Saturday, April 27, 2024

Life on the Moon



Who lives on Luna? 

Permanent residents in my realm are few, though some of us live here for millennia by human counting.

We receive dreamers and soul travelers in vast numbers.

We are a transit lounge for spirits on their way to incarnation on Earth, and for ex-physicals who come up from the sublunar planes. Some of those admitted to this realm after death on Earth  find solace for ages in our pleasure palaces and studios, before they are ready for another death and another birth. Some pursue their studies in our schools, where many things are created and discovered before they manifest on Earth. Some become interpreters and teachers for physicals.

I have heard that spirits transit this realm on the way to physical birth. Are there conditions for taking on a human body? Is a contract made before a soul goes down? 

You don’t get born into a human body without formalities. Everyone who is born on Earth has entered into a contract. A typical contract specifies the allotment of time-energy available to you in the life form you are entering. Time-energy is a package, not two different things. In the Assyrian language, we have a precise term, shimtu. The exact length of the life you are given may vary according to how carefully, or recklessly, you expend this time-energy. Living in balance, averaging a gentle cruising speed, you may manage a hundred years; treat your body like a hot rod and you can go to the junkyard early.

The life contract does not give ironclad protection again the events insurance companies call “acts of God”, or against criminal interference.

You may end your life prematurely. This is a serious contractual violation that has unhappy consequences, though not the eternal damnation invented by some churchmen. Suicide is
never part of a life contract. However, facing conditions that may tempt you to destroy yourself is quite often an important clause.

The allotment of time-energy is one of the two key elements in the contract. The other is the definition of the life assignment you have agreed to undertake.

Contrary to appearances, everyone born into a human body has agreed to their situation, though not everyone has the same degree of choice and the choices that are made are often ill-considered.

One of the greatest acts of memory is to recall the terms of your life contract and who you were and
where you were when you entered into it.

How long do spirits remain in the realm of Luna after physical death? 

Let’s be clear that this is a gated community. You don’t get in without paying your dues. There are many who are rejected at the gate, and some we have to throw out. They fall back into the astral slums below us that the Greeks called Hades.

Some discarnates spend the equivalent of many, many lifetimes here. They enjoy the social environment, they study and teach in our schools, they practice reality creation. Some become mentors and oracles for people on Earth. Some serve as messengers, zephyrs who carry dreams to sleepers.

If you earn the right to go higher, and choose to do that, you are given a new outfit and you are required to leave your current vehicle behind.  When you take off your astral body, you don’t want to leave it lying around for anyone else to pick up. Depending on the quality, that could be like leaving a fur coat in the street. Someone is going to pick it up. Even if your threads are worn, they might be attractive to a passing spirit that wants to put on a new guise, or impersonate you, as a prank or for deliberate deception.    

We have locker rooms where you can check your astral body as you would check your street clothes on the way to the gym.

Few of the graduates who leave astral bodies in these lockers will wish to retrieve them. Now equipped with celestial bodies – which don’t fit over or under an astral suit – they know the joy of liberation from lesser forms and the appetites and cravings that go with them.

However, there are other uses for left-behind astral bodies. In the Messenger Service, some couriers are licensed to use these outfits in their encounters with people down below. So the deceased lover or father who visits a survivor could be that person, dropping by in the astral body – or an actor who has dressed up in that guise.

The actors or guisers should not be confused with the deceivers and thieves who hijack astral bodies for malign purposes. Their operations have sown much confusion and darkness.


Drawing of a Daimon of Luna by Robert Moss



- Excerpt from "Conversation with a Daimon of Luna" in Mysterious Realities by Robert Moss. Published by New World Library.

Sunday, April 21, 2024

The "just so" feeling on leaving a dream



Feelings, feelings. I don’t want to discuss a dream experience unless the dreamer will talk about first feelings around it. I notice that quite often my own feelings when I leave a dream are neutral and detached. There is often a sense of “been there, done that” – that I have returned from an experience that in another world that does not have immediate consequences in this one.
    It may be an experience in one of many parallel lives. It may be a case of what the Jungians call compensation; I am engaged in a life unlived in my present reality but going on continuously in a realm of imagination. 
in Inner Work Robert Johnson reports the memorable case of a reclusive introvert who was leading a robust life with a voluptuous wife in an imagined Italy, where he spoke Italian, made love and had rows, and played with his kids, night after night. While these can be tagged as compensation dreams, we can also allow that they may be glimpses of a continuous life in a parallel reality where the dreamer made different life choices. 
    Then there are the dreams in which you seem to be in someone else’s body and situation. This is not unusual in psychic dreams.
    In a dream experience, I may engage in thrilling adventures, churning with high emotions. If I am calm and detached after coming back, I know I don't need to import these dramas and emotions into my regular life, except perhaps as stories to tell or write. Those dramas belong to another life, one of many I - and maybe you - are living in the multiverse, with varying degrees of consciousness.
     So when I record my feelings on returning from a dream excursion, the words I most often use are "just so," meaning "been there, done that" in a world and a situation that feel quite as real as everyday life, and sometimes more so. I may add the phrase "travel worn" because (for example) when I have led a three-day workshop in my subtle body while my body of meat and bones was dormant in bed for a couple of hours - and then had to fly back across oceans and continents - I can be somewhat jet-lagged. 

Journal drawing: "Bardo Hotel" by Robert Moss
        

Friday, April 19, 2024

Synchronicty Magnets and Ottoman Dreams

 


Synchronicity is when the universe gets personal. I am thrilled when the play of synchonicity feeds into a current project and shapes it and drives it forward.  I find that when I am giving focused attention to a certain line of study, or a creative project, coincidence comes to support me, sometimes through the agency of that benign spirit Arthur Koestler called the Library Angel, a shelf elf who makes books and documents turn up (or disappear) in highly unlikely ways. This works through the internet too.

On a certain night, I was trying to document a story about shared dreaming and war magic from the time of Suleiman the Magnificent. The story involves a "dream master" who supposedly had twelve people enter lucid dreaming together on a huge round bed to provide energy for an astral operation in which he entered the mind of a European prince and altered the fortunes of a battle. 

I first came upon this intriguing account in The Understanding of Dreams, an old anthology of cross-cultural dream narratives,edited by Raymond de Becker, an elusive and somewhat murky character. He gave his source as an earlier book by one N. de Helva titled La Science impériale des songes, published in Paris in 1935. After much hunting, I was unable to locate a copy of this book anywhere, or even identify the publisher. When I compared the de Becker version with the historical records of the campaigns and household of Suleiman, I became more and more suspicious that someone had constructed a tall tale. But I realized that my investigation would not be complete until I had probed documentary sources available only in the Turkish language.

I said to myself in the wee hours of the morning, I really need help from a Turk. The next instant, an email arrived in my inbox from a Turkish doctor in Istanbul, wanting to know about a retreat I was leading that fall. I seized the opportunity to ask her whether she could check out the story of the Ottoman "dream master" for me. Within hours, she started sending me documents and original translations from Turkish sources that not only confirmed my suspicions about de Becker's cavalier use of materials but vastly expanded my understanding of the practice of dreaming and imagination in the Ottoman empire.

People ask why some of us seem to have more frequent and more exciting experiences of synchronicity (or meaningful coincidence) than others. I think one of the facts of life is that there are periods when any of us can become a synchronicity magnet, attracting events and encounters in rich profusion according to the energy and intentions that travel with us. 

We observe synchronicity at work in the world more often when we are open to seeing it, and ready to play with the signs and symbolic pop-ups of everyday life. But there is more to it than just our willingness to pay attention. Like calls to like, and the call is stronger when our passions or curiosity are most actively engaged in a life passage or a course of study or exploration. Yeats spoke, with poetic clarity, about the "mingling of minds" that can take place when we are giving our best to a certain line of study; he noted that we draw the support like minds, including intelligences from beyond our ken and beyond our world, who share our interests.

Oh yes, the Turkish doctor came to the United States for my fall retreat.

-

I recount the story of Suleiman and the Dream Master in my book  The Three "Only" Things. Though I now believe the story is not historical, one may say of it, with the Italians, si non e vero, e ben trovato. ("If it's not true, it's well found".)


Phot by RM: Ottoman History at Taksim Metro. One of a series of mosaics created by students at the School of Ceramics. 



Why You Want to Keep a Journal

 


When a lusty, ambitious young Scot named James Boswell first met Dr. Samuel Johnson, Johnson advised him to keep a journal of his life. Boswell responded that he was already journaling, recording "all sorts of little incidents." Dr Johnson said, "Sir, there is nothing too little for so little a creature as man."

Indeed, there is nothing too little, or too great, for inclusion in a journal. If you are not already keeping one, I entreat you to start today. Write whatever is passing through your mind, or whatever catches your eye in the passing scene around you. If you remember your dreams, start with them. If you don't recall your dreams, start with whatever thoughts and feelings are first with you as you enter the day, or that interval between two sleeps the French used to call dorveille ("sleep-wake"), a liminal space when creative ideas often stream through.

If you have any hopes of becoming a writer, you'll find that journaling is your daily workout that keeps your writing muscles limber. If you are already a writer, you may find that as you set things down just as they come, with no concern for editors, critics or consequences, you are releasing descriptive scenes, narrative solutions, characters - even entire first drafts - quite effortlessly. Some of the most productive writers have also been prodigious journal-keepers. Graham Greene started recording dreams when he was sixteen, after a breakdown in school. His journals from the last quarter-century of his life survive, in the all-but-unbreakable code of his difficult handwriting. First and last, he recorded his dreams, and - as I describe in detail in my Secret History of Dreaming, they gave him plot solutions, character development, insights into the nature of reality that he attributed to some of his characters, and sometimes bridge scenes that could be troweled directly into a narrative. Best of all, journaling kept him going, enabling him to crank out his daily pages for publication no matter how many gins or how much cloak-and-dagger or illicit amour he had indulged in the night before.

You don't have to be a writer to be a journaler, but journal-keeping will make you a writer anyway. In the pages of your journal, you will meet yourself, in all your aspects. As you keep a journal over the years, you'll notice the rhymes and loops or cycles in your life. Mircea Eliade, the great Romanian-born historian of religions, was a great journaler. In the last volume of his published journals, he reflects, during a visit to Amsterdam in 1974, on how a bitter setback to his hopes at the time he first visited that city nearly a quarter-century before had driven him to do his most enduring work. He had been hoping that his early autobiographical novel, published in English as Bengal Nights, would be a big commercial success, enabling him to live as a full-time novelist. Sales were disappointing. Had it been otherwise, "I would have devoted almost all my time to literature and relegated the history of religions to second place, even though Shamanism was at the time almost entirely drafted." The world would have gained a promising, and perhaps eventually first-class, novelist; but we might have lost the scholar who first made the study of shamanism academically respectable and proceeded to breathe vibrant life, as well as immense erudition, into the cross-cultural study of the human interaction with the sacred.

Synesius of Cyrene, a heterodox bishop in North Africa around 400, counseled in a wonderful essay On Dreams that we should keep twin journals: a journal of the night and a journal of the day. In the night journal, we would record dreams as the products of a "personal oracle" and a direct line to the God we can talk to. In the day journal, we would track the signs and correspondences  through which the world around us is constantly speaking in a symbolic code. "All things are signs appearing through all things. They are brothers in a single living creature, the cosmos." The sage is one who "understands the relationship of the parts of the universe" - and we deepen and focus that understanding by recording signs in our day journal.

Partly because I keep unusual hours, and am often embarked on my best creative work long before dawn, I don't separate my night journal from my day journal. All the material goes into one book - a leather-bound travel journal, when I am on the road, my digotal data base in Word when I am home.  I try to type up my entries before my handwriting (as difficult as Greene's) becomes illegible and put the printouts in big ringback binders. I save each entry with a date and a title in my data files, so I automatically have a running index.

One of the things you'll come to see clearly, as you journal dreams over a considerable period of time, is that your dream self travels ahead of your waking self, scouting the ways. 


Robert Moss journals with lamassu, a dream friend since childhood


Thursday, April 18, 2024

Stoic Divination through Sympathy and Soul Travel

 


The Stoics had an optimistic belief in divine pronoia: that the gods sent forewarning to humans out of benevolence. They defined divination as “the foreknowledge and foretelling of things that happen fortuitously” (Cicero De Divinatione 2.13). The future that can be foreseen for them is not predetermined.

Two modes of divination described by the far-traveled philosopher Posidonius (c. 135-51 bce) are observation of the "affinity of all things" and the close study of dreams. He spent time with druids in Gaul and wrote five books on divination, of which only fragments survive, mostly in the pages of De Divinatione, a philosophical dialogue by CiceroThe concept of sympatheia - the “affinity of all things” (συμπάθεια τον όλον) – presents the world, including the gods, as a unified organism with mutually interrelated parts that turn on each other. Everything is part of a cosmic body. Just as your whole body may respond to the lightest touch on your little toe, what happens to any part of the cosmos may resonate with the whole and generate an event far away. 

Posidonius taught that the soul travels free from the body during sleep. “Divination finds a positive support in nature, which teaches us how great is the power of the soul when it is divorced from the bodily senses as it is especially in sleep and in times of frenzy or inspiration: (Cicero de div 1.129). The Stoics held that dream divination is open to all, a view resoundingly espoused by Synesius of Cyrene in his wonderful little book On Dreams around the year 404.

With the name of a sea-god inside his own, perhaps it is not surprising that Posidonius was wedded to the sea. He confirmed his sense of pattern in the cosmos as an oceanographer, studying the effect of the Moon on the tides. He set up his own school of philosophy on the island of Rhodes, a hub for travelers and traders from all over the Hellenistic world. He traveled on boats to Spain, Gaul, Italy, Sicily, Dalmatia and Greece. He was fond of maritime metaphors to describe the voyage of life, sailing on fortune’s wind, seeking safe harbor.


Rhodes, island of Posidonius the Stoic philosopher

 

Sunday, April 14, 2024

Shamanic Lucid Dreaming

 



I have reservations about the term "lucid dreaming" because it has been associated with notions of "controlling" or "manipulating" dreams. Through dreaming, we have access to a source that is infinitely wiser and deeper than the everyday ego, and we want to be available to that source. I am in favor of learning to choose where we go and what we do in dreams, as in waking life, but that requires discernment, not the fantasy of control. 

Another problem I have with the term "lucid dreaming" is that it is most often associated with techniques for waking yourself up to the fact that you are dreaming while you are asleep. This is a valuable skill, especialy when it enables you to choose how a story is gong to devleop and the role you will play, exercise your cretaive imagination, dialogue with dream characters and gather and retain detailed information you can bring back. However, the easiest way to become a lucid or conscious dreamer is to start out lucid and stay that way: in other words, to enter conscious dreaming from a waking or semi-wakeful state.  

I titled my first book on all of this Conscious Dreaming. My preferred name for what I teach and practice is Active Dreaming. As the phrase suggests, we can be active in embarking on conscious adventures in dreaming, and we want to be active in bringing the energy and insight of our dreams into waking life.  

Since I am often asked whether Active Dreaming is a mode of lucid dreaming, I am going to borrow a phrase employed by one of my friends in the lucid dreaming fraternity who refers to my "shamanic lucid dream adventures." I am using the adjective "shamanic" here to describe a method for shifting consciousness to enter nonordinary reality for purposes that include the care and recovery of soul.  

How do you become a shamanic lucid dreamer? You start out conscious and you stay that way. To accomplish this, you only need three things: a clear intention, an image that can serve as a portal, and a means of focusing the mind and fueling the journey. All these things can become available naturally, in the twilight zone of consciousness that researchers call hypnagogia. You are between sleep and waking. Images rise and fall in your mindnd any one of those images can become the gateway for a conscious dream adventure.  

I somertimes find that I am able to maintain continuity of consciones through all the phases that evolve from this liminal stage. I will add that I find the twilight state between sleep and awake in the morning tat sleep reserachers call the hypno[pompic zone particularly propitious for conscious edream adventures and lucid enciunters with inner guides and transpetrsonal visitors. 

An equally simple and natural way to become a shamanic lucid dreamer is to use a remembered dream as the portal for a journey. In your night dream, you went to a place, which may resemble a site in ordinary reality or may be a locale in a separate reality where the physics are utterly different. Either way, because you were in a certain place, you may be able to find your way back there, just as you could return to a house you once visited in regular life. 

 Why would you want to do this? Maybe you've been running away from something in your dream world that scares you - from the Bear, or the Tiger, or an unknown intruder or pursuer. If you can find the courage to go back inside one of those nightmares and face what frightened you on its own ground, you may find power and healing waiting for you on the other side of the terror.  

You may want to go back inside a dream because you were with your dream lover in a tropical paradise but were interrupted by the alarm clock. You may want to talk to someone who appeared to you in a dream. You may need to clarify whether that auto accident could take place in the future, as either a literal and symbolic event, and what you need to do with that information (once you have it clear) in order to avoid an unwanted development. You may simply want to know more about a dream. The best way to understand a dream is to recover more of the experience of the dream. A dream experience, fully remembered, is its own interpretation. 

 Through the technique of dream reentry, you can pursue any of these agendas, or simply enjoy the fun and adventure of using a personal dream image as a portal to the multiverse.  

The best time to attempt dream reentry may be when the dream is fresh and you are still closely connected to it, lingering in bed after waking. But if the dream has energy for you, you can go back inside any time, even decades after the original dream.  

Shamanic drumming - a steady beat on a simple frame drum, typically in the range of three to four beats per second, but sometimes faster - will help you to shift consciousness and travel into the dreamspace. The steady beat helps to override mental clutter and focus energy and intention on the journey. The rhythms of the drum correspond to brain wave frequencies in the theta band, associated with the hypnagogic zone and its dreamlike imagery. If you want a physiological explanation of why shamanic drumming is such a powerful tool for shifting awareness, you could say that the "sonic driving" of the drum herds our brain waves into the theta band, opening us to its characteristic flow of imagery. I have made my own recording of shamanivc drumming specifivcally for shamanic lucid dreamers.  

The drumming will also help you to synchronize and focus shared adventures in dream travel. You can invite one of more partners to journey with you through the portal you have chosen and act as companions and trackers who can support you and bring you extra information. In my workshops, we frequently have 30 or more active dreamers traveling together on group adventures of this kind. Often we keep group logs, and you can read samplings from these in my book Dreamgates and in the epilogue to Dreamways of the Iroquois, where I describe how I led a group of frequent flyers on a group journey to meet the shaman-priests of the Kogi, on their sacred mountain, at the invitation of a Kogi elder. Through such experiments, we assemble truly scientific data on the reality of the dreamworlds, and what is possible within them.  

Shamanic lucid dreaming is an adventure in navigating the deeper reality that we can share with a partner, with a group, or a whole community. A caution: the side-effects may include transformation.


Journal drawing by Robert Moss: "How It Will Begin"

Saturday, April 13, 2024

The Soul throws an image before her

 



When the soul wishes to experience something she throws an image of the experience out before her and enters into her own image.

The words are from Meister Eckhart, the medieval German theologian and mystic who knew about the laws of the larger reality through direct experience. I first read then and jotted them down as an undergraduate, eons ago. They turn up now and then unexpectedly, as they did just now in an old journal. I went looking just now for the exact source (the history professor in me dies hard) and I see that you can order a Meister Eckhart Quote Bag with this inscription.

I'm tickled by the notion that instead of putting this quote in your bag of tricks, you might want to try packing what you carry through the day inside the thought.

It's a thought that demands walking meditation. Travel with it, and see how it shapes and illuminates your day. Then test it against your dreams.

The medieval master is telling us something vitally important about our relationship with time and about the secret of manifestation. He draws us to think about the confluence between what medieval theologians called the Aevum - the realm between time and eternity - and events in our world. It is in the Aevum that the incidents and circumstances of our physical lives are generated, in this understanding, through the agency of imagination, that great faculty of soul. On most days, most of us, sequestered from soul and its knowing, are merely receivers of the results of choices made in this realm that is hidden from the ordinary mind.

Who knew where we stood? 
In an aevum maybe, where time's conferred

with the beginning we gave it,
but with no end in sight.

These beckoning lines are from a poem titled "Aevum" by M.E.Caballero-Robb. They strengthen the enjoinder to walk through a day - why not today? - with Meister Eckhart's thought. That means asking, of whatever develops during the day, What image am I now entering? And, Where and how was this image created?

Then, energized by these reflections, we go the long step further, which is to seek to be present, as conscious co-creators, in the place where soul makes its choices on what we - as its vehicles - will experience in the world.

Do I sound like a mystic? Very well, you may call me a mystic, but I would say that I am a mystic of a very practical order. We are talking about how worlds are made.

By the way, a more famous Meister Eckhart quote is this: "If the only prayer you said in your life was Thank You, that would suffice." That is my own philosophy of prayer, and it is the practice of people who live close to the Earth as well as the heavens, and give thanks daily for its gifts. Oh yes, you can get that on a "quote bag" too.


Drawing by Robert Moss