She was beautiful and shapely (καλή καὶ εὐειδής), Socrates tells Crito, the wealthy friend who has come to his prison cell. Crito bribed the guards to get in and has been waiting since before dawn for Socrates to wake up. Socrates has been waiting for nearly a month for his death, having been condemned on charges of impiety and corrupting the young. Execution of the death sentence will be caried out when a state ship that carried offerings for the festival of Apollo and Artemis at Delos returns from the island.
Crito has dreadful news. The ship has been sighted off Cape Sounion. It will soon be in harbor and Socrates will die. However, Crito has the money and connections to arrange Socrates' escape to Thessaly, beyond the reach of Athenian justice. They are going to have a discussion about whether it is moral to resist the unjust application of just laws. But first, Socrates wants to correct the timeline. He is sure he won't die the next day, even if the ship from Delos is back. How can he know?
Crito: Where do you get your evidence for this?
Socrates: My evidence is something I saw in a dream a little while ago, during the night. It's probably a good thing you did not wake me.
Crito: What was the dream?
Socrates: A woman appeared, coming towards me, beautiful and shapely, wearing white garments. She called to me, 'Socrates, you shall arrive in fertile Phthia on the third day.'
Crito: What a strange dream, Socrates.
Socrates: It seems obvious to me.
Phthia was in wild Thessaly, home of Achilles. The phrase about arriving there on the third day was used in the Iliad when Achilles, piqued by Agamemnon's theft of a beautiful captive he had wanted for his prize, was threatening to abandon the siege of Troy and go home.
Home for the warrior might be a refuge for the philosopher, if he were willing to flout the laws. (Socrates, of course, is not.) But surely the shapely woman in white was preparing Socrates for his journey to a different home in a different world, as dream visitors often do. When his time comes, Socrates does willingly, discoursing on the immortality of the soul as he raises the cup of lethal hemlock to his lips.
Based on Plato's Crito 44ab. This is regarded by scholars as one of the most realistic of Plato's dialogues. It has only two speakers: Socrates and Crito. Curiously, it says little overtly about the soul.
Illustration: "Socrates' Dream Visitor" by Robert Moss.
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