I saw him again last night, in the twilight between awake and sleep. He first appeared as a giant dark eagle atop a conical hill, able to see across vast distances. He showed himself again as hybrid, eagle-man, and then as able to project the form of an iron wolf. Lyzdeika. I have not forgotten you.
Shall we recall our meeting at your birthplace in May, 2013? Here is my report of my quest for a Baltic shaman-priest:
The Shaman
from the Eagle’s Nest
Camped with an army near the present
site of Vilnius, Grand Duke Gediminas dreamed of an iron wolf that howled. He
consulted Lizdeika - by now the krivu krivaitis, or high
priest of the old religion — on the meaning of the dream. Lizdeika told the
grand duke he should build a fortified city on the hill where he had been
sleeping. The city of Vilnius was founded because of this dream, and in front
of the cathedral is a statue of Gediminas’ iron wolf.
As soon as I tapped the drum, the
landscape opened, to my inner eye, as if a zipper has been pulled from the
zenith to the muddy path at my feet. I saw a windswept figure above me, at the
top of the hill. He was a man wearing a feathered robe, or a bird the size of a
man. I sensed his fierce determination. I understood that I was required to
earn the right of entry into his realm. I must start, now, by disclosing my
shamanic connections, by showing him that I was his peer. This was not so hard.
I found I had at my left shoulder a kinsman in
his own feathered cloak. It was raven black. I recognized the druid from
fourteen centuries ago who had often been my companion, in my time and in his
own. On my right side was a wolf pack. It seemed to have traveled here with me.
I had been privileged, in this country of the wolf, to have enlisted the
protection and guidance of the wolf family before, because of my connection
with the ancient Mohawk Mother of the Wolf Clan. This soon proved to be
extremely important.
We were given a private tour of the
archaeological museum of Kernave later that day. Kernave is an active site,
with ongoing excavations. The museum director, who participated in my workshop,
responded cordially to my request that she should tell us about unsolved
mysteries that we might be able to investigate as dream archaeologists.
We heard a singularly creepy ghost
story involving a mutilated corpse. On the night local archaeologists excavated
a grave at the edge of the ancient burial ground, strange things happened. They
had dug up the remains of a woman who had been decapitated. Her head had been
buried face down in the earth. Her hands and feet had also been cut off and
transposed. The archaeologists speculated that she was a witch who had been dug
up and mutilated in this way to prevent her from going around bothering the
living. There was a second theory; that her body had been hacked up this way to
turn her into a cemetery guardian, a protector of bodies and souls and grave
goods. That night one of the archaeologists heard rushing winds outside her
tent on site. She went out to see the energy form of a giant stallion reared up
on its hind legs. All the animals around went wild, dogs howling, birds
screaming. All the archaeologists rushed out. What was going on that night?
What had they released? They covered up the body in its original site.
After lunch, I suggested to our group
that we might use objects we had seen in the museum, as well as any impressions
we had picked up around Lizdeika’s hill, as portals for a journey to encounter
the spirits of the land and recover essential history. One of our explorers
chose as her portal the skull of a princess that had impressed all of us. The
princess had been buried wearing a diadem with symbols of a mother giving birth
and the Tree of Life. In her journey, our dream archaeologist traveled through
one of the eye holes of the skull and then looked out, through the priestess’
eyes, into scenes of her life and her world. Another brave explorer used the
skeleton of a horse that had been buried alive at the center of a circle of
human graves; it was buried standing, its neck and legs were broken. Another of
our trackers chose to investigate the mystery of the missing swords; only one
sword (and this just the hilt and pommel) was in the museum. I gently
discouraged tracking the phantom of the mutilated corpse.
My own intention for this expedition
was to go back to the scene at Lizdeika’s hill when I saw the landscape opening
as if it had been unzipped. After I began the drumming, however, I was
distracted by the tale of the mutilated body and our discussion of the missing
swords. I traveled rapidly through many scenes of violence from the past. I saw
a duke hurrying down wooden stairs and ladders to fight or flee under sudden
attack. I saw raganas, wood witches,
as ancient masters of psychic warfare, creating Baltic versions of the golem to
menace and terrify enemies. It seemed that they had used bodies like the one in
the cemetery, rather than clay, in this cause. Some may even have worked with
Kabbalists in times when the survival of the Lithuanian Jews was imperiled.
I saw warriors and/or their weapons —
swords and spears — and/or figures of wood or amber representing them planted
vertically in the earth with the idea that in need they would spring from the
ground, fully armed, to fight invaders.
Now I was back at the place of
Lizdeika. He stared at me from pale blue eyes. The human features around the
eyes kept changing, and I became aware that he has occupied many bodies. Then
the shape around the constant pale blue eyes became the head of a wolf. He
really is a wolf as well as a man.
He began running like a wolf, pelting
across the landscape. I ran after him, adopting a similar wolf form. Then he
rose from the ground and became a dark eagle. I became a bird and flew after
him. There were several more animal transformations. Then he became a grass
snake and slipped through a crevice among the rocks. I became a snake and slid
through after him.
We were now in a different space, a
kind of sanctuary between the worlds. I felt the presence of one greater than
him, a female presence. It came to me that as a wolf, he is subject to the
Alpha in his pack, who is the She Wolf, the Mother of the Clan. They have
relations in other forms, on other planes. He is linked to Menulas, the Moon
God; she to Saule, the Sun Goddess. They seemed to enjoy my own encounter with
Moon Man and Sun Woman in Paris. It came to me that Lizdeika’s main
obligations were not as counselor to dukes or high priest of the recognized
pagan line, but to these hidden powers. What happened to the Lizdeika of
history, who advised Gediminas? He had wanted his body to be left for the bird,
up on a tree on the hill where he was found as a baby. But it was necessary to
dispose of his body faster, because enemies — and maybe witches — were coming
who would desecrate it or (worse) use it for sorcery. So he was burned and the
ashes were dropped in the river. However, his vital soul was preserved inside a
soul catcher, an amber whose natural shape resembled that as a man. It is from
this container that he was able to enter and use successive human (and animal)
bodies.
I met a Merlin of the Baltic, neither
good nor bad, just so, and — like the Merlin of my Celtic ancestors — never
confined to one time, ever shape-shifting, through the stories he weaves and
the stories that are woven around him.
Text adapted from The Boy Who Died and Came Back by Robert Moss. Published by New World Library.
Photo: At the hill of Lizdeika, Kernave, May 2013.