Showing posts with label colors. Show all posts
Showing posts with label colors. Show all posts

Monday, January 1, 2018

When dreams are color-coded

What are the colors of your dreams? Our dreams are typically many-colored, though some may be black-and-white, or the sepia of old photographs, or the gray of a wintry day. We may say that there is a dominant color when we look over a long period, even a lifetime, of dreaming.
    However, what I am thinking about now is how a certain color may be the stamp of an individual dream. It may pop up like the color red in "The Gift". It may not be a generic red or blue, but a specific shade for which we may have to seek an exact description. I might say that the dominant color of my dreams over much of my life is blue, but when I think about a specific dream from this weekend, in which a train brought me to an amazing series of grottos on the way to Transylvania, I would say that its color is that of old bricks - the bricks of a fireplace, slightly blackened, with moving patterns of light and shadow as if unseen flames are darting and flickering.
    Almost all of us dream in full color, sometimes across a greater spectrum and with greater vividness than in ordinary life. I have sepia dreams, and have learned to recognize that very often they are taking me into an earlier historical period and often into the dreams and situations of other people who lived in those times. When I dream in black and white, it's usually because I am in a night landscape or darkened space, or watching a black and white movie - or going through places of transition between scenes full of color in a personal bardo experience.
    Right now I am interested in developing the game of color-coding dreams. This won't work for many dreams, and may fail to do justice to complex reports. Still, I'm finding it fun and perhaps you will too. In another weekend dream, I watched boats coming and going in all directions from a circular ferry terminal. The dream was full of colors but they were muted because the scene was playing before dawn, under a cloudy sky. But I would say that its dominant color was deep sea green.|
    Sometimes a color from a dream stays with us because it is associated with a certain animal or striking element. You went through that green door, and everything changed. You were wearing a color you wouldn't normally wear in ordinary life. You met a blue sheep or a blue man. You rode a red horse, or cavorted with a red lion. Your rescuer got you out of a Land of the Dead, driving a yellow cab.
    Sometimes the importance of a certain color in a dream is right in your face, something you can’t miss unless you go amnesiac about the whole experince. I was instructed in one dream that I should eat more “orange foods”, which turned out to be good dietary advice. In a dream of a different kind, I learned that Zeus – yes, Zeus – is making a comeback. There was tremendous excitement. The ground itself was shaking. The friends of Zeus were putting on the color orange. They would keep their allegiance secret, wearing outer garments over their orange blouses and tee-shirts, until the old god arrived – at which point, they would show their true color, orange.
    On this New Year’s Day, there is no doubt about the color of the first dream I recorded. I woke at 4:30 a.m. and it was bitterly cold outside, -8F, which translates into precisely -22.2222C. However, my dream was warm and comforting. I was helping to make vast quantities of excellent oatmeal porridge, enough to feed hundreds or thousands of people. Better still, I was given the recipe. I loved the idea that I was given a way to nourish many people, while staying warm inside on a frigid winter day.
    So what do you do when a strong sense of color stays with you from a dream? Trust your feelings, for starters. If you feel good about the dream, maybe you want to stay close to that color - wear it, draw from it, write from it, eat corresponding foods (if available), get by the fire, or into the water. You can sing, compose, dance with that color, with a rhapsody in blue, a tango in crimson, a waltz in apricot, a sonata in teal. You can go about your day wearing invisible glasses tinted in that shade. You can journey, as a conscious dreamer into an azurite or fern-green or tiger's eye world where your traveling self may already be at home, and your magical child surely is.


Image: Michael Maggs via Wikipedia Commons


Sunday, January 8, 2017

Colors that call souls


“Notice the colors that call souls,”
the poet says to me in the space of a dream.
I see the green of fresh shoots and
the purple of royalty and young grapes.
Because we are in a Celtic mood
I am thinking there must be three.
I see a triad of colors of a ripened field,
of corn and wheat and orange poppies.
The colors have substance but I cannot say
whether they are garments or vessels.
I know they clothe spirits and lead them
though memory and desire into soul-houses.

- January 9, 2017, from a morning dream

Art: "Yeats in the Magic Cottage" by Robert Moss

Note: I cannot say that the file, the poet seer of my new dream, is Yeats, my companion in dreaming and mutual visioning over many years, but I recall now that Yeats made many experiments with flashing colors according to the Golden Dawn system. I rose with his glorious poem of soul and its transfigurations - "The Song of Wandering Aengus" - streaming in my mind like a salmon run. The body, in the Carmina Gadelica, is the coich anama, or "soul-shrine". 

Tuesday, July 20, 2010

Goethe's colors


This year is the 200th anniversary of the publication of Goethe's Zür Farbenlehre (Theory of Colors) in 1810. Goethe was inordinately proud of his achievement in producing this vast tome. He stated “I am the only person in this century who has the right insight into the difficult science of colors...and that is what gives me the feeling that I have outstripped many.”

His sense of accomplishment was not misplaced. While Newton (for example) had viewed color perception as a physical phenomenon, the effect of light striking objects and entering our eyes, Goethe realized that it is also shaped by perception, which involves the way our brains process data. Goethe studied how colors produce somatic and emotional effects in the perceiver. His work on after-images, colored shadows and complementary colors was a major influence on artists and occultists. He anticipated Hering’s “opponent-color” theory, which is one basis of our modern understanding of the perception of colors.


The first plate of Zür Farbenlehre includes a color wheel and diagrams of distorted color perception. The landscape at the bottom depicts how a scene would look to someone who was blue-yellow color blind. Thanks to Tom Cheetham for alerting me to this.