Pounding, pounding. The grim runner is pounding the cement
sidewalks around a school building, running joylessly and relentlessly, round
and round. His clothes are the color of sackcloth, or damp dead leaves. His
straight, longish hair flaps against his neck. He is young, late teens or early
twenties.
Behind him runs a fair-haired older woman in a
lacy white dress. She seems to be trying to catch up with him, to get his
attention. But he is locked in his own repetitive purpose. Pounding, pounding.
I notice that his thighs and legs have grown amazingly wide. Is this muscle, from all this running? It’s wrong, not natural, ugly. Round and round the school, he is running still.
I notice that his thighs and legs have grown amazingly wide. Is this muscle, from all this running? It’s wrong, not natural, ugly. Round and round the school, he is running still.
I woke from this dream at dawn with a sense of cool distance and detachment from the runner. But beyond this, of a world of pain and grieving.
I immediately thought of the Newtown horror. Did I
glimpse the shooter, as he is after killing himself? And perhaps his mother,
running behind him? The woman in white lace had a tired, homely face, one the runner would probably know. If not his mother, is she a guide?
I knew nothing of the shooter when I went to bed. I am told now that he was a geeky guy who even wore a pocket protector. Are those crazy leg muscles part of an attempt to transform himself into an avatar from a computer game, and live in that kind of reality? Or is the ballooning weight of his limbs part of his punishment, as he trudges round and round the place of his crime, on and on?
I knew nothing of the shooter when I went to bed. I am told now that he was a geeky guy who even wore a pocket protector. Are those crazy leg muscles part of an attempt to transform himself into an avatar from a computer game, and live in that kind of reality? Or is the ballooning weight of his limbs part of his punishment, as he trudges round and round the place of his crime, on and on?

