Showing posts with label ratetshents. Show all posts
Showing posts with label ratetshents. Show all posts

Monday, June 25, 2018

Everyone who dreams is a little bit shaman



It’s a saying of the Kagwahiv, an Amazonian dreaming people: “Everyone who dreams is a little bit shaman.” Or, in an alternate translation: “Everyone who dreams has a little bit of the shaman in them.” The Kagwahiv are right. It is no less correct to flip and amplify the statement, as follows: Every shaman is a big-time dreamer.” Or: Every shaman dreams big.
     We have been enjoying a resurgence of shamanic practice in Western society. This is partly due to the work of teachers like the late Michael Harner (who made the important contribution of stripped-down “core” techniques for shamanic journeying) and the wonderful Sandra Ingerman (who has brought us a clean and clear approach to soul retrieval as a mode of healing). It is also connected to our hunger for experiential knowledge of ancestral traditions such as those evoked by Joseph Campbell and the great archaeomythologist Marija Gimbutas.
     In all the descriptions of the shaman in the literature – as wounded healer, as guide of souls, as walker between worlds, as negotiator with the spirits – there is an essential element that is rarely featured strongly enough, and is sometimes missed altogether. First and last, the shaman is a dreamer. Shamans typically receive their calling in dreams, and are initiated and trained in the Dreamtime. The heart of their practice is the intentional dream journey. They may incubate dreams to diagnose for a patient and to select the appropriate treatment. They travel – wide awake and lucid – in their dream bodies to find lost souls, to intercede with the spirits, to fight sorcerers and to guide spirits of the departed along the right roads.
     Yes, hallucinogens or “entheogens” are characteristic of shamanic traditions in some parts of the world, especially South America. But the master shamans manufacture their own chemicals inside their bodies, and hallucinogens are never required for a truly powerful dreamer. They have never been part of my own practice, but then I was called by dreams in early boyhood, and discovered the reality of other worlds during life-threatening illnesses, so I do not judge those who seek help in opening the strong eye of vision.
     In the language of the Mohawk (who have never used hallucinogens as part of shamanic practice) the shaman is “one who dreams (ratetshents), a term that also means “doctor” and “healer”.
     In the languages of other indigenous peoples, especially in Native America, the connection between dreaming and shamanic practice and perspectives is equally clear. For the Makiritare of Venezuela, a dream is an adekato, a “journey of the soul”. Among the Dene (Athabascans), the same words are used to designate dreams, visions and shamanic journeys. Among the Wind River Shoshone, the word navujieip means both “soul” and “dream”; the navujieip “comes alive when your body rests and comes in any form.”
     Among the Aborigines of Walcott Inlet, it is believed that the high god Unggud summons potential shamans in dreams. Their initiation will depend on their ability to brave up to a series of fearsome tests, at the end of which they are reborn with a new body and a new brain filled with light. The shaman now has the ability to project a dream double. His powers are described as miriru. In Aboriginal Men of High Degree, A.P.Elkin explains that miriru is fundamentally “the capacity bestowed on a medicine man to go into a dream state or trance with its possibilities.” Here, built into the language of the Earth’s oldest people, is the understanding that the heart of the shaman’s power lies in his or her ability to dream.
     In our everyday modern lives, we stand at the edge of such power, when we dream and remember to do something with our dreams.


For much more on dreamers as shamans and shamans as dreamers please see my book Dreaming the Soul back Home.

Art: "Tiger in a Tropical Storm" by Henri Rousseau (1891). In the first years of my public teaching of Active Dreaming, my original synthesis of dreamwork and shamanism, many people told me they had come to my workshops because they dreamed of tigers.

Monday, March 6, 2017

Shamans as dreamers, dreamers as shamans


The shamans who interest me are world-class dreamers who can travel between different worlds in the multiverse at will.
    They know the roads of the afterlife because they have died and come back. They walk with Death at their left shoulder, as an ally, not a dread.
    They know where to find lost souls and how to guide them to where they belong, in one world or another.
    They travel in the company of animal spirits, and can borrow their senses and use their forms.
    They are time travelers who can scout out the future, repair the past and heal ancestral karma.
    They are poets of consciousness who entertain the spirits by bringing them fresh words. They heal body and mind and re-enchant the world by telling better stories about them.
     
Let's go back to the beginning. In all the descriptions of the shaman in the literature – as wounded healer, as guide of souls, as walker between worlds, as negotiator with the spirits – there is an essential element that is rarely featured strongly enough, and is sometimes missed altogether.
     First and last, the shaman is a dreamer. Shamans typically receive their calling in dreams, and are initiated and trained in the Dreamtime. The heart of their practice is the intentional dream journey. They may incubate dreams to diagnose for a patient and to select the appropriate treatment. They travel – wide awake and lucid – in their dream bodies to find lost souls, to intercede with the spirits, to fight sorcerers and to guide spirits of the departed along the right roads.
     In indigenous North America, the dominant word for "shaman" (and also for "healer" or spiritual elder") means Dreamer, as in one who dreams strong, one who can dream for others, one who can travel at will into other realities. In Mohawk (a language I had to learn because of my dreams) the word is "rateshents". Among the Dane-zaa of northern B.C. and Alberta, the Naachin, or Dreamers, are the shamans who travel between worlds and open roads for others.
    Anyone who dreams, as the Kawahiv, an Amazonian dreaming people say, is "a little bit shaman". We stand on the brink of claiming this power when we remember our dreams and start to develop the practice of working with dreams as daily practice.
    D
reaming, a contemporary American woman finds herself in a different body, traveling with her clan beside a river in a primal landscape untouched by the ax. She knows the lives and relations of these native people intimately and feels the coming of a hard winter.    She sees an eagle flying near the river, and someone tells her, “You can go fly with it.” She is afraid to go too far from the river, so she waits until the eagle hovers overhead. Then, as she told me later, 

I fly an eternal moment with this magnificent bird: beautiful brown, glistening feathers with golden speckles. Eagle is above me, beside me, then lands in the river. I land downstream and float on the warm white foam. The river is blanketed in white foam.
    After I dry off, I fly over the river again. I see turtles where Eagle had flown and landed. The turtles are a darker green. They are solid on the foam, not moving, just peacefully sunning themselves.

The dreamer asked me how she should approach the meaning of this dream. For me, an experience of this kind requires not analysis but honoring. Her dream was a journey into the life circumstances of an indigenous people, an entry into a “past” life that might be a previous experience of her own multidimensional self, or that of an ancestor of the land where she lives, or of her wider spiritual family. Within that life experience, she learned what indigenous dream shamans know: you can become an eagle.

The story of the woman who flew with the eagle is adapted from Dreaming the Soul Back Home by Robert Moss. Published by New World Library.









Drawing by Robert Moss