepers of heaven worlds.

I sent Wangshu, the moon's charioteer, ahead as my herald,
And Feilian, the wind god, to the back as rear guard.
Male huan birds were my fore-runners,
And the Lord of Thunder would warn me of the unforeseen.

    The long poem is full of challenges for modern readers, especially in its elaborate floral codes (have as many flowers and herbs ever been named in another poem?) and in the gender-twisting narrative voice; Gopal Sukhu deftly traces the rival paths of interpretation and contributes a new translation with detailed notes.

Graphic: Chinese postcard depicting Deng Sui in Han dynasty hairdo.

Towards a History of Dreaming

 

Dreaming is vital to the human story, central to our survival and evolution, to creative endeavors in every field and, quite simply, to getting us through.
     It may be that just as babies rehearse for walking and talking in dreams before they have developed the corresponding physical abilities, humanity rehearses for new phases in its development through dreaming. We are on the edge of grasping what this might mean when we talk about ideas that are “in the air”. We see one facet of it when we learn that artists and science fiction writers have frequently anticipated new technologies by decades or centuries.
     We are learning to talk in English the imaginal realm, a dimension beyond the physical that is the precinct and playground of true imagination, a creative realm that may be the seed-bed of our great discoveries and innovations, and even the origin of events and situations that are manifested in the surface world. Indigenous peoples call it the Dreamtime, or the dream world. We go there when we go dreaming, which may or may not involve going to sleep.
      In modern western societies, we think of dreams as sleep experiences. But for many cultures, dreaming is fundamentally about waking up. In the language of ancient Egypt, the word for “dream” is rswt, which means “awakening”. The implication is that in much of ordinary life, we are in the condition of sleepwalkers, following programs and routines. In dreams, we wake up. This may happen during sleep, or in a twilight state of reverie, or in a vision or meditation or shamanic journey, or through the dreamlike play of coincidence and symbolic “pop-ups” in the midst of everyday life — all of which may be viewed as modes of dreaming and may provide experiences that can be reviewed and honored in the manner of dreams.
     To uncover the real history of dreaming, we need to read scenes from other times with the patience and intuition of a forensic scientist. We need to flag and tag as evidence all sorts of clues and sources that may not previously have been recognized as relevant. We need to situate dreaming activity in its social and cultural context. Above all, we need to be able to imagine ourselves inside the scene, as vividly as basketball great Bill Russell was able to replay games inside his head — and then go beyond the mental replay into a deeper play.
     Dream archaeologist is my name for the kind of investigator who is able to read all the clues from a scene in another time, enter that scene and then bring back new discoveries that will stand up to cross-examination.
     While “archaeology” is often understood to be the science of unearthing and studying antiquities, the root meaning of the word takes us deeper: it is the study of the arche, the first and primal, chief and essential things.
      There are three essential requirements for the dream archaeologist. The first is mastery of a panoply of sources, and the ability to read between the lines and make connections that have gone unnoticed by specialists who were looking for something else.
      Second, the dream archaeologist requires the ability to locate dreaming in its context - physical, social and cultural. For example, to understand the dream practices of the Mayoruna Indians of Amazonia (known as Cat People), we need to know that the typical sleeping arrangement is that you climb into a hammock woven from vines, tied at one end to the center pole of the communal hut, along with all the other hammocks in there. If you go to bed alone, you’ll pull down the center pole and all the other hammocks. You have to agree with at least one other person that you’ll go to bed at the same time. So sleep and dreaming are shared experiences from the moment you decide to go to bed.
     We need to understand the imaginal space, as well as the physical space, within which dreaming experiences take place. Certain cultures instruct or even command dream travelers to journey within a fixed imaginal geography. For example, in his fieldwork among a Nahuat-speaking people in Mexico, anthropologist Timothy Knab was encouraged by his mentors to locate his remembered dream experiences within an Otherworld, or Underworld, known as Talocan. If there’s a lot of water in a certain scene, that means he traveled to a Water World on the east side of Talocan. If there are mostly women that meant he went to the House of Women in the west of Talocan. From outside observer, the anthropologist found his way inside the dreamworld of his hosts.
     Third, the dream archaeologist must develop the ability to enter a different reality and experience it from inside. “One cannot conduct fieldwork in another person’s dream,” says anthropologist Roger Ivar Lohmann. While this may seem to be common sense, it is a view that dream archaeologists are going to test.
    Through the arts of conscious dream travel, active imagination and “mutual visioning”, we can enter other times and gain first-hand knowledge of conditions there that we can proceed to research and verify — and may assist both scholars and practitioners to go beyond what was previously understood. We can reclaim the best of ancient traditions and rituals in authentic, helpful and timely ways.
      As we enter deeper levels of past and future history, we may be able to re-vision the linear sequence of events from the standpoint of metahistory, an understanding that transcends linear time.
     We can enter the life situations of personalities in the past or future who may be related to us in various ways — as ancestors or descendants, as members of our larger spiritual families, as embodied aspects of ourselves or as counterpart selves actually living in other places and times. And we can experiment with direct communication with personalities living in other times, for mutual benefit, in their “now” time as well as the spacious Now of the Dreamtime.

Text adapted from The Secret History of Dreaming by Robert Moss. Published by New World Library. 


Dream journal drawing by Robert Moss

 

Dreams of the Tiger Sultan

Tipu Sultan, Muslim ruler of Mysore in southern India from 1782 to 1799, spent much of his reign fighting the British and their allies, the Marhattas. He was called the Tiger of Mysore because of his fierce battle prowess and his self-identification with the tiger which featured everywhere in his ambit. A life-sized tiger statue was the base if his jeweled throne; gold tiger heads glared from the canopy above his own. He had a mechanical tiger constructed that mauled and tore at the figure of a prone English soldier when turned on.
     Tipu was also profoundly interested in dreams. He looked to his dreams for guidance on the future, especially the outcome of battles, and for direct access to tutelary spirits, including the Prophet himself. He recorded his dream in Persian in his own hand and kept his journal secret even from his closest advisers.
     Tipu’s manuscript journal was discovered after he was killed in battle at Seringapatam in 1799. It was presented to the Court of Directors of the East India Company in 1800 by Alexander Beatson on behalf of the Governor-General, Marquess Wellesley. The story of its discovery is recorded in Beatson’s signed and dated note at the end of the volume:

This register of the Sultaun’s  [sic] dreams was discovered by Colonel William Kirkpatrick, amongst other papers of a secret nature in an escritoire found in the Palace of Seringapatam. Hubbeeb Oollah, one of the most confidential of the Sultaun’s servants, was present at the time it was discovered. He knew that there was such a book of the Sultaun’s composition; but had never seen it, as the Sultaun always manifested peculiar anxiety to conceal it from the view of any who happened to approach while he was either reading or writing in it.[1]

 

A woman in man’s clothes 

In the dream report numbered #13 in the translation of the journal made by Mahmoud Husain for the Pakistan Historical Society. Tipu describes what he saw before he went to battle against a Marhattaa force that greatly outnumbered his own:

I had a dream: It seemed to me as if a handsome young man, a stranger, came and sat down near me. I passed certain remarks in the manner in which one might, in a playful mood, talk to a woman. I then said to myself: “It is not my custom to enter into playful discourse with anyone.”
      Shortly thereafter, the youth rose, and walking a few paces, returned to loosen his hair from beneath his turban, and opening the fastenings of his robe, displayed his bosom, and I saw it was a woman. I immediately called and seated her and said to her: “Whereas formerly I had only guessed you were a woman, and I had cut jokes with you, it is now definite that you are a woman in the dress of a man. My conjecture has come true.”
      In the midst of this conversation the morning dawned, and I woke up. I conveyed the contents of the dream to other people and interpreted it thus: That please God those Marhattas have put on the clothes of men, but in fact will prove to be women.

The sultan saw his dream fulfilled. As he wrote, “By the favor of God and the aid of His Messenger on the morning of Saturday, I made a surprise attack upon the army of the unbelievers. Advancing with two or three hundred men, I myself penetrated the camp of the unbelievers, crushing them as I went and they all fled like women.” [2]

References

1.British Library IO Islamic 3563, f. 29v.

2. Tipu, Sultan. The Dreams of Tipu Sultan. Trans. Husain Karachi: Pakistan Historical Society Publications no. 7. n.d. [1957]  pp.63-4.

Photo: Tipu's mechanical tiger is in the Victoria & Albert Museum in London

 

 

The dream that guided Jung to reach for a more general audience

 

 Near the end of his life, Jung finally managed to put his best and most original ideas in a form that was simple enough to reach a general audience, without diluting or dumbing anything down. He might not have done this except for a dream. After watching Jung's very human interviews with John Freeman for the BBC in 1959, the publisher of Aldus Books had a bright idea: why not ask Jung to write a book for a general audience?
     Jung's answer, when approached by Freeman, was a flat No. He was now in his 80s, and did not want to take the time that remained to him for this. Then Jung dreamed that he was standing in a public place and lecturing to a multitude of people who were not only listening with rapt attention but understood what he was saying. The dream changed his mind.
     Jung had said in Memories, Dreams, Reflections, "All day long I have exciting ideas and thoughts. But I take up in my work only those to which my dreams direct me." Now he proved this, again, by embarking on the book that was published (after his death) as Man and His Symbols. He conceived it a collaborative effort and invited trusted colleagues like Marie-Louise von Franz to contribute chapters.
    His personal contribution was a long essay titled "Approaching the Unconscious" . The essay is, first and last, about dreams. He completed it just ten days before the start of his final illness, so this work may be called his last testament. It testifies, above all, to the primary importance of dreams in Jung's psychology and in his vision of human nature and evolution. Jung makes this ringing statement: "It is an age-old fact that God speaks, chiefly, through dreams and visions." 

Illustration "The Hiddem Door" RM+AI

“The dream is the small hidden door in the deepest and most intimate sanctum of the soul, which opens to that primeval cosmic night that was soul long before there was conscious ego and will be soul far beyond what a conscious ego could ever reach.” - C.G. Jung, "The Meaning of Psychology for Modern Man". 1931 lecture.

So You Want a Dream Interpreter

 

If you want someone to interpret your dream, make sure they can tell it to you before you tell them.
       A Turkish friend recalls that her grandmother used to take her dreams to a Şeyh (shaykh) of the Halveti Ussaki Sufi order for interpretation. On one occasion, the Şeyh greeted her by telling her the essential content of her dream before she had told him the dream. She was shocked, but also convinced that the Sufi master was the right interpreter, if he could find a dream before she gave it to him.
       This kind of thing is not unusual in cultures where the practice of dreaming is still strong. That the best dream interpreter is one who can tell you your dream before you tell it to him is a sound principle, when you think about it, because it suggests that such a person has great intuitive abilities, and maybe very useful connections on the other side of ordinary reality, and perhaps the ability to dive into the dream world - or at least your own energy field - at will. I have written about the practices of a West African tribe who believe you can only trust interpreters if they can tell you your dream before you tell them. 
      I have also suggested that Nebuchadnezzar was operating by the same principle when he challenged all the dream interpreters to tell him a dream he claimed to have forgotten. [1] In a society that valued dreams highly and had advanced dream practices, I'll bet the king had not really forgotten his dream, but rather wanted to put the supposed dream experts through their paces. Daniel, famously, was able to access the king's dream and tell it to him because he had powerful assistance; he called on his God.
    Let's be clear. This is not a pitch for dream interpretation. We want to help each other to claim the power of our own dreams. We do that by offering commentary by saying "if it were my dream", recognizing our own projections and encouraging the dreamer to accept or reject feedback according to their own instincts. When we are able to enter another person's dreamspace - as shamanic dreamers learn to do, with permission - we can say, "in my dream of your dream," again leaving final decisions about the dream to the dreamer.
     If you are going to look for a dream interpreter nonetheless, look for someone who can find your dream before you tell them what's in it - or travel into your dreamspace, at your invitation, to bring back the full content and meaning of your experience,or call on a guide who knows. 

1.See my book The Secret History of Dreaming

 

Dreams are a stage for history: wisdom from a medieval Muslim historian

One of the history books that draws me back every few years is Ibn Khaldun's Muqaddimah - or "Introduction" - to world history. Writing in the 14th century, in the midst of constant war and turmoil between the rival Muslim dynasties of the Maghreb, he brought modern principles of evidence to the grand ambition of writing a universal history. Many scholars of historiography see him as the first true world historian.
     He was an evolutionist, in his way. He observed that every order of creation may evolve into one above it. For humanity, this would mean evolving to the condition of the angels – “angelity”. For now, only the prophets are at home in that realm.
     Ibn Khaldun wanted to understand the reasons for the rise and fall of different cultures, and identified cycles - or "returns" - throughout history.
      I see I am engaged in one of the "returns" of my own life. In 1967-1968, I considered writing my MA dissertation on the Muqaddimah, partly influenced by a Pakistani scholar of Ibn Khaldun who was at the School of Advanced Studies at the Australian National University. He thought I would find the Maghreb historian's approach refreshing. I even embarked on studying Arabic in this cause - but my wife of that era complained that I kept sounding like I was gargling or throwing up, so I switched my thesis topic to West African history.
    Though Ibn Khaldun’s project was often delayed or interrupted by needs of state (he was a minister and ambassador and occasionally a general for the dynasties of Tunis, Fez, and Andalusia) his Introduction is extraordinary, and an extraordinarily good read today. He begins with six essays defining the stage on which history is played out, covering (for example) the influence of climate and geographical features in human affairs, the human need for community, and the nature of group consciousness.
     His sixth essay is the most arresting and arousing. He explains how knowledge of the future, the realm of angels, and the Divine purpose become available through dreams and visions. He distinguishes the "true dream" (which requires no interpretation) from lesser dreams. Ibn Khaldun describes how in dreams the soul travels outside the body, remaining connected by a "thin vapor" whose seat is in the heart. He is very interesting on the theme of how dream experiences are reshaped into more conventional or familiar - and sometimes deceptive - imagery (in ordinary or "confused" dreams) as the dreamer returns.
     He defines the nature of the prophet, making it clear there have been many, though Muhammad is unique because he received and retained the vast and unique revelation that is the Koran. Ibn Khaldun reports that prophets, in the grip of revelation, can appear to lose control of their senses and feel overwhelmed - sometimes "choked", as Muhammad complained to Gabriel - by what is upon them. But unlike mediums or victims of possession, they retain their knowledge and bring it back with clarity, and that knowledge serves and sustains humanity and furthers its evolution.
     All this in laying the foundation for writing history! Today's historians should take note. I was partly inspired by this approach to write my own  Secret History of Dreaming,which reveals how dreams and visions have been a secret engine of history and evolution throughout the whole human odyssey on the planet.

Photo: Doors in Sarajevo by Robert Moss

A 2-minute history of dream creation

Dreams and twilight states of consciousness have inspired great scientists, inventors, musicians, writers and liberators of human possibility throughout history. Here are some examples:

• Scientist Otto Loewi dreamed the experiment that enabled him to prove that nerve impulses are chemically transmitted, a discovery that won him the Nobel Prize.
• Beethoven composed a canon in his sleep, and transcribed it after waking.
• Giuseppe Tartini dreamed his famous Violin Sonata in G Minor, known as the Devil's Trill. By his own account, Tartini gave the Devil his violin in the dream and was awed by the brilliance of the fresh composition he received.
• Robert Louis Stevenson received his stories in a twilight state of “reverie” in which benign spirits he called “brownies” helped him to compose.
• William Butler Yeats wrote his celebrated one-act play Cathleen ni Houlihan from a dream, and much of his poetry flowed directly from dreams and visions.
• Elias Howe, the inventor of the modern sewing machine, dreamed the solution to the technical problem that had stumped him.
• Lucille Ball was inspired to launch her phenomenally successful TV show by a dream in which she was visited by a departed friend, the actress Carole Lombard (who had been killed in a plane crash in 1942). Later Lucy’s departed mother appeared in dreams to give her business guidance.
• Jack Nicklaus dreamed up a new golf grip.
• Polynesian master navigators were able to cross thousands of miles of ocean, without maps or instruments, because they followed courses shown to them in dreams. A priest (and royal tattooist) called Hau Maka dreamed the way to Easter Island, describing the location in great detail. His king and his people trusted the dreamer’s travel report. They all set sail with everything they had and after two months sailed into Anakena Bay, which was exactly as Hau Maka had described.
• In his speech on acceptance of his Nobel Prize, quantum physicist Niels Bohr attributed his discoveries to his dreams. 
•  Another Nobel laureate and quantum physicist, Wolfgang Pauli, said that dreams were his "secret laboratory."
• Harriet Tubman, the most famous conductor of the Underground Railroad, helped 300 slaves escape to freedom by leading them along the roads she discovered and scouted in her dreams.
• Larry Page, co-founder of Google, told a commencement audience at his alma mater that the idea that put him en route to creating the search engine that became a financial behemoth came to him in a dream, counseling, "If you have a big dream, grab it."
• The biggest gusher in the history of oil, at the time of its discovery in 1938, was the direct result of the dream of a retired British colonial official. It was the origin of Kuwait's oil wealth, the source of the fuel that got American shipping across the Atlantic in World War II - and of the later Gulf War.
• Johnny Cash, John Lennon and Paul McCartney are among scores of popular musicians whose songs have been directly inspired by dreams.

For much more on dreaming as a secret engine in the history of all things human, please read The Secret History of Dreaming.

Picture: "Tartini's Dream" by Louis-Léopold Boilly (1824)

The Dream that Ousted Stalin from the Mausoleum

Further Notes on The Secret History of Dreaming

Dora Abramovna Lazurkina (1884-1974) Old Bolshevik and friend of Lenin, was arrested by Stalin’s secret police in 1937, jailed and tortured and sent to the Gulag. She was not released until 1955 and had nightmares about what she had endured until the end of her life.

At the 22^nd Communist Party Congress in 1961 she rose to say that she had dreamed that Lenin told her that he was not happy about lying next to Stalin in the Mausoleum on Red Square. After Stalin’s death, his mummified body had been interred next to Lenin’s, Stalin in his gorgeous generalissimo’s uniform, Lenin’s in a civilian black suit.

Lazurkina told the Party Congress:

I always carry Ilyich in my heart and always, comrades, in the most difficult moments, I survived only because I had Ilyich in my heart and I consulted with him what to do. Yesterday I consulted with Ilyich, as if he stood before me as if alive and said: it is unpleasant for me to be next to Stalin, who brought so much trouble to the party.

Though Molotov, a diehard Stalinist, declared that this was the dream of a witch, she got a standing ovation and “stormy applause, according to the transcript.  Khruschev was already planning to remove Stalin from the Mausoleum but wanted cover, fearing riots by Stalin’s perfervid followers, especially in Georgia. On the night of Halloween, October 31, 1961, a secret police unit carried Stalin’s corpse to a burial plot by the Kremlin wall on Halloween, where it was stripped of its decorations before being interred under a heavy stone slab.

A year later, the Russian poet Yevgeny Yevtushenko, for whom I read translations when he spoke in Canberra in 1966, published a poem in Pravda titled “The Heirs of Stalin” in which he appealed to the regime not to let Stalin rise again: “And I, appealing to our government, petition them to double, and even triple, the number of sentries guarding this slab, and stop Stalin from ever rising again and, with Stalin, the past."

 

Bridegroom of Dreams

 

"The seventh type of dreams, which I call lucid dreams, seems to me the most interesting and worthy of the most careful observation and study. Of this type I experienced and wrote down 352 cases in the period between January 20, 1898, and December 26, 1912.

"In these lucid dreams the reintegration of the psychic functions is so complete that the sleeper remembers day-life and his own condition, reaches a state of perfect awareness, and is able to direct his attention, and to attempt different acts of free volition. Yet the sleep, as I am able confidently to state, is undisturbed, deep and refreshing."

- Frederik van Eeden “A Study of Dreams” [1] in Proceedings of the Society for Psychical Research, Vol. 26, 1913

The dream explorer credited with coining the term lucid dreaming [2] was a dedicated soul journeyer.  Dr. Frederik van Eeden (1860–1932) was a Dutch writer, physician, and member of the British Society for Psychical Research (SPR). In 1913, he gave a lecture to the SPR in which he reported “lucid dreams” in which the dreamer retains the memory of his waking life, remained conscious, and could carry out “different acts of free volition.” He observed that the phenomenon of multiple consciousness and “double memory” - of both waking and dream events - “leads almost unavoidably to the conception of a dream-body.”

His first attempt to give full expression to what he had experienced took the form of a novel De nachtbruid: De gedenkschriften van Vico Muralto ("The Night Bride: The Memoirs of Vico Muralto") first published in Dutch in 1892. An English language edition, retitled The Bride of Dreams, was published in 1913, the year he spoke at the SPR. He told the SPR that "the fictitious form enabled me to deal freely with delicate matters, and had also the advantage that it expressed rather unusual ideas in a less aggressive way - esoterically, so to speak."

He had many interests: as a writer, he belonged to a prominent Dutch literary group and found an international audience with his novel Hedwig’s Journey in 1900; as a physician, he worked on a cure for TB; as a pacifist he founded a society called Walden; as a reformer he worked for compensation for dismissed strikers; as a spiritual seeker, he looked East, and back to Western mystics like Boehme before immuring himself in the Catholic church in 1922 (which may have been foreshadowed by all the tortured theological musings in Bride of Dreams and his belief in demons, shared with the SPR), He took on Freud, rejecting his  theory of dreams as wish fulfilment. He had two wives, Martha (divorced in 1907) and Geertruida, with him till his death. Two children from each marriage.

Van Eeden’s autobiographical novel The Bride of Dreams, features a protagonist and narrator dressed up rather unconvincingly as an Italian aristocrat, Count Muralto.  The book is tedious and talky – and occasionally seemingly antisemitic - until we get to chapter 12 when the Count begins to discuss his dream life. The chapter starts with an account of detailed dream observation of a tree he is sure he could not invent, the incident van Eeden mentioned in his paper for the SPR. There are dream encounters with the dead, including a reunion with the protagonist’s father, who shows the love and compassion lacking in life, when the father tried to kill them both on a boat and died cursing his son.

We learn about the Count’s experiments in becoming conscious inside his dreams, and sustaining consciousness as he passes between waking and dream states. There is convincing material on how the dream body, which has its own sensorium, experiences pleasure and pain. In a lurch back to medievalism, the narrator blames “demons” for terrors and confusion, including the phenomenon of false awakening. The book trumpets the idea that out truest life, and clearest knowing, may be attained in dreams. "The solution of the secret of our lives lies in our dreams."

Here is his account of the blossoming tree:

one night while dreaming of a blossoming orchard in Italy, I succeeded in observing with thorough consciousness. I saw the branches as they crossed one another, and the festoons of vines stretching from tree to tree, whilst I soared through, a few yards from the ground, with a pale blue sky above me. And while observing yet more closely I pondered how it was possible to reproduce so exactly and minutely in a vision obviously emanating from myself and which I had myself created, the apparent motions of these myriad crossing twigs and the confusion of the young foliage. And in my dream, and realizing that I was dreaming, I came to the conclusion that this vision must be a reality, an objective reality as the philosophers of reason would say, because to me - the observer - it manifested a distinctly personal existence. As I soared by, the twigs described their apparent motions exactly as I had observed by day, and how should I, who could not even draw a tree, be able to create these extraordinarily compiled moving images? 

He found himself “thoroughly wide awake in the midst of… deep sound sleep”

As the Count, he expresses his desire to master continuity of consciousness and double his life

In my first elation I hoped that I might sometime reach the point where I could pass from waking to sleeping without loss of conscious- ness, and night after night contemplate the dream-sphere with all the calmness of day - thus doubling my entire life.

As we follow the Count’s experiments in lucid dreaming, we see him planning destination travel:

In order actively to carry out a thing in the dream world, I must resolve upon it betimes and definitely determine upon the plan. During the actual dream the time is usually too short, the incidents pass too fleetingly. Sometimes I soar on in swift flight so that everything rushes by me without my being able to delay the pace. It is usually after one of these happy dreams with full consciousness, that I plan out, that very morning before getting up, what I shall do the next time in my dream. And then, every evening before falling asleep, it is once more distinctly formulated and stamped upon the memory

He finds himself leading a double life, with the certainty that his dream life is no less real than his waking one. "I led for many years a double life, in which the incidents of the day did not seem more important to me than the observations of the night." 

He is fully aware that he has a subtle body, or dream body: "I knew now that I had another body, beside the ordinary one, an animæ corpus, with a proper world of perception; and this knowledge rested upon equally good foundations as every one's knowledge concerning the existence of his ordinary body."

He can travel to many worlds without moving his body:

That I, without stirring from my place, could arrive in a totally different world, in many worlds, all with a proper space, all with the same evidence of real existence, all full of life, full of sensations, fall of beauties and transports - this became for me a matter of simple experience. And no one only knowing it from hearsay can realize how different and how much more profound is the effect of actual experience.

He asks, how much of all this is his own creation? and gives an interesting response:

the insensible world is in part our own creation, subject to our will, built up from the conclusions gathered in our day-life, with the faculties and powers which by practice and use we have in this same life made our own. Everything is the product of imagination; the sun and the stars are also works of God’s imagination.

NOTES

1. Frederik van Eeden “A Study of Dreams” in Proceedings of the Society for Psychical Research, Vol. 26, 1913.

2. Van Eeden was not the fitrst author to use the term "lucid dream". The Marquis d'Hervey de Saint-Denys wrote in detail about his personal adventures in rêves  lucides in Les Rêves et les Moyens de Les Diriger: Observations pratiques, first published anonymously in 1867. He used the term uses the term to mean "aware of my true situation."  

C’est-a-dire le premier rêve lucide au milieu duquel je posséderais bien le sentiment de ma situation. 

"That is to say, the first lucid dream in which I had the sensation of my situation."

- [anon] Les Rêves et les Moyens de Les Diriger. Paris: Librairie d’Amyot. 1867, p.287.

Drawing: "Bridegroom of Dreams" [Frederik van Eeden] by Robert Moss

Socrates' Dream Woman

 

She was beautiful and shapely (καλή καὶ εὐειδής), Socrates tells Crito, the wealthy friend who has come to his prison cell. Crito bribed the guards to get in and has been waiting since before dawn for Socrates to wake up. Socrates has been waiting for nearly a month for his death, having been condemned on charges of impiety and corrupting the young. Execution of the death sentence will be caried out when a state ship that carried offerings for the festival of Apollo and Artemis at Delos returns from the island. Crito has dreadful news. The ship has been sighted off Cape Sounion. It will soon be in harbor and Socrates will die. However, Crito has the money and connections to arrange Socrates' escape to Thessaly, beyond the reach of Athenian justice. They are going to have a discussion about whether it is moral to resist the unjust application of just laws. But first, Socrates wants to correct the timeline. He is sure he won't die the next day, even if the ship from Delos is back. How can he know?

Crito: Where do you get your evidence for this?

Socrates: My evidence is something I saw in a dream a little while ago, during the night. It's probably a good thing you did not wake me.

Crito: What was the dream?
Socrates: A woman appeared, coming towards me, beautiful and shapely, wearing white garments. She called to me, 'Socrates, you shall arrive in fertile Phthia on the third day.'
Crito: What a strange dream, Socrates.
Socrates: It seems obvious to me.

Phthia was in wild Thessaly, home of Achilles. The phrase about arriving there on the third day was used in the Iliad when Achilles, piqued by Agamemnon's theft of a beautiful captive he had wanted for his prize, was threatening to abandon the siege of Troy and go home.

Home for the warrior might be a refuge for the philosopher, if he were willing to flout the laws. (Socrates, of course, is not.) But surely the shapely woman in white was preparing Socrates for his journey to a different home in a different world, as dream visitors often do. When his time comes, Socrates does willingly, discoursing on the immortality of the soul as he raises the cup of lethal hemlock to his lips.

Based on Plato's Crito 44ab. This is regarded by scholars as one of the most realistic of Plato's dialogues. It has only two speakers: Socrates and Crito. Curiously, it says little overtly about the soul. Illustration: "Socrates' Dream Visitor" by Robert Moss.

Synesius on the Dream Oracle

 

You have direct access to sacred knowledge, in your dreams. Your dreams are a personal oracle that reveals the future and helps you prepare for it. Don’t let anyone tell you what your dreams mean; get rid of dream dictionaries. Pay attention to signs from the world around you; know that everything in the universe is interconnected and constantly interweaving. Use your imagination. What you grow there will be stamped on your world and on your soul – on the energy body in which you will travel to another life after death. [1] 

Amazingly, these insights come from a fifth-century bishop of the church. His name was Synesius of Cyrene, and his treatise On Dreams, composed around 405, is one of the wisest books ever written on dreams, coincidence and imagination. Synesius was a most unusual bishop. In his life and work we find – alas, only briefly – a confluence between the best of the ancient practice of philosophy and the new religion of the Roman empire.

Synesius was a Greco-Roman aristocrat who could trace his pedigree back to the founders of Sparta, seventeen hundred years before him. He lived on a great estate in Cyrene, part of modern Libya, enjoyed the pleasures of both the hunt and the study, and chuckled over the fact that rural folk in his area still thought “the king of the world” was Agamemnon. [2]

 He had the best education possible in his time, in Alexandria, in the school of Hypatia, the extraordinary woman scientist, mathematician, and Neoplatonist who strode the streets of the world-city in her philosopher’s cloak, surrounded by eager students. 

It was in Alexandria that Synesius experienced his first and deepest conversion, when he found “the eye of the soul” within him opening to reveal the sacred depth of the universe. His consciousness expanded to give him the clear vision of the One beyond the many. He saw the reality behind the forms of religion. In his quiet hours, he dedicated himself to “mysteries without rites” devoted to awakening the divinity within the human that corresponds and coincides with the divinity within and beyond the cosmos. [3] He was a convert to philosophy as it was understood in the Greco-Roman world: the love and practice of wisdom. 

It was in Alexandria, around 405 and recently married, with the Barbarians at the gates of Rome, that he wrote his treatise on dreams. 

He makes it clear that his discussion of dreams is grounded in personal experience. Dreams have guided him in the hunt, showing him how and where to find the game. Dreams have led him to “swarms of wild beasts that have fallen to our spears”.[4]

He was guided by dreams when his city sent him to Constantinople to plead for favors from the emperor. In a hothouse of political intrigue, his dreams helped him to tell friend from foe, and alerted him to hostile intrigues in which his enemies hired “ghost-raising sorcerers” to attack him by black magic.

The dream oracle “helped me in the management of public office in the best interest of the cities, and finally placed me on terms of intimacy with the Emperor.”

His dreams contributed to his success as a writer and orator. The dream source “frequently helped me to write books”, correcting his style, and helping him to prune archaic Attic expressions – products of his love of old books - from his essays and poems. 

Synesius explains that dreams are “personal oracles”. We want to claim authority over our own dreams and reject anything and anyone who tries to come between us and the dream source. “We ought to seek this branch of knowledge before all else; for it comes from us, is within us, and is the special possession of the soul of each one of us.

The dream oracle speaks to us wherever we go. “We can’t abandon this oracle even if we try. It is with us at home and abroad, on the field of battle, in the city and in the marketplace.”

Dreams are our common birthright. They belong to rich and poor, to kings and to slaves. The dream oracle turns no one down because of race or age, status or calling.

Even the worst tyrant is powerless to separate us from our dreams – which may hold the key to his overthrow – “unless he could banish sleep from his kingdom”.

“Dream divination is available to all, the good genius to everyone.”

It is no wonder that dreams show us the future, because dreams are experiences of soul and “the soul holds the forms of things that come into being”

 Synesius dismisses dream dictionaries – popular in his time, as in ours – with admirable vigor. “I laugh at all those books and think them of little use”. General definitions don’t work because each dreamer is a different mirror for dream images – some are funhouse mirrors, some are made of varied materials. Big dreams do not require interpretation; their meaning is in the experience of the dream itself. Dreams that are “more divine” are “quite clear and obvious, or nearly so”, but come only to those who live “according to virtue”.

Steeped in Homer, he can’t avoid mentioning the scene in the Odyssey where the Gates of Horn and Ivory are described. In his view, both Homer’s Penelope and legions of commentators and borrowers failed to understand that dreams, in themselves, are never false. Penelope assumes that there are true dreams and deceptive dreams “because she was not instructed in the matter.” Deception arises through false interpretations, not false dreams. If Penelope had understood the nature of dreaming better, “she would have made all dreams pass out through the Gate of Horn…We should not confuse the weakness of the interpreter with the nature of the visions themselves.”

 Synesius recommends setting an intention for the night. “We shall pray for a dream, even as Homer prayed. And if you are worthy, the god far away is present with you…He comes to your side when you sleep, and this is the whole system of the initiation.”

 Synesius also stresses the value of keeping a dream journal, and of writing and creating from dreams. “It is no mean achievement to pass on to another something of a strange nature that has stirred in one’s own soul”.

 Synesius urges us to keep a “day book” for our observations of signs and synchronicities as well as a “night book” for dreams.  “All things are signs appearing through all things…they are brothers in a single living creature, the cosmos…they are written in characters of every kind”. The deepest scholarship lies in reading the sign language of the world; the true sage is a person “who understands the relationship of the parts of the universe”.

 Five years after writing his essay On Dreams, Synesius was persuaded by Theophilus, the Patriarch of Alexandria, to accept the bishopric of Ptolemais. It seems that he was baptized at the same time, rather late in the day according to our common understanding of what is involved in becoming a bishop of the church.

Synesius’ entry into the episcopate was a political, rather than a spiritual, event. The influence of his wife – who he loved deeply – may have been important; she was presumably Christian, since Theophilus was at their wedding in 403. Winning an aristocratic philosopher to the church was a coup for the Patriarch; though Christianity had become the religion of the empire, the old houses were still keeping their distance. For Synesius, assuming the rank and responsibilities of a bishop was both a case of noblesse oblige and an accommodation to the movement of history. In 399, the Serapeum – the great temple complex of Serapis at Alexandria – had been destroyed, and the might of the Roman Empire was now being used to stamp out pagan practices. The new God was fast supplanting the old ones.

In theological language, Synesius joined the Christians through adhesion rather than through the transformative experience of a full conversion. [5] But we can trace some possible lines of convergence between his philosophy and the Christian message. He believed in One divinity, behind the many forms of the divine. He wrote of the “fall” of the soul from a state of knowledge and truth. He believed that in times of darkness, a saving power may be sent to rescue humanity from itself and its deceivers. His essay On Providence depicts a world dominated by dark forces whose purpose is to drag humans down and destroy them if they reach for the light. Behind the surface events of history is the struggle between the higher instincts of humanity and the darkness within and around it. The power of light in humanity runs down, and must be restored periodically, at the end of the great cycles of history. But sometimes, when humans are in extremis, divine intervention may take place before the end of a cycle, to keep the game in play. [6] 

If Synesius lived long enough to learn the end of his mentor, Hypatia, he would have been left in no doubt that the darkness was rising. Though Hypatia’s students included Christians, the fanatical Cyril, who became bishop of Alexandria in 412, saw her as magnet for pagans. His violent diatribes against her helped to inflame a mob, led by a church lector, that pulled Hypatia from her carriage at night. In their collective dementia, these frenzied fundamentalists dragged her into a church called the Caesarium, tore off her clothes, and flayed her alive with sharp-edged shells. Then they butchered her body and burned the pieces to ashes. [7] 

In such a world, Synesius offered the means of communicating with a higher realm, and bringing gifts from it into everyday life. He taught that the realm of imagination is “the hollow gulf of the universe” where the soul is at home. Imagination is “the halfway house between spirit and matter, which makes communication between the two possible”. [Bregman 148] The soul travels in this realm in dreams.

For Bishop Synesius, dreaming is everyday church. It is also a way of entry into the real world. According to Synesius, dreamer do not return to reality when they awaken; dreaming, they are already there. 

 

 References

1. Jay Bregman, Synesius of Cyrene, Philosopher-Bishop. (Berkeley: University of California Press, 1982) 148.

2.ibid 76

3. ibid 26, 32-3,citing Letter 137.

4. All quotes from De insomniis (On Dreams) unless otherwise noted are from  Augustine FitzGerald (ed) The Essays and Hymns of Synesius of Cyrene. 2 vols. (Oxford: Oxford University Press, 1930)

 5. See A.A. Nock, Conversion. (Oxford: Oxford University Press, 1933).

6. Synesius, De providentia quoted in Bregman,op.cit., 66-72

7. Socrates Scholasticus, “The Murder of Hypatia” in Anne Fremantle (ed) A Treasury of Early Christianity. (New York: Viking, 1953) 380

 

Graphics: 

Lion at the Templeof Apollo in Cyrene

"Eye in the Sky" Journal Drawing by Robert Moss

 

 

Astral projection and bilocation in the early Renaissance church

In the mid-15th century, the monks of San Francesco, in Borgo San Sepolcro in Tuscany, allotted 510 ducats - a fantastic sum at that time - for a double-sided altarpiece. The lead artist was Stefano de Giovanni, known as "Sassetta", already recognized as the master of the Siena school. The altarpiece was constructed over the grave of of the Blessed Ranieri Rasini, and a series of panels on the predella depicted scenes from his life.

    The Blessed Ranieri (just short of sainthood) was a Franciscan friar who died in Umbria in 1304. His reputation clearly long survived his death. He was revered locally as a miracle maker with the ability to project an energy double that could work wonders while his body was engaged somewhere else. Thus he ranks as an all-but-patron-saint of dream travel and astral projection.

    Anyone interested in the history of dream travel would do well to look very closely at two surviving paintings of the Blessed Ranieri, by the great Sassetta. The one above is titled "The Blessed Ranieri Freeing the Poor from Jail", and it is in the Louvre. It shows Ranieri whizzing around like a rocket man.

The second painting shows Ranieri appearing to a cardinal in a dream; this panel is now in the Staatliche Museen in Berlin. It depicts Ranieri floating in mid-air above the sleeping body of a well-fed cardinal, pointing to a flask containing a healing balm.

     It was a good thing for those who saw the Blessed Ranieri (d. 1304) flying about in this way that they were living in a Catholic country where bilocation and astral projection were welcomed, at least when practiced by the religiously correct. In the Puritan theocracy of colonial Massachusetts, a couple of centuries later, a snitch who claimed to have seen you flying around in your dream body could get you hauled into a Salem witch trial.

I'll be interested in further information on the flying holy man in Sassetta's paintings. His aerial visit to the rotund cardinal is mentioned in Sassetta: The Borgo San Sepolcro Altarpiece, edited by Machtelt Israels, but it seems that the identity of the cardinal is a matter for speculation.
    A pleasant legend survives in a later account (1622) by a printer named Giovanni Antonio Castiglione, according to which the monks had emissaries sent to a certain cardinal to request balm to preserve the Blessed Ranieri's body after he died "in the odor of sanctity." The flying Ranieri got to the cardinal first, offering a deal: balm for his body in return for healing for the cardinal. So, in the painting, he has gone in ahead of the emissaries waiting outside the cardinal's bedchamber. Ranieri was the subject of a religious play that was popular in Tuscany.

Art:

"The Blessed Ranieri Frees the Poor from a Prison in Florence" (c.1440) by Sassetta, in the Musée du Louvre, Paris

"The Blessed Ranieri of Borgo San Sepolcro Appearing to a Cardinal in a Dream" (1444) in the Staatliche Museen, Berlin.

Dreaming in Occupied France

An artist dreams on the eve of the German Occupation of Paris that millions of little French souls are playing like multicolored butterflies. An army of robots appears and attacks them with giant clubs, injects them with toxic words from newspapers that make them fight each other, and then chews them up with the sound of shattering crystal.

A philosopher in his seventies, ashamed that he is too old to be mobilized to defend France, dreams that he is transformed into a moldy, rickety armchair that falls from a high window to be kicked by rag-and-bone men picking over the trash below.

A wealthy socialite suspected of being a German agent dreams before his suicide that he is up on a catwalk in a beauty pageant in which brothel madams (tenancières) are choosing the most likely man. He thinks he is looking really good but when the prize goes to an obese lump of a man he is enraged. He wrestles the prize away and puts it around his own neck. Then he sees he is wearing a dog collar

The French-Hungarian novelist and painter who took the pen name Emil Szittya ("Emil the Scythian") collected and published 82 raw dream reports from people in all stations of life over the six  years of World War II. The book has the no-nonsense title 82 rêves pendant las guerre 1939-1945. He introduces the dreamers but does not comment on their dream reports. This is fascinating but hardly cheerful stuff since the dreams are as dark as the era and leave some of the dreamers - as one told the collector - "swimming in sweat".

An artist interned at Drancy concentration camp reports that every night he dreamed "the best dream of my life". Racked by stomach pains all day long, he dreams he is given a vast platter of sweet noodles (nouilles sucrées) eats with gusto. In regular life he always detested this dish.

A bold young aviator gives way to his fears in the night, confessing that "in my dreams I am a man who wets his pants."

A conscripted pimp  with a soldier friend dreams he is looking for his girl  in the house on La Chapelle. The madam tells him she has gone to the 16th arrondissement with les Fritz. When he finds her, his army friend is threatened by German soldiers with machine guns. Waking, he breaks with his only friend for fear he will bring him into danger.

The raw transcripts speak with chilling eloquence, and the many voices become an orchestra.  The weave of Szittya's collection of dream narratives becomes as compelling  as  Georges Perec's La boutique obscure and Michel Leiris' Nights as Days, Days as Nights, books in which more famous French authors recorded their dreams and let them expand into stories without analysis. In 82 Dreams we are taken into the intimate lives of ordinary people, and also into the collective mind of the French people during the worst nightmare of the twentieth century. 

Illustration by RM with AI assistance