Provençal blue

lo País d'Òc

Over the past week, the ruling color of my dreams, sleeping and waking, has been Provençal blue. I led a six-day training for teachers of Active Dreaming, my first teacher training in Europe, at the Hameau de l'Etoile, a restored medieval village near Saint Martin de Londres in the Midi. Gifted dreamers eager to become guides and ambassadors to the deeper life came from Sweden and the Netherlands, Germany and Estonia, Britain and Romania, Italy and France (of course). We shared wonderful adventures in two languages and in two worlds, and the work was deep and true.

Doors, shutters and gates at the Hameau were painted in the colors of memory, nostalgia and sweet yearning, tested and tempered by the seasons.


Even the doors to the rest rooms were Provençal blue.

I would have loved to have plunged into the deep blue dreams of the splendid pool at the Hameau, but it was a little too cold for that in late October


After the training, I found my way through a chaos of tram lines under construction to the heart of Montpellier and stopped for a beer at a cafe in a quiet square in the university quarter. Here the doors were a deeper blue.


On my last day in southern France, I visited the magnificent medieval city of Carcassonne, the scene of mass tragedy when a Pope ordered a crusade against the Cathars in 1209. On a high terrace within sight of the donjon, with the noise of a brass band rising from the street, I lunched on a cassoulet of white beans, duck and Toulouse sausage, and found the blue trim of a window another invitation to go dreaming.

Le rêve a laissé son manteau

On my last night at l'Hameau de l'Etoile, the refurbished 17th century village in the south of France where I have been leading new adventures in Active Dreaming, I dreamed I was leading the group on a spiral dance through stables where powerful horses stamped and snorted their approval. As we danced, I improvised the words of a song with alternating verses in French and English. As I woke, the title of this dream was with me: "Le chanson des écuries du rêve" - "The Song of the Dream Stables."

I sat down with a cup of coffee to write with the energy of this dream. What came streaming through me was not exactly the Song of the Dream Stables but rather a poem in the rhythms of Charles d'Orléans, the poet-prince of medieval France who has featured in my dreams for manyyears. It was a sequence of dreams, visions and synchronicity - extraordinary even by my standards - that brought me to France in 2005 to lead a previous workshop at a chateau near Blois, the city Charles most loved, and where his body lies under the protection of the most fearsome gargoyles I have ever seen. The repeating line in my poem is borrowed from one of Charle's lyrical poems. Le temps a laissé son manteau.

Here is the poem as I delivered it to the group, in French, the day before I flew home for Thanksgiving:

Le rêve a laissé son manteau
de brume, de soie et du regret
Je marche entre la terre et l’eau
pour nettoyer à castanet

La lune m’a donné sa pleine face
J’encontre esprits de là-haut
Je dois assigner chacun à sa place
Le rêve a laissé son manteau

Les vents racontes légendes d’or
je glisse comme grue, je mange taureau
Je vive entre la mort et l’amour
Le rêve a laissé son manteau

A rough translation:

      The dream has dropped its mantle of mist, of silk and of regret I walk between earth and water to cleanse with their percussive beat

      The moon has given me her full face I have met spirits that come from there I must assign each to its rightful place The dream has dropped it mantleT

      The winds narrate golden legends I glide as the crane, I eat the bull I live between love and Death The dream has dropped its mantle.

     "Eating the bull" is no bull. Taureau is a preferred dish of the gardian, the cowboy of the Camargue, and I ate steak de taureau au fleur de sel in a restaurant named the House of the Moon Bull (Casa Toro Luna) on the square in the medieval town of Aigues Mortes.

      Graphic: Illumination from an early collection of poems of Charles d'Orléans, depicting his time as a hostage in the Tower of London.