Showing posts with label Pele. Show all posts
Showing posts with label Pele. Show all posts

Tuesday, April 7, 2020

What makes me dive in headfirst, and other words for dream


If you want to know more about what dreams can be, consider what the words for “dream” mean in different languages. You’ll find clues here to what dreaming meant to our ancestors, before we lost respect for dreamers and contact with the Dreaming..
      How about these:

- a dream is “a journey of the soul” (adekato) for a dreaming people of Venezuela, the Makiritare.

- a dream is a “zephyr”, a gentle breeze slipping through the keyhole, or the crack between the door and the lintel, to breathe in your ear, in ancient Assyria

- a dream is an “awakening” (rswt) in ancient Egypt

- a dream is also a spirit messenger (oneiros) that travels from the Commonwealth of Dreams (Demos Oneiron) in archaic Greece.

     In good Old English, a dream is “merriment” and “revelry” of the kind you might encounter from downing too many goblets in a mead-hall. But by Chaucer’s time, the same word, with a different, Northern derivation, can also imply an encounter with the dead. As in Northern Europe (German Traum, Dutch droom etc) the word “dream” we have inherited is linked to the Old Germanic Draugr, which means a visitation from the dead.
     As explained by the great Tuscarora ethnographer J.N.B.Hewitt, the old Iroquoian word katera’swas means “I dream” but implies much more that we commonly mean when when say that phrase in English. Katera’swas means I dream as a habit, as a daily part of my way of being in the world. The expression also carries the connotation that I am lucky in a proactive way – that I bring myself luck because I am able to manifest good fortune and prosperity through my dream. The related term watera’swo not only means “dream”; it can also be translated as “I bring myself good luck.” 
       Early Jesuit missionaries reported that the Iroquois believed that neglect of dreams brings bad luck. Father Jean de Quens noted on a visit to the Onondaga, that “people are told they will have bad luck if they disregard their dreams.” So if you want to get lucky, you want to dream a lot.
      In the Mohawk language, the word we translate as "shaman" is ratetshents, which literally means "one who dreams". Typically, across the indigenous North American cultures, we find the same thing. By definition, the shaman is a dreamer, one who dreams strong.
       Among the Dene, the same linguistic terms are used to designate dreams, visions and spontaneous apparitions and trance states, suggesting that they can all transport the dreamer into the same space, the space where shamans operate.
      Among the Wind River Shoshone, the word navujieip means both “soul” and “dream”; the navujieip “comes alive when your body rests and comes in any form”
       In Scots Gaelic there is a prolix and specific vocabulary for many forms of dreaming and seership and paranormal phenomena. The best literary source on these things is the work of John Gregorson Campbell, a minister of Tiree in the late nineteenth century who gathered the oral traditions of Gaelic speakers and wove them into two books, Superstitions of the Highlands and Islands of Scotland (1900) and Witchcraft and Second-Sight in the Highlands and Islands of Scotland (1902).
     The term da-shealladh (pronounced "dah-haloo"), often translated as "second sight", literally means "two sights". It refers to the ability to see apparitions of both the living and the dead. The taibshear (pronounced "tysher") is the seer who specializes in observing the energy double (
taibhs). A dream or vison is a bruadar ("broo-e-tar"). The bruadaraiche ("broo-e-taracher") is more than a dreamer in the common sense; he or she is the kind of dreamer who can see into the past or the future. That's a nugget worth close evaluation. The depth of the practice of dreaming in any culture is reflected in its working terminology for such things. I'm not sure that current English offers a single word as rich as bruadaraiche but I doubt that we can import the Scots term since (at least as it comes off my tongue) it sounds like something boiled up in a sheep's stomach.
     The Hawaiian language contains a rich vocabulary for dreaming that makes a delightful study.    A general word for dreams in Hawaiian is moe’uhane, generally translated as “soul sleep” but better understood as “night experiences of the soul”, since for traditional Hawaiians, dreaming is very much about traveling. The soul makes excursions during sleep. It slips out of the regular body, often through the tear duct, described as the “soul pit” and travels in a “body of wind”. During sleep the dreamer also receives visitations from gods (akua) and ancestral guardian spirits (aumakua) who may take the form of a bird or a fish or a plant.
     Like all practical dreamers, the Hawaiians recognize that there are big dreams and little dreams. You don’t want to pay too much attention to a “wild goatfish dream”(moe weke pahulu), which is caused by something you ate or how fast you ate it. The colorful term is derived from popular belief that eating the heads of goatfish – at other times a delicacy – in the wrong season, when bad winds are blowing, causes sickness and troubling but meaningless dreams. On the other hand, you want to recognize that a dream may contain the memory of a trip into the future that can give you information of the highest practical importance. Especially helpful is the “straight-up” dream (moe pi’i pololei) that is clear and requires no interpretation.
    There are “wishing” dreams (moemoea) that show you something you are pining for, which may or may not be attainable in ordinary reality. There are “revelations of the night” (ho’ike na ka po) that carry the power of prophecy.
     A most interesting category of Hawaiian dreams are those – believed to be gifts of the guardian ancestral spirits – that are given to promote the healing of relations within a family or community. Dreams are also given by the aumakua to promote personal healing.
The ancestral spirits also deliver “night names” (inoa po) for babies that are on the way, and cautionary tales are told of misfortune that comes when the parents ignore a baby name delivered in a dream.
    The Hawaiians pay special attention to visions that come on the cusp between sleep and waking (hihi’o) believing that these are especially likely to contain clear communication from the spirits and “straight up” glimpses of things that will unfold.
    In our dream travels, we may be united with a “dream husband” (kane o ka po)or a “dream wife” (wahine o ka po). This can be pleasurable and even compelling, but Hawaiian lore teaches caution. Spend too much time outside your regular body in your “body of wind” and the physical organism may start to weaken and languish. You also want to be alert to deceivers who may take on the form of alluring sexual partners but are actually something else, like tricky mo’o, a kind of water imp.
     We want to bring energy from our juiciest dreams into embodied life and not leave it out there. A favorite Hawaiian legend tells how a goddess accomplished this. Pele, on her volcanic island, was stirred by rhythmic drumming from far off. She left her body in her lava bed, charging her attendants not to rouse her for three days on any account. She traveled far in her “body of wind” and finally found the source of the magical drumming is a luau being held by a handsome prince. The goddess and the prince fell for each other and spent three days making love before Pele returned to the body she had left in her lava bed. Being a goddess, she was then able to arrange for her prince to be transported to the Big Island to live with her as her consort. Humans may find this kind of transfer harder to effect, but it’s always worth a try!
     My favorite word for "dream"comes from the special vocabulary of the Inuit angakok ("one who sees with inner light") or shaman. The word is transcribed like this: kubsaitigisak. It is pronounced "koov-sigh-teegee-shakk" with a little click at the back or the throat when you come to the final consonant. It means "what makes me dive in headfirst". Savor that for a few moments. A dream is something that makes you take the plunge. It takes you deep. Doesn't this wonderfully evoke how, dreaming, we may escape our consensual daily hallucinations and dive into a deeper world?




Text adapted from Dreaming the Soul Back Home by Robert Moss. Published by New World Library. Audio version narrated by Robert now available from audible.com

Art: "Broad Bands of Dreaming" by Robert Moss

Saturday, August 17, 2019

Soul sleep and wild goatfish dreams



How much a culture understands of the practice of dreaming is reflected in the variety and specificity of the terms it uses for different types of dream experience. The Hawaiian language contains a rich vocabulary for dreaming that makes a delightful study. 

A general word for dreams in Hawaiian is moe'uhane, generally translated as "soul sleep" but better understood as "night experiences of the soul", since for traditional Hawaiians, dreaming is very much about traveling. The soul makes excursions during sleep. It slips out of the regular body, often through the tear duct, described as the "soul pit" and travels in a "body of wind". 

During sleep the dreamer also receives visitations from gods (akua) and ancestral guardian spirits (aumakua) who may take the form of a bird or a fish or a plant. 

Like all practical dreamers, the Hawaiians recognize that there are big dreams and little dreams. You don't want to pay too much attention to a "wild goatfish dream" (moe weke pahulu), which is caused by something you ate or how fast you ate it. The colorful term is derived from popular belief that eating the heads of goatfish - at other times a delicacy - in the wrong season, when bad winds are blowing, causes sickness and troubling but meaningless dreams. 

On the other hand, you want to recognize that a dream may contain the memory of a trip into the future that can give you information of the highest practical importance. Especially helpful is the "straight-up" dream (moe pi'i pololei) that is clear and requires no interpretation. There are "wishing" dreams (moemoea) that show you something you are pining for, which may or may not be attainable in ordinary reality. There are "revelations of the night" (ho'ike na ka po) that carry the power of prophecy. 

A most interesting category of Hawaiian dreams are those - believed to be gifts of the guardian ancestral spirits - that are given to promote the healing of relations within a family or community. Dreams are also given by the aumakua to promote personal healing. The ancestral spirits deliver "night names" (inoa po) for babies that are on the way, and cautionary tales are told of misfortune that comes when the parents ignore a baby name delivered in a dream. 

The Hawaiians pay special attention to visions that come on the cusp between sleep and waking (hihi'o) believing that these are especially likely to contain clear communication from the spirits and "straight up" glimpses of things that will unfold. In our dream travels, we may be united with a "dream husband" (kane o ka po) or a "dream wife" (wahine o ka po). This can be pleasurable and even compelling, but Hawaiian lore teaches caution. Spend too much time outside your regular body in your "body of wind" and the physical organism may start to weaken and languish. You also want to be alert to deceivers who may take on the form of alluring sexual partners but are actually something else, like tricky mo'o, a kind of water imp. We want to bring energy from our juiciest dreams into embodied life and not leave it out there. 

A favorite Hawaiian legend tells how a goddess accomplished this. Pele, on her volcanic island, was stirred by rhythmic drumming from far off. She left her body in her lava bed, charging her attendants not to rouse her for three days on any account. She traveled far in her "body of wind" and finally found the source of the magical drumming is a luau being held by a handsome prince. The goddess and the prince fell for each other and spent three days making love before Pele returned to the body she had left in her lava bed. Being a goddess, she was then able to arrange for her prince to be transported to the Big Island to live with her as her consort. Humans may find this kind of transfer harder to effect, but it's always worth a try! 

Artist Caren Loebel-Fried has produced a beautiful book, Hawaiian Legends of Dreams (Honolulu: University of Hawaii Press), illustrated with the author's own lively woodcuts. She draws on excellent research among the papers of Martha Beckwith (author of the indispensable classic Hawaiian Mythology) and E.S. Craighill Handy in the Bishop Museum. Loebel-Fried's retelling of Pele's dream journey to Lohi'au and of the dream that led to the discovery of the hidden spring of Punahou, under a hala (pandanus) tree are especially engaging and instructive. The famous Punahou school in Honolulu stands at the site of that secret spring, and the school seal includes the image of a hala tree with a spring of fresh water flowing beneath it. 





Art: "The Dream of Pele" by Caren Loebel-Fried. The artist generously gave permission for us to use this woodcut for the cover of my poetry collection Here, Everything Is Dreaming, which contains a poem inspired by Hawaiian traditions of dreaming.




Tuesday, March 8, 2016

Hawaiian traditions of dreaming


How much a culture understands of the practice of dreaming is reflected in the variety and specificity of the terms it uses for different types of dream experience. The Hawaiian language contains a rich vocabulary for dreaming that makes a delightful study.
     A general word for dreams in Hawaiian is moe'uhane, generally translated as "soul sleep" but better understood as "night experiences of the soul", since for traditional Hawaiians, dreaming is very much about traveling. The soul makes excursions during sleep. It slips out of the regular body, often through the tear duct, described as the "soul pit" and travels in a "body of wind". During sleep the dreamer also receives visitations from gods (akua) and ancestral guardian spirits (aumakua) who may take the form of a bird or a fish or a plant.
     Like all practical dreamers, the Hawaiians recognize that there are big dreams and little dreams. You don't want to pay too much attention to a "wild goatfish dream" (moe weke pahulu), which is caused by something you ate or how fast you ate it. The colorful term is derived from popular belief that eating the heads of goatfish - at other times a delicacy - in the wrong season, when bad winds are blowing, causes sickness and troubling but meaningless dreams.
     On the other hand, you want to recognize that a dream may contain the memory of a trip into the future that can give you information of the highest practical importance. Especially helpful is the "straight-up" dream (moe pi'i pololei) that is clear and requires no interpretation. There are "wishing" dreams (moemoea) that show you something you are pining for, which may or may not be attainable in ordinary reality. There are "revelations of the night" (ho'ike na ka po) that carry the power of prophecy.
     A most interesting category of Hawaiian dreams are those - believed to be gifts of the guardian ancestral spirits - that are given to promote the healing of relations within a family or community. Dreams are also given by the aumakua to promote personal healing. The ancestral spirits deliver "night names" (inoa po) for babies that are on the way, and cautionary tales are told of misfortune that comes when the parents ignore a baby name delivered in a dream.
      The Hawaiians pay special attention to visions that come on the cusp between sleep and waking (hihi'o) believing that these are especially likely to contain clear communication from the spirits and "straight up" glimpses of things that will unfold.
      In our dream travels, we may be united with a "dream husband" (kane o ka po) or a "dream wife" (wahine o ka po). This can be pleasurable and even compelling, but Hawaiian lore teaches caution. Spend too much time outside your regular body in your "body of wind" and the physical organism may start to weaken and languish. You also want to be alert to deceivers who may take on the form of alluring sexual partners but are actually something else, like tricky mo'o, a kind of water imp. We want to bring energy from our juiciest dreams into embodied life and not leave it out there.
      A favorite Hawaiian legend tells how a goddess accomplished this. Pele, on her volcanic island, was stirred by rhythmic drumming from far off. She left her body in her lava bed, charging her attendants not to rouse her for three days on any account. She traveled far in her "body of wind" and finally found the source of the magical drumming is a luau being held by a handsome prince. The goddess and the prince fell for each other and spent three days making love before Pele returned to the body she had left in her lava bed. Being a goddess, she was then able to arrange for her prince to be transported to the Big Island to live with her as her consort. Humans may find this kind of transfer harder to effect, but it's always worth a try! 

     We have a wonderfully accessible introduction to these traditions by Caren Loebel-Fried: Hawaiian Legends of Dreams (Honolulu: University of Hawaii Press). Illustrated with the author's own lively woodcuts and drawing on excellent research among the Beckwith and E.S. Craighill Handy papers in the Bishop Museum, this book takes us deeply and effortlessly into the language and lore of Hawaiian dreaming and is suitable for readers from middle school to sagehood..
    Loebel-Fried's retelling of Pele's dream journey to Lohi'au and of the dream that led to the discovery of the hidden spring of Punahou, under a hala (pandanus) tree are especially engaging and instructive. The famous Punahou school in Honolulu stands at the site of that secret spring, and the school seal includes the image of a hala tree with a spring of fresh water flowing beneath it.  
   Caren generously gave permission for me to use her woodcut of "The Dream of Pele" on the cover of my poetry collection, Here Everything Is Dreaming. One of my longer poems, "Moe'uhane: Island Dreaming" evokes the richness of Hawaiian traditions of dreaming. It begins:

Dreaming is when soul wakes up
and goes traveling.
You may fly across the water
in your body of wind
following the drumming of the waves
to spend the night with your dream lover.
Even goddesses do this.

Art: Carel Loebel-Fried, "The Dream of Pele"


Wednesday, February 19, 2014

On Pele's Island




The dreamers breakfast on kona coffee
and tropical fruit and stories
of shapeshifting overnight:
plant into human and back
 again,
black boar into lava rock,

swimmer into shark god, 
white woman into brown-skinned priestess, 
singer into dragonfly whose lover is the wind. 
Forms are fluid, everything quivers
at the edge of becoming something else. 
What else would you expect,
where the land is a thin blanket
over the molten body of a hot goddess, 

rising from her bed below the sea floor? 


- Kalani, February 17, 2014


Phot0: Kalani coast 2014 (c) Robert Moss

Monday, January 9, 2012

Here, everything is dreaming




Moe’uhane
Island Dreaming

Dreaming is soul sleep
but even more it’s traveling.
You may fly across the water
in your body of wind
following the drumming of the waves
to spend the night with your dream lover.
Even goddesses do this.
Pele left her lava bed for three days
to make love with her dream prince.
Being a goddess, she could bring him home.

It’s harder for humans. Spend too long
with your dream spouse
without bringing him home
and you sicken like rotting silver.
You need to check who you’re sleeping with
because spirits take many forms.
If your prince is a water imp in disguise
you’ll go fish belly white and moist
on the side that rests next to him.

You must learn the vocabulary of dreams.
Never confuse a wild goatfish dream
that begins and ends in your belly
with a dream that comes true
because it’s the memory of a trip to the future.
Don’t mix up a wishing dream with revelation.
Be alert to the visions that open and shut
like lobster pots, quick and true,
on the edges of sleep and waking.
Use the dreams that are given to heal a family
and dreams that show you how to heal yourself.

In beauty and terror, as redbirds or lovely sharks,
as windflowers or razorbacks or honeycreepers,
gods and ancestors are talking, talking.
They show us life’s hidden springs.
They compose songs in us. They give
night names for babies that are coming.
They save our skins when they are worth saving.

Learn to discern when you can sweeten a dream
and soften the sharp future it portends
and when you have to swallow it straight up.
For a second opinion, listen to the birds
or to a bird-man who talks to the wind
or might sail a blossom canoe for you
over submarine tattoos in a gourd filled with water.

In the islands, everything has a body of wind.
In the morning garden, you notice the pandanus
has walked to the far side of the pond
where the fish dream open-eyed;
a palm swapped places with an avenging angel.
Even the land snail goes flying at night
and is the preferred scout of the fiercest goddess.

To become a native of these islands
you must grow double vision, reading signs
in the world and the world-behind-the-world
without going crazy. Persevere
and all your dramas will lead
to the Place of Leaping
where fresh water meets salt water
and you’ll drop your old body
and travel on, as bird or fish or zephyr
to the land tourists never see on the horizon.

Here, everything is dreaming.
On a white beach in the early light
a shark came out of the waters
and became a graceful silver woman
who claimed me as her mate,
there on the embracing sand.
She was so lovely I was not put off
by her hammerhead eyes.
I wonder what unexplainable love child
is swimming out there, in the deep.