Showing posts with label Namkhai Norbu. Show all posts
Showing posts with label Namkhai Norbu. Show all posts

Saturday, May 3, 2025

Riding Inside the Tiger

 


I teach and learn by sharing stories and - especially when it comes to dreaming - I don't want to hear from educators and experts who don't share their personal experiences. In this respect Namkhai Norbu does not disappoint. Especially in his book on Dzogchen, The Crystal and the Way of Light (even more than in his book on dream yoga) he shares memorable dream experiences.
     The simplest and most endearing comes from very early in his life. When he was quite small, he dreamed many times that he was riding inside the belly of a roaring beast he thought must be a tiger. In those days no motor car had ever been seen in his remote part of Tibet. When he encountered automobiles years later, he realized what his dreams had prepared him for. I am so charmed by this tale that I have turned it into a drawing. 

When the dreamer is ready, the teacher will appear 

Namkhai’s account of his dream education suggests a modification in a well-known maxim. It’s not just that when the student is ready, the teacher will appear. It’s also: when the dreamer is ready, the teacher will appear.
     Aged sixteen, as a student teacher in China, Namkhai dreamed he met a very old man he knew to be
a master. The master lived in a white Chinese-style cement house; the name Padmasambhava was written in Tibetan over the dor. The master chanted a mantra of Padmasambhava. Then he instructed Namkhai to go round the house to a great rock and look for the entrance to a cave. Inside the cave, he would find eight natural mandalas. The dreamer’s father appeared and chanted the Prajnaparamita sutra. Namkhai joined in chanting the sutra and they walked round the inside of the cave together. He could see the edges of the mandalas but not their full form before he woke up.
     A year later, back in Tibet, Namkhai heard a visitor talk to his father about an extraordinary old man who was living in a village of white Chinese-style houses in the region. He felt strongly this was the old man from his dream. Reminding his father of the dream, he asked if they could visit the old man in the white house. They set off on horseback and rode for four days. They came to a vialge of white concrete Chinese-style houses and knew the master’s house because mantra of Padmasambhava was over the door. The old man was Chamchun Dorje, a Dzogchen master; he became Namkhai’s primary teacher.[1]     

When you wake with a dream in your hand 

“What if you slept,” Coleridge wrote, famously, “And what if in your sleep you dreamed and what if in your dream you went to heaven and there plucked a strange and beautiful flower
and what if when you awoke you had that flower in your hand, ah, what then?”
     Coleridge’s question was answered for Namkhai in his early dream education. He learned that a certain kind of dream can spill over into the world. He woke with something he had dreamed in his hand.
     One of his uncles was renowned as a tertön, a "treasure revealer" of hidden texts that sometimes appeared as tiny scrolls in unusual places, apparently transmitted across generations by ancient masters. While staying with his uncle in a remote area, Namkhai dreamed he was visited by a dakini.
     She gave him a small scroll of paper containing a sacred text. She said this was very important and that on waking he should give it to his uncle. In the dream he knew he was dreaming. He gripped the scroll tightly in one fist and wrapped the other around it. It was not permitted to disturb his uncle until after his morning rituals, so he drifted off still with his fists clamped together.
     Waking at dawn, he opened his hand and found there really was a tiny scroll within it. He was too excited to wait. He woke up his uncle and presented the scroll. His uncle took it and said matter-of-factly, “Thank you, I expecting this” as if there had been a routine delivery at the door. [2] 
 

When you are called to travel to a deceased master 

When he was living and teaching in Italy, Namkhai’s guru, Chamchun Dorje, called him in a dream to return to Tibet. He traveled to his master in the dream. His guru told him that it was time for him to take up Todgal, a higher level of Dzogchen practice.  For this, he needed to go to another teacher, Jigmed Linba. 

I thought this was a very strange thing to say because I knew, of course, that Jigmed Linba was a great Dzogchen master of the eighteenth century who had been dead for many years. I thought perhaps I had misunderstood what my master had said so I asked him to explain, but he just said, “Jigmed Linba is up on the mountain behind the house. Go and see him right away.” [3] 

Disbelieving, Namkhai scaled a sheer cliff, noticing that the whole text of a tantra was incised on it, with the title of the text on a standing stone at the top, He found a cave where a beautiful boy with long flowing hair, dressed in a filmy blue garment, was seated. Could this really be the deceased Dzogchen master?  He clambered up on top of the rock and said to the boy, “I was told to come to you.” The boy motioned for him to sit, then took out a little scroll and began reading a Dzogchen text on the Four Lights of Todhgal.
     Look through the Tibetan Buddhist biographies in Serinity Young’s Dreaming in the Lotus and you will find that, again and again, gurus dream with their disciples and the masters appear in dreams to convey essential teachings.[4] This theme is well crystallized by Lama Choedak Yuthok:
 

Some people actually gain enlightenment during dreams. Some practitioners while in the middle of dreams which they recognized as dreams, invited great lineage masters of past ages. They came and gave teachings, and some of these practitioners became enlightened as a result. There are a lot of whispered teachings like this. They are known as ‘near lineage’ teachings. Some practitioners who received these could write, teach and transmit the teachings with amazing eloquence. They did not have to bother about studying any texts. One master received three months’ worth of teachings in the course of a single three-hour dream.

 

References 

1. Namkhai Norbu Crystal and the Way of Light: Sutra, Tantra and Dzogchen ed. John Shank (London and New York: Routledge & Kegan Paul, 1987) pp.9-10.
2. ibid pp. 51-52.
3. ibid p.102.
4. Serinity Young , Dreaming in the Lotus: Buddhist Dream Narrative, Imagery, & Practice (Boston: Wisdom Publications, 1999).
5. Lama Choedak Yuthok ed. Pauline Westwood, Lamdre: Dawn of Enlightenment. (Gorum Publications, 1997).

 

Illustration: “Riding Inside the Tiger” by Robert Moss

 

 

Friday, April 12, 2024

Dream Bruises and Other Bleedthroughs

 


What if in your dream you went to heaven and there plucked a strange and beautiful flower and what if when you awoke you had that flower in your hand?


Coleridge's famous question is not a hypothetical to active and conscious dreamers, who notice various types of bleedthrough between different dimensions of reality and experience.
    A nurse who took part in one of my early dream classes later told me she had dreamed of a visitation from a being that was half woman, half deer. Waking in her second floor apartment, she found deer scat on her floor. Trying to make sense of this (nurses are no-nonsense, practical people) she recognized that a deer might have wandered onto the grounds of her apartment complex. But she was quite certain there was no way it could have gotten up her stairs or through her window! She was content to accept the unlikely deer poop as a sign from the deeper universe that her visitation had been absolutely for real. She later found the deer-woman turning up as a guide when she was caring for patients, especially the dying who needed help to prepare for their journeys beyond this world.
    In his account of his personal dreams in The Crystal and the Way of Light, Dzogchen master Nakhai Norbu gives a memoriable example of something being transferred from a dream into the hand of the dramer. 
One of his uncles was renowned as a tertön, a "treasure revealer" of hidden texts that sometimes appeared as tiny scrolls in unusual places, apparently transmitted across generations by ancient masters. While staying with his uncle in a remote area, Namkhai Nprbu dreamed he was visited by a dakini.
     She gave him a small scroll of paper containing a sacred text. She said this was very important and that on waking he should give it to his uncle. In the dream he knew he was dreaming. He gripped the scroll tightly in one fist and wrapped the other around it. It was not permitted to disturb his uncle until after his morning rituals, so he drifted off still with his fists clamped together. Waking at dawn, he opened his hand and found there really was tiny scroll within it. He was too excited to wait. He woke up his uncle and presented the scroll. His uncle took it and said “Thank you, I expecting this” as if nothing had happened.  
     On a land of marvels and siddhis, a report of this kind would have drawn respect and keen interest rather than incredulity.  
     One of the most common bleedthroughs from the realm of dream or astral experience into the world of the body is astral repercussion, to use a term favored by Dion Fortune and her peers. This is what happens when what is experienced in the astral body during its excursions outside the physical body leave physical marks when it returns.
    While Fortune described cases where this kind of thing can be seriously depleting, even life-threatening, to the experiencer, astral repercussion may be a routine side effect of getting out and about in a subtle energy body, sometimes wholly benign and even entertaining. In the first letter from Lady Valerie D'Arcy in my novel Fire Along the Sky, she protests that an amorous visit from her lover in the form of a leopard-man left her with bite marks on her body; this fictional scene was drawn from experience!
    Let me give an example from my dream life a few summers ago. I was enjoying a rather lazy week's vacation on a lake, swimming and reading a lot, spending a lot more time in bed overnight than is my typical pattern. My body's peace and ease over those summer days was balanced by the nocturnal adventures of my dream self. In a dream thriller that could easily be filmed in the style of The Bourne Identity, I went on a wild ride through the Bois de Boulogne in Paris. We have to dodge road-blocks and predatory packs that are out to stop cars and rob their drivers and passengers, or worse. The predators use all sorts of stratagems to get drivers to stop, sometimes pushing children in front of the cars. When they do that to us, I grab control of the steering wheel from my driver, managing to avoid hitting a child being used as bait, so we escape the trap. I hurt my arm making this maneuver, but pay little attention because soon I am caught up in a big-stakes international intrigue.
    I wake happy and excited. I felt like I had stepped into a movie to play an Action Man hero, and this was really enjoyable. But - uh, oh - how did that bruise come to appear on the underside of my left upper arm? There really was no physical cause I could locate. On the other hand, there was all that action in the dream, and the pain I experienced during the car chase. Someone had jabbed something at me through the window of the car, in that mad ride through the Bois de Boulogne.
   Inter-dimensional bleedthroughs bring us awake to the fact that we are engaged in more than one order of reality, and that what happens beyond our default (physical) reality may not only be no less real, but sometimes more so. If the dream gave me the bruise, then which was more real: my night escapade in Paris, or my lazy day by a lake in Vermont?
    We are also drawn to reflect on our lager anatomy. We have more than one vehicle of consciousness. Beyond the physical body, we have an etheric, or dense energy, vehicle, and an astral body in which we travel in dreams, and higher vehicles given different names in different tarditiosn. When we go dreaming, we often travel beyind the physical body and we rarely go as a disembodied thought form. We travel in the astral body, sometmes carrying a significant amount of denser etheric energy. Take too much with you, and you return depleted - and you are vulnerable to  significant etheric reopercussion on your physical body.
      In modern Western society, we are not told much about the subtle body, but understanding its reality and its requitrements is essential to or psychic wellbeing and to safe and rewarding adventures beyond the physical. 


Drawing: "Autoscopy" by Robert Moss