Showing posts with label Metempsychosis. Show all posts
Showing posts with label Metempsychosis. Show all posts

Friday, November 22, 2024

Where a Dog Is the Soul's Best Vehicle


I have always known that dogs are marvelous soul friends and can play a psychopomp role for those traveling beyond death. In my contunuing reserach into conceptions of soul among indigenous people, I came upon a note by a Catholic missionary suggesting that among the Inuit a dog could be not only a soul companion but a soul vehicle for the deceased.

Father Roger Buliard reported from his time among the Copper Inuit (called Eskimos in his day) that they took great care to propitiate the anernek - translated as "breath", soul or spirit - of the animals they hunted so that the caribou, for example, would remain friendly. They were no less solicitous in dealing with the anernek of dead Inuit.

"When a relative dies," Father Buliard reported, the Inuit "give his name quickly to a dog, so that the spirit will have a place to rest until a child is born to inherit it. The anernek is a fleeting thing, easily lost, and every artifice must be brought to bear to prevent its prowling and causing trouble.”

Other interesting revelations in this note (1) the breath soul is closely associated with the name; (2) the clear belief in metempsychosis, that at least one of the multiple souls of a human can occupy successive bodies.

Source: Roger Buliard, Inuk. New York: Farrar, Straus and Young, 1951. pp.264-65.


Illustration: "Esquimaux Dogs" by John James Audubon in The Quadrupeds of North America (1845-1848). Public domain.



Saturday, October 7, 2023

Visits with an Ancient Philosopher-Shaman




 "I was visited last night in my sleep by one whom I presently recognized as the famous Adept and Mystic of the first century of our era, Apollonius of Tyana, called the 'Pagan Christ'.

"He was clad in a grey linen robe with a hood, like that of a monk, and had a smooth, beardless face, and seemed to be between forty and fifty years of age. He made himself known to me by asking if I had heard of his lion. He commenced by speaking of Metempsychosis."

This is the start of a dream report that Anna Kingsford entered in her journal in Paris on May 11, 1880. [1]Her visitor proceeded to give her a tutorial on reincarnation and the conditions under which humans might be reborn as animals. Apollonius explained, "There are two streams or currents, an upward and a downward one, by which souls are continually passing and repassing as on a ladder. The carnivorous animals are souls undergoing penance by being imprisoned for a time in such forms on account of their misdeeds." As a leading Victorian "platform lady" on behalf of  Vegetarianism, Anna was clearly pleased by the harsh description of carnivores.  

There is a tradition that the lion of Apollonius was the reincarnation of an Egyptian pharaoh named Amasis and that the lion wept when his past identity was recognized. Occultist Éliphas Lévi also saw Apollonius as a beardless man robed in a grey garment when he evoked him, although in this case the linen was a shroud. 

Those ancient philosopher-shamans know how to get around. Let me recall the story of Apollonius' visit to the Cave of Trophonius. Plutarch (who knew what he was talking about; his brother was a priest of Trophonius) describes a Mystery initiation at the Cave of Trophonius in ancient Boeotia in which the candidate, after lowering himself through a hole in the ground into total darkness, experienced a stunning shift in consciousness that released his soul from his body and set him sailing among the stars. Freed from the body, his soul expands and flows like a sail, among the “islands” of stars in the ocean of ether — each one presided over by a god except for the moon, which is inhabited by “Epichthonian daimons.”

He stays in the underworld two nights and a day. He receives much information from an invisible spirit about the afterworld and the beings who inhabit it. He is instructed on the relationship between higher and lower self — on how gross appetites pull people down, and how those few who listen carefully to their eudaimon (“good daimon”) may become daimons themselves, playing the role of guardian angels to others. [2]

The kathodos, or underworld descent, to the Cave of Trophonius was a true initiation ritual, requiring a literal experience of death and rebirth. Preparation normally involved sacrifice, purification and discipline. But the Trickster is always at play when authentic shamans appear, and at the Cave of Trophonius a shaman-philosopher flouted the rules.. Philostratus preserves the story of a visit to the sanctuary by Apollonius of Tyana, who told the priests, “I wish to descend into the cave in the interests of philosophy.” The priests refused to let him in, telling the people they would not allow a “wizard” to enter the sanctuary.

Apollonius went despite the priests. Under cover of dark, he and his companions pulled down part of the security wall. He went down the shaft in his regular clothes — his “philosopher’s mantle” instead of the prescribed shroud. He vanished for seven days, then reappeared miles away, at Aulis, with a book in which he had recorded the daimon’s responses to his questions. This book distilled the teaching of the “golden chain” of the Pythagorean shaman-philosophers. [3]

1. Anna Bonus Kingsford, Dreams and Dream-Stories (London: John M. Watkins, 1908) "The Metempsychosis" dream XVI. 
2. Plutarch's accounts of the Cave of Trophonius initiation are in two essays, "On the Demon of Socrates" and "On the Spirits Who Live in the Face of the Moon". Translations appear in Plutarch, Moralia (Cambridge and London: Harvard University Pres, 1994, 1995), vols 7 and 12 (respectively). For full discussion of the Trophonius initiation see my book Dreamgates: Exploring the Worlds of Soul, Imagination and Life Beyond Death (Novato CA: New World Library, 2020) pp.143-146.
3. Philostratus, The Life of Apollonius of Tyana ( trans. F.C. Conybeare (Cambridge MA and London: Harvard University Press and William Heinemann, 1969) vol 2, pp.381-383

Illustration: Original drawing by Robert Moss with digital color effects.