Showing posts with label jinn. Show all posts
Showing posts with label jinn. Show all posts

Saturday, August 16, 2025

"I am your double from the jinn"

 


Kuthayyir 'Azzah was born in Medina and died there in 723 after many years in Egypt. He had the ear of caliphs of the Umayyad dynasty, was favored by courtiers for his flattering verses, and was no stranger to the charms of women. He became famous for his ghazals, songs of love and longing, often spiked with the absence of the lady he thirsted for, graceful as an antelope, fleeting as a raincloud over the desert - and unfortunately, wed to another man. His poems survive in palaces including the library of the Escorial in Spain.

When asked for the source of his poetic inspiration he gave a stunning response. He did not mention a lady, or the voices of birds or a rising flood inside him. He spoke of his double in the world of the jinn, a world normally invisible to humans where great games are nonetheless in play.

Asked, "When did you start reciting poetry?" the love poet replied, "I did not start reciting poetry until it was recited to me."

"And how was that?"

"One day, I was in a place near Medina. It was noon. A man on horseback rode toward me until the horse’s breath blew on me. He was hard to make out, quite bizarre. He seemed to be made of smoke, then of brass of brass.  He commanded me to recite poetry. Before I could figure out how to respond, he started speaking poetry to me.  

“I said, 'Who are you?'

“He said, ‘I am your double from the jinn.’

“That is how I became a poet."

As for those songs of longing: poets and dreamers know that yearning for a lover who is far away loosens the soul from its physical bonds and makes it easy for it to leave the body and to travel in its etheric vehicle.


Source: Amira El-Zein, Islam, Arabs and the Intelligent World of the Jinn (Syracuse NY: Syracuse University Press, 2017) 126-7.


Drawing by Robert Moss


Sunday, May 18, 2025

Dream Divination, Jinn and the Marabouts of Paris

 



Voyance dormante, "sleeping divination", they call it. In the West Africa diaspora in Paris, you can hire a marabout to do it for you. He may send up special prayers and look up secret invocations in a little book to attract the help of angels or jinn. He may lie down on his right side in the recommended posture of the Prophet.
     Liliane Kuczynski gives us a fascinating account of how this works based on her observation of  a Fula dream diviner, Dia. [1] Born on the east bank of the Senegal river, Dia came from a well-known family of silangi diviners, believed to have special knowledge of plants through their friendly relations with the jinn.
      Dream incubation is called listikhar (Fula)  or istikhara (Arabic), the placing of a choice in Allah’s hands. A marabout preparing to do dream divination for a client may perform a variety of rituals belonging to ilm al-asrar, the "science of secrets”. The marabout starts with prayer, may prepare an esoteric text -for example, a diagram including the numerical formula of the client’s name and a word that summarizes their request – and place this or a twig from the sacred doki tree under his pillow. He proceeds to seek a dream from the angels to clarify and resolve his client’s problems. Before sleep, the marabout may say aloud, "Angels, take care of [the client’s name]" and then add a specific request. The diviner lies down on his right side. In his dreams, he hopes to meet invisible guides, see what he asked to see, and maybe bring about unseen intervention.
     The client visits the marabout twice: the first time to explain their problem and the second to hear the result of the dream divination.
      In traditional Islamic dream interpretation, dreams are divided into three categories. The “true dream” (al-ruya) is a dream inspired by God or his Prophet, and an experience of a higher aspect of spirit or consciousness. The evil or deceptive dream is inspired by Shaytan, the Devil. Then there is the great profusion of dreams, void of any real importance, that reflect the confused, desire-driven wanderings of the nafs, a lower aspect of consciousness.
     Beyond this tripartite schema, the marabouts in Paris invoke help from other sources, to be delivered in dreams.  Kuczynski reports that besides Allah, marabouts invoke "other invisible beings, mighty enough to provide someone with help, advice and solutions to anxieties." They are deliberately vague in identifying these allies, often referring only to "a person" or "someone". Evasive vocabulary is designed to avoid naming players in a very dangerous world invisible to ordinary sight. There are many intermediary beings between Allah and humans. Sometimes they are ranked in hierarchies but by Kuczynski’s observation "in a marabout mind, terms like ‘angel’, ‘jinn’, ‘spirit’, ‘rahwan’ and ‘maleika’ are quite synonymous. The main feature of all these beings is that they are dangerous. For this reason, marabouts must perform many rituals before invoking them, in order to persuade them to answer their requests." [2]
   The jinn, of course, have a mixed reputation. appropriate given their mixed nature. [3] Some are said to be Muslim, others clearly not. While made of fire and air, they can take any physical form they choose. Some are regarded as sources of evil and misfortune, and maladies including madness. The word jinn and the word junun, madness, have the same root. [4] The Qur’an organized jinn into six different types: Jinni, the true Jinn, Aamar, those who live among mankind, Arwaah, those who antagonize the young, Shaytan, the evil ones who bother humans, Maarid, said to be the most powerful of all Jinn and worse than a demon, and finally the Ifreet, that cause a lot of harm to become stronger [5] 
   Marabouts are able to collaborate with the jinn. They may invoke Allah, angels like Jibril and Asrafil, and the jinn at the same time. Most intriguing:

Some diviners are closely related to jinn, which they appeal to in any circumstance and whom they consider their relatives – namely their wives. Marabouts are also believed to act on the partner jinn of the client; this jinn, which everyone has, is often viewed as the double of a person, and to be their most vulnerable aspect. [6] The conclusion that arises is that the dreamer’s inspiration depends upon a very composite world. It mixes Allah with an invisible group of powerful beings that are not clearly defined in Islamic teachings, and who give rise to all sorts of discussions, even from a religious perspective. In some marabout practices, it doesn’t appear obvious whether jinn belong to a transcendent or an immanent world. Nature, as it appears in the forms that jinn may take, is not so distant or distinct a force. [7]

As for the dreams that come, the marabouts are described as flexible and eclectic in their readings, rarely inclined to go by the dream books, like the famous one named for Ibn Sirin but certainly not authored by him [8], that are perennially popular in the Muslim world. Dia has played dream detective, catching a thief - he claimed - by the clues he found in a night vision. 
      Dia's engagement with the jinn appears to have been demanding. He was often tired and ill, in need of protection from hostile jinn and sorcerers. His psychic defense involved washing with herbal compounds, chanting divine names, and appealing to specific jinn and other spirits in a Fula secret language. Although not really literate, he recorded many of his secret invocations in different languages, including Arabic, in a little notebook [9]
      Lana Nasser instructs us, in an excellent essay, that jinn interact with humans mostly through dreams and visions so it is not surprising that some individuals may make a profession out of maintaining and focusing this kind of contact. It is commonly believed that the realms of jinn and humans are separated by an opaque veil that prevents direct interaction between them. However, there are some who claim to see and communicate with jinn. They are said to possess bassar (sight) and  the veil is lifted for them. A sheikh (traditional healer) in Amman, Jordan described it as “a gift and a curse at the same time, a gift because it is grace from Allah but a curse because you start carrying around others’ burdens as well as your own.” [10] 

 

References

 1. Liliane Kuczynski. “Dreaming in the Practice of African Marabouts in Paris” in Zarcone, Thierry and Angela Hobart. Shamanism and Islam: Sufism, Healing Rituals and Spirits in the Muslim World. London: I.B. Tauris, 2013, pp. 217-230 

2, Ibid p.223

3.  “The earliest mention of [jinn] appears in the Koran, where they are described as supra-human beings composed of fire and flames, not perceivable by man, and capable of emerging in a variety of forms. Many regard them as the nature spirits of the pre-Islamic Arabian world, forces that were beyond the control of man and at odds with his desires. These spirits were gradually brought under the control of Allah, the majority of them being converted to Islam and serving as his companions. Those that were not converted formed part of the unbelieving world and were viewed as opposed to the rule and power of Allah. But Islamic religious literature, and the official view of the faith, is generally accepting of the djinn. Even the legal literature of Islam seriously discusses the position of the djinn, particularly with respect to questions of marriage, death, property, and inheritance. Opinions on their nature and legality have certainly varied over the centuries, but the prominence and strength of this aspect of Islam have never been denied.” Rene A. Bravmann, “Gyinna-Gyinna: Making the Djinn Manifest”. African Arts Vol. 10, no. 3 (April, 1977), pp. 46-52.

4. Lana Nasser. “The Jinn: Companion in the Realm of Dreams and Imagination” in Kate Adams, Kelly Bulkeley & Patricia M. Davis Adams (eds)  Dreaming in Christianity and Islam: Culture, Conflict, and Creativity. New Brunswick NJ: Rutgers University Press, 2009, p. 144. 

5.  Hussein G. Rassool. “Existence and types of Jinn: Evidence from the Qur’an, Sunnah and scholars.” in Evil Eye, Jinn Possession, and Mental Health Issues: An Islamic Perspective. London: Routledge, 2018. p 113 

6. This refers to the qarin. See the recent study by Dunja Rašić,. Bedeviled: Jinn Doppelgangers in Islam and Akbarian Sufism. Albany NY: SUNY Press, 2024. 

7.  Kuczynski p. 223 

8. See John C. Lamoreaux. The Early Muslim Tradition of Dream Interpretation. Albany NY: SUNY Press, 2002. 

9. Kuczynski p. 226. 

10. Nasser, “The Jinn”, p.146.

 

Illustration: "Voyant marabout" RM + AI

 

Wednesday, September 8, 2021

Naked adventure in the Arabian Nights

 


Notes from a Reading Life

Robert Louis Stevenson notes in "A Gossip of Romance" that the Arabian Nights are entirely amoral. "You shall look in vain for moral or intellectual interest. No human face or voice greets us among that wooden crowd of kings and genies, sorcerers and beggarmen. Adventure, on the most naked terms, furnishes forth the entertainment and is found enough." This is especially true of the stories delivered outside the frame of Scheherazade's nightly narrations. 

We are not told why Aladdin - a tearaway street kid who is the despair of his impoverished mother - is selected for favors and a potentially fatal assignment by the African magician who poses as his uncle. (This fools no one but the largesse he delivers gets him in.) Aladdin is to go down a well and through tunnels and overcome many obstacles to obtain a lamp the magician (for reasons unexplained) can't get for himself. In addition to directions Aladdin is given a ring that is a talisman. He finds the lamp, empties it as instructed, and wraps it inside his garment where it is soon buffered by all the beautiful balls of colored glass the boy plucks from the trees, not knowing them to be precious jewels. 

The magician's plan is to seize the lamp from Aladdin as he comes up the tunnel, and seal him below the stone lid to die. But Aladdin evidently has some street smarts. He won't yield the lamp before he gets out. In a rage, the magician seals the tunnel and leaves him to die. Rubbing the ring, he produces a genie (called a demon in Husain Haddawy’s recent translation), hideous but required to serve him without conditions. He wishes to be out and so he is. 

At home he discovers that rubbing the lamp produces a bigger and even scarier genie and a whole host of jinn (perhaps the best term for this genus)all bound to serve the master of the lamp. There is no limit to the number of wishes and their magnitude and no conditions for the user. Aladdin goes from ordering up a good dinner to demanding vast riches and armies of slaves that persuade the king to give him the beautiful princess in marriage. They live in a palace more splendid than the king's created by demons overnight. 

Things go on until the African magician returns, guided by his geomantic box of sand. Aladdin survives the first take back attempt but not the magician's brother, who takes possession of the lamp when Aladdin is away hunting and has the whole palace including the princess transported to Africa. The genie of the ring eventually enables Aladdin to locate them. When he has possession of the lamp he can move everything back to "China" where the main action is supposedly playing out 

Utterly amoral. Whoever owns the lamp has full control of the genie - in fact legions of genies - unconditionally. Things created by enchantment don't vanish. They stay solid in the world. A couple of quick prayers to Allah are said here and there but not a modicum of virtue or any appeal to higher powers or even personal intelligence are required for success. There are no threats to the immortal soul, not even a hint that - as in other tales of invoking captive spirits - there will be dire consequences if the genie escapes captivity, or even that he can escape.

This puts the story on a cruder level than Scheherezade's tale of a genie confined in a copper jar who has been made to wait so long that- having originally promised to reward his liberator with untold riches- he will now kill him.

When RLS develops the theme in "The Bottle Imp" he introduces conditions and concern for the state of the soul (though on a transactional rather than moral basis). An imp perceived as a mysterious white shadow inside the bottle will manifest your wishes but as a result you will be sent to hellfire when you die unless you can sell the bottle to someone else for less than you paid for it, after apprising them of the risk. The money must be paid in coin. Our protagonist pays the $50 he has in his pocket to the haggard owner of a mansion in Nob Hill who got his house from the imp. 

The drama now turns on a series of efforts to sell the bottle at ab ever lower price (after fulfilling a series of wishes) until we are down to one cent and hell for the owner is certain. Then it is recalled that there are places where there are coins worth less than a cent. And we are off to Tahiti and traffic in centimes. It ends with a drunken longshoreman, not afraid of hell, taking the bottle with its imp for one centime.

 

Illustration by René Bull' (1872-1942)

 

Wednesday, October 2, 2013

Yes I can: Soul steps in Ottoman English



Istanbul

I am learning Turkish phrases that I find full of Old World charm, colorful, and sometimes wildly funny. Because Turkish is quite unlike any other language I know, I often find that I remember a rather literal English version better than the original. This is fun, because I find that - even if taxi drivers and waiters don't often grasp what I am trying to say in Turkish - English speakers are entertained when I come up with some specimens of what I have taken to calling Ottoman English. For example 

May your road be open. Yolun açık olsun

May your day be filled with light. Günaydın. This is what you literally say when you use this most common Turkish term for "Good morning".

May what you do be easy. Kolay gelsun.

There are many ways to be super-nice to people who have helped you:

May it bring you abundance. Bereket versin. A waiter or shopkeeper may say this to you when giving change.

The health of your soul. Caninin sağliği. When asked if you want anything else, for example in a restaurant or store, you might say this.

May your hand be healthy. Eline sağlik. You might say this to a person who cooks for you, before, during or after a meal. Or to someone who has written or crafted something you like.

There are wonderful phrases evoking what is going on when feeling demons - spirits of rage or jealousy - are loose.


My jinns gathered around my head. Cinlerim tepeme üşüştü. You might say this to explain how you lost your temper.

To become an ifrit, Ifrit olmak. (An ifrit is much scarier than a jinn). Someone in this condition has lost it big-time and let something crazy bad take over the house.


Of a clever and crafty person, you can say, "Forty foxes are wandering in his head." Kafasinda kirk tilki dolasiyor.

Let's talk about can. I am stirred and delighted by all the Turkish expressions that speak of soul. The word for soul is can, pronounced "jahn" (the Turkish letter C, without the cedilla, is always pronounced as J.) I know of no language where "soul" is so widely mentioned in everyday expressions. An ambulance is a "soul saver." When you first water a new plant in the garden, you are giving it "soul water". Your true friends are "soul company." Built into the language is the shamanic recognition - derived from the early ancestors of the Turkic peoples - that soul can be lost and reclaimed. If you have been deeply hurt, you say "a piece of my soul left". If you are returning to health and balance, you say, "my soul is coming back to its place."   
     There is the "soul friend", can dostu. When "soul is taking place" (can alici yer) it means you have come to the most sensitive point in a situation.  Can evi, the "soul's home" is the heart and also the heart of the matter. If you are "taking and giving away soul" (can alip can vermek) you are in great pain. When your "soul is beating for" (can atmak) something, you have a great desire for it. When something moves you, it "touches your soul". If something turns you off, it "bores your soul."A state of well being is "soul health" (c
an sağlığı). 

Your soul has a place on my head. Can baş üstüne. When you say this, you mean you will so whatever has been asked of you with great pleasure.

To step on the soul's vein. Can damarına basmak. Careful: This can mean either to touch the heart of a matter, or to push someone's buttons - or both.

To hit the soul's home. Can evinden vurmak To hurt someone where he is most sensitive.

To have no soul left. Can kalmamak. Exhausted, completely beat.

Add more soul. Cana can katmak To energize and enliven)

His soul is in his pocket. Can cebinde. Weak person.

His soul is strong. Ceni pek. Strong person.

To burn someone's soul. Can yakmak. To torment or cause pain.

The soul's longing is canı çekmek. Built into the Turkish language is the recognition, native to the shamanic ancestors of the Turkic peoples, that soul can be lost and regained. It can be driven away by fear or pain, or estranged by a life style that does not recognize its longings. Thus 

A piece of my soul left. Canımdan can gitti. Used to describe great pain or  fear experiences at a certain time. Turkish people say, "A piece of my soul left because of...[at such a time and place]"

The soul market. Can pazari. This is a  dangerous time when everyone is out for himself..

Soul is coming back to its place. Cani yerine  gelmek. Regaining health and vitality.

Turkish food is great, so perhaps it is no surprise that the Turks say "soul comes through the throat"  (can boğazdan gelir), encouragement to eat well.

Gardeners will love the Turkish phrase for the first water given to a new plant in the garden. It is called can suyu, "soul water."

If I want to tell you that you did good, or you are the best, I might say to you, Canina rahmet! "Grace to your soul!"

My favorite everyday blessing in Turkish is this:

May your soul be alive! Canın sağ olsun! Don't worry!


Image: Butterfly mural at Taksim metro station (c) Robert Moss