Symbol Magnets and Jung’s Fish Tales

 

 The magnetic power of a symbol, in our lives, can bring together inner and outer events in ways that shift our perception of reality. We learn best about these things through direct experience, and through stories - like Jung's fish tales - that we can trust.     

    When Jung was immersed in his study of the symbolism of the fish in Christianity, alchemy and world mythology, the theme started leaping at him in everyday life. On April 1, 1949, he made some notes about an ancient inscription describing a man whose bottom half was a fish. At lunch that day, he was served fish. In the conversation, there was talk of the custom of making an "April fish" - a European term for "April fool" - of someone. 
    In the afternoon, a former patient of Jung's, whom he had not seen for months, arrived at his house and displayed him some "impressive" pictures of fish. That evening, Jung was shown embroidery that featured fishy sea monsters. The next day, another former patient he had not seen in a decade recounted a dream in which a large fish swam towards her.

    Several months later, mulling over this sequence as an example of the phenomenon he dubbed synchronicity, Jung walked by the lake near his house, returning to the same spot several times. The last time he repeated this loop, he found a fish a foot long lying on top of the sea-wall. Jung had seen no one else on the lake shore that morning. While the fish might have been dropped by a bird, its appearance seemed to him quite magical, part of a "run of chance" in which more than "chance" seemed to be at play. [1]

    If we're keeping count (as Jung did) this sequence includes six discrete instances of meaningful coincidence, five of them bobbing up, like koi in a pond, within 24 hours, and all reflecting Jung's preoccupation with the symbolism of the fish. Such unlikely riffs of coincidence prompted Jung to ask whether it is possible that the physical world mirrors psychic processes "as continuously as the psyche perceives the physical world."
    In her discussion of how inner and outer events can mirror each other, Jungian analyst Marie-Louise von Franz suggested that "if the psychic mirrorings of the material world - in short, the natural sciences - really constitute valid statements about matter, then the reverse mirror-relation would also have to be valid. This would mean that material events in the external world would have to be regarded as statements about conditions in the objective psyche." [2]

    Some of the greatest minds of the past century - Jung and Wolfgang Pauli and David Bohm - sought to model a universe in which mind and matter, subject and object, inner and outer, are everywhere interweaving. Events, both physical and psychic, unfold from a unified field, the unus mundus of the alchemists, that may be synonymous with Bohm's "implicate order", Their interaction escapes our ordinary perception of causation and of time and space. “Precisely because the psychic and the physical are mutually dependent...they may be identical somewhere beyond our present experience.” [3] 

    Living symbols deeply ingrained in the imaginal history of humankind are charged with magnetic force, which can draw clusters of events together. For those familiar with tarot, it feels at such moments as if one of the Greater Trumps is at play in the world. Traditional diviners understand this, as do true priests and priestesses. Thus one of the Odu, or patterns, of Ifa, the oracle of the Yoruba, is held to bring the fierce orisha Ogun into the space, while another is believed to carry spirits of the dead into the realm of the living. When that happens, you don't just study the pattern; you move to accommodate or propitiate the power that is manifesting.

    To grasp the full power of a symbol, we need to go back to the root meaning of the word. "Symbol" is derived from the Greek σύμβολον (sýmbolon) which combines συν- (syn-) meaning "together" and βολή (bolē) a "throw" or a "cast" A symbol is that which is "thrown together" or "cast together". This is very close to the root meaning of "coincidence". In Latin, to coincide is to "fall together". So it's not surprising that when symbols are in play, coincidence multiplies.
   The first literary mention of a symbol is in the Homeric Hymn to Hermes, in which the god Hermes exclaims, on finding a tortoise, "O what a happy symbol for me", before turning the tortoise shell into a lyre. In the ancient world, sýmbolon came to mean a token, that which brings things together. Thus a symbol might be a pair of tokens that could be fitted together to make a single object. Such tokens might be broken halves of potsherd, a ring or a seal. They would vouch for the truthfulness of a messenger, or an enduring loyalty.    

-  Jung noted in his foreword to his most important work on synchronicity that "my researches into the history of symbols. and of the fish symbol in particular, brought the problem [of explaining synchronicity] ever closer to me" [4] His experiences of symbols irrupting into the physical world led him to sympathize with Goethe's magical view that "We all have certain electric and magnetic powers within us and ourselves exercise an attractive and repelling force, according as we come into touch with something like or unlike." [5] Such powers are magnified when our minds and our environment are charged with the energy of a living symbol. 

   

REFERENCES

1. C.G.Jung, "On Synchronicity". Lecture to the 1951 Eranos conference. Republished in The Structure and Dynamics of the Psyche translated by R.F.C.Hull [Collected Works vol. 8}, par. 970. Also Jung, "Synchronicity: An Acausal Connecting Principle" in CW8 pars. 826-827.
2. Marie-Louise von Franz, Projection and Re-collection in Jungian Psychology. translated by William H. Kennedy (LaSalle and London: Open Court, 1990) 190.

3. C.G.Jung, Mysterium Coniunctionis: An Inquiry into the Separation and Synthesis of Psychic Opposites in Alchemy translated by R.F.C.Hull [CW14] par. 765.

4. Jung, "Synchronicity" CW8 par. 816.

5. J.P. Eckermann, Conversations with Goethe quoted in Jung, "Synchronicity" CW8 par. 860.

Illustrations: "Fish Woman on the Bridge". Journal drawing by Robert Moss and detail. 

 

The passions of the soul work magic

 

The passions of the soul work magic. This observation, attributed to Albertus Magnus (and loved by Jung) is practical counsel for living fully and creatively.

Our passions can lead us into madness. They can also give us the creative edge to do our best and most original work and the magnetism that generates extraordinary opportunities and serendipity.

The stronger the emotion, the stronger the effect on our psychic and physical environment. This may reach much further, in our nonlocal universe, that we can initially understand. It can generate a convergence of incidents and energies, for good or bad, in ways that change everything in our lives and can affect the lives of many others.

The great French novelist Honoré de Balzac, who knew a great deal about these things, write that  “ideas are projected as a direct result of the force by which they are conceived and they strike wherever the brain sends them by a mathematical law comparable to that which directs the firing of shells from their mortars.”

There are two conditions for working positive magic with the passions of the soul.

The first is that we must choose to take the primal, pulsing energy of our strongest passions and direct it towards a creative goal. The passion that is throbbing and surging inside us may be love or lust (or both), the fierce desire to give birth or the desperate wish to end it all. The passion may be wild rage or terrible grief. Whatever its origin, the strongest passions of the soul produce the energy to remake our world – if we choose to direct that energy. Imagine a vast body of pent-up water, engorged by a pounding thunderstorm, that is going to burst through a dam with irresistible power. We can choose to harness that force, turning into hydroelectric power that can light our city and warm our homes. Or we can let it swamp everyone and everything in its path, bringing misery and devastation.

The second requirement for letting the passions of the soul work magic is that we must seize the moment when they are running strongest and give ourselves completely to acting in the power of that moment. The time is always Now; but when the passions of the soul are at work the time is also GO. 

I know this as a writer. Often my best work is done when I am in a state of great turmoil, when my passions are running strong but my heart and mind are also conflicted. Such moments give us an edge. I know, from experience, that my best and most original work can come through now – if I use that edge and make myself available to the work any time it is coming through. In these states, like Balzac, I often write for fifteen hours a day, fueled only by coffee, and sleep only a couple of hours out of the 24 – and stream into joy, the joy we all know when we are in the zone whatever our field of endeavor, and are giving our best.

Balzac was a master in his literary depiction of the workings of passion and desire. He understood the fundamental unity of mind and matter, and that there is a law of spiritual gravitation as well as a law of physical gravitation. His view of reality - and his prodigious literary production - were driven by a vitalist belief in the power of will and imagination. His early novel Louis Lambert is a tale of the strange life of a young explorer in consciousness who is awakened by a precognitive dream to the fact that the world is much deeper than can be explained by the reason and Newtonian physics. He comes to believe that man can become a creator by concentrating a whole reality - even an entire world - inside himself, re-visioning it, and then projecting the new image to fill his environment. But he comes unstuck and unhinged because he can’t ground his understanding in the physical world.

   The Balzacian hero is a man of desire and imagination who must also ground his passions in the body, in healthy sex, in social engagement with the world - or else  go mad.

    Balzac's version of what becomes possible through exercising the passions of the soul is wonderful. Acts of mind, fueled by passion, abolish time and space. “To desire is immediately to be where one desires to be, instantaneously to be what one desires to be." Time is devoured by the moment; space is absorbed by the point. “For the man in such a state, distances and material objects do not exist, or are traversed by a life within us.”

     What kind of desire makes these things possible? “A desire is a fact entirely accomplished in our will before being accomplished externally.”

     The passion that works magic is "the will gathered to one point" so that "man can bring to bear his whole vitality."

     The man who carries a great desire is surrounded by a certain “atmosphere”, a “magnetic fluid” that moves in waves, like sound and light, and touches others. He produces “a contagion of feelings”.

    Passion of this kind magnifies sensory abilities; we can see and hear and sense things vividly across distance. Women, says Balzac, are especially good at this. Watch out for a woman whose passions are high, because she can see and sense things at a distance very clearly.

     Coincidences multiply around such a person, because things now happen through “sympathies which do not recognize the laws of space”.

Text adapted from The Three "Only" Things by Robert Moss. Puiblished by New World Library.

Photo: RM with Balzac's doppelganger at MOMA in New York City

 

Your Own Will Come To You: Spiritual Gravitation

 

 "Man attracts spirits according to his own temperament," as William Butler Yeats observed. To "the sanguine, the spirits of fire, and the lymphatic, those of watery nature, and those of a mixed nature, mixed spirits." While observing that like attracts like, Yeats was also fascinated by the way that opposites may be drawn together, to complement and complete each other, and to spark that creative friction that brings new things into being.  

 Yeats' friend, the Celtic visionary artist George William Russell (whose pen name was "Æ") defined the key principle at work here as "spiritual gravitation", and described how it spills over into the play of synchronicity or objective chance. 

Your own will come to you. 

Æ summarized the law of spiritual gravitation in this phrase.  I find this a vital practical truth. He also wrote: 

I found that every intense imagination, every new adventure of the intellect [is] endowed with magnetic power to attract to it its own kin. Will and desire were as the enchanter’s wand of fable, and they drew to themselves their own affinities. ..One person after another emerged out of the mass, betraying their close affinity to my moods as they were engendered. 

In our lives, this plays out through chance encounters, through the dreamlike symbolism of daily events, when we turn up the right message in a book opened at random or left open by someone else on a library table. If the passions of our souls are strong enough, they may draw “lifelong comrades”.

In his beautiful little book The Candle of Vision, Æ gave a personal example. When he first attempted to write verse, he immediately met a new friend, a dreaming boy “whose voice was soon to be the most beautiful voice in Irish literature” This was of course William Butler Yeats. “The concurrence of our personalities seemed mysterious and controlled by some law of spiritual gravitation.”

In his later life, Æ found a soul companion in the Australian writer P.L.Travers, the author of Mary Poppins and also a deep student of the Western Mysteries and a world-class mythographer.  AE wrote to P.L.Travers about a further aspect of spiritual gravitation: “I feel I belong to a spiritual clan whose members are scattered all over the world and these are my kinsmen.”

By the way, it deserves to be better-known that the inspiration for P.L. Travers'  idea that Mary Poppins came from a star was the author’s childhood vision of her dead father transforming into a star. Another case of spiritual gravitation, working beyond the apparent barrier of death.

 

The Magnet in the Book

Sometimes, beyond the play of the shelf elves who make books and papers appear and disappear, I sense other minds and other hands. In the early hours one morning, I found my copy of Yeats' Autobiography off its shelf, on a table where I had not placed it. There was no occult reason for this; it had been moved, with a small pile of other books relating to the poet, as part of a house cleaning.

I accepted the invitation to revisit Yeats' life through his words. Opening the book at random, I found myself reading a lively chapter on his mixed relations with Æ. 

Later that morning, I opened another book in that pile. It is a collection of occasional pieces, mostly literary and art criticism, by Æ, titled The Living Torch and published by Macmillan in 1938, that I found in a used book store near Mount Vernon in Washington State a couple of years ago. I had placed it in my forest of books without examining it closely.

This was evident, because when I opened The Living Torch at random, I found five loose pages hidden inside the book. They are written a fine lady's hand from an earlier time. They are fair copies of five of Æ's poems. The lady who made these copies was meticulous. She noted the publication date (1926) of the edition of Æ's Collected Poems from which she borrowed the lines she copied, and the number of the pages where these poems may be found.

I sat very still as I read the poem on the top page. It is titled "Magnet" and it begins as follows:

I had sweet company
Because I sought out none
But took who came to me,
All by the magnet drawn.

For me, in the final stage of completing a book on the workings of synchronicity, this was quite, quiet perfect. Within the past week, I had actually borrowed a line from A Candle of Vision as a section title in my own book: "Your own will come to you." It develops the idea that we draw people and situations to us magnetically, through the energy that is with us. I did not know that Æ had written a poem on this theme until just now.

The later part of his poem, I must note, develops a darker tone. It seems that Æ (described by Yeats as first and last a "religious teacher") is reflecting, ruefully, on an affair of the heart which tempted him to set aside the austere spiritual discipline he imposed on himself. I wonder whether, in her secret heart, the unknown copyist was stirred by her recognition of herself in a similar drama to make "Magnet" her own, by putting it in her own hand.

Art: Æ, "The Bathers"

 

 

You Are Magnetic

 

Whatever you think and feel, the universe says Yes. The more strongly you think and feel, the stronger and faster the response it likely to be. It may come in ways you do not expect, since quite often you are unaware of the thoughts and desires you are carrying below your surface mind. The response may knock you back because you live in a world of contending energies and the force lines of your hopes and fears and ambitions may excite opposition.
     You may be frustrated because you have been drilling yourself to think yourself rich or successful or forty pounds lighter and the universe is not giving you any encouragement. That may be because your greater Self is uninterested in your ego agendas or flat out against them. It may be because what the grocery lists of wants and needs you put together in your little everyday calculating mind have nothing much to do with what stirs your soul.
     “All things which are similar and therefore connected, are drawn to each other’s power,” according to the medieval magus Heinrich Cornelius Agrippa von Nettesheim. It is a rule of reality that we attract or repel different things according to the emotions, the attitudes, the feelings, the agendas that we carry.
     Before you walk into a room or turn a corner, your attitude is there already. It is engaged in creating the situation you are about to encounter. Whether you are remotely conscious of this or not, you are constantly setting yourself up for what the world is going to give you. If you go about your day filled with doom and gloom, the world will give you plenty of reasons to support that attitude. You’ll start looking like that cartoon character who goes about with a personal black cloud over his head that rains only on his parade. Conversely, if your attitude is bright and open to happy surprises, you may be rewarded by a bright day, even when the sky is leaden overhead, and by surprisingly happy encounters.
     Through energetic magnetism, we attract or repel people, events, and even physical circumstances according to the attitudes we embody. This process begins before we speak or act because thoughts and feelings are already actions and our attitudes are out there ahead of us. This requires us to do a regular attitude check, asking, What attitude am I carrying? What am I projecting?
     It is not sufficient to do this on a head level. We want to check what we are carrying in our body and our energy field. If you go around carrying a repertoire of doom and gloom, you may not say what’s on your mind, but the universe will hear you and support you. Attitude adjustment requires more than reciting the kind of New Age affirmation you see in cute boxes with flowers and sunsets on Facebook. It requires deeper self-examination and self-mobilization.
     “We are magnets in an iron globe,” declared Emerson. If we are upbeat and positive, “we have keys to all doors....The world is all gates, all opportunities, strings of tension waiting to be struck.” Conversely, “A low, hopeless spirit puts out the eyes; skepticism is slow suicide. A philosophy which sees only the worst ...dispirits us; the sky shuts down before us.”
     In Beauty - The Invisible Embrace John O’Donohue reminded usthat “each of us is responsible for 'how' we see, and how we see determines 'what' we see. Seeing is not merely a physical act: the heart of vision is shaped by the state of soul. When the soul is alive to beauty, we begin to see life in a fresh and vital way. The old habits of seeing are broken. The coating of dead dust falls from the windows. Freed from their dead forms the elements of one's life reveal new urgency and possibility."
      Take a few moments in your day to check your attitude and see whether you are putting bright balloons of possibility or dour grey clouds over your head.

Text adapted from Growing Big Dreams: Manifesting Your Heart's Desires through Twelve Secrets of the Imagination by Robert Moss.Published by New World Library.

Photo by RM

 

Whatever you think or feel, the universe says, "Yes."

 

 

  

Whatever you think or feel, the universe says, "Yes." Perhaps you have noticed this. Yes, we are talking about the law of attraction.  It is indeed an ancient law, never a secret to those who live consciously. “All things which are similar and therefore connected, are drawn to each other's power,” according to the medieval magus, Cornelius Agrippa von Nettesheim. It is a rule of reality that we attract or repel different things according to the emotions, the attitudes, the feelings, the agendas that we carry.

Before you walk into a room or turn a corner, your attitude is there already. It is engaged in creating the situation you are about to encounter. Whether you are remotely conscious of this or not, you are constantly setting yourself up for what the world is going to give you. If you go about your day filled with doom and gloom, the world will give you plenty of reasons to support that attitude. You’ll start looking like that cartoon character who goes about with a personal black cloud over his head that rains only on his parade. Conversely, if your attitude is bright and open to happy surprises, you may be rewarded by a bright day, even when the sky is leaden overhead, and surprisingly happy encounters.

Through energetic magnetism, we attract or repel people, events and even physical circumstances according to the attitudes we embody. This process begins before we speak or act because thoughts and feelings are already actions and our attitudes are out there ahead of us. This requires us to do a regular attitude check, asking, What attitude am I carrying? What am I projecting?

It is not sufficient to do this on a head level. We want to check what we are carrying in our body and our energy field. If you go around carrying a repertoire of doom and gloom, you may not say what’s on your mind, but the universe will hear you and support you. Attitude adjustment requires more than reciting the kind of New Age affirmation you see in cute boxes with flowers and sunsets on Facebook. It requires deeper self-examination and self-mobilization.

What are you doing? A woman in one of my workshops told me she hears this question, put by an inner voice, many times a day. Sometimes it rattles her and saps her confidence. But she is grateful for the inner questioner that provokes her to look at herself. It’s a question worth putting to yourself any day. As you do that, remember that thinking and feeling are also doing. 

“The passions of the soul work magic.” I borrowed that from a medieval alchemist also beloved by Jung. It conveys something fundamental about our experience of how things manifest in the world around us. High emotions, high passions generate results. When raw energy is loose, it has effects in the world. It can blow things up or bring them together. 

There is an art in learning to operate when your passions are riding high and recognize that is a moment when you can make magic. Even when you are in the throes of what people would call negative emotions; rage, anger, pain, grief, even fear, if you can take the force of such emotions and choose to harness and direct them in a certain creative or healing way, you can work wonders, and you can change the world around you.

How? Because there is no impermeable barrier between mind and matter. Jung and Pauli in concert, the great psychologist and the great physicist, came round to the idea that the old medieval phrase applies, unus mundus, one world. Psyche and physis, mind and matter are one reality. They interweave at every level of the universe. They are not separate. As Wolfgang Pauli wrote in his essay on Kepler, “Mind and body could be interpreted as complementary aspects of the same reality.”  I think this is fundamental truth, and it becomes part of fundamental life operation when you wake up to it.

The stronger our emotions, the stronger their effects on our psychic and physical environment. And the effects of our emotions may reach much further than we can initially understand. They can generate a convergence of incidents and energies, for good or bad, in ways that change everything in our lives and can affect the lives of many others.

When we think or feel strongly about another person, we will touch that person and affect their mind and body — even across great distances — unless that person has found a way to block that transmission. The great French novelist Honoré de Balzac wrote in Louis Lambert that “ideas are projected as a direct result of the force by which they are conceived and they strike wherever the brain sends them by a mathematical law comparable to that which directs the firing of shells from their mortars.” 

Scientific experiments have shown the ability of the human mind and emotions to change physical matter: studies by Masuru Emoto have shown that human emotions can change the nature and composition of water, and the Findhorn experiments have taught us that good thoughts positively affect the growth of plants. Conversely, rage or grief can produce disturbing and sometimes terrifying effects in the physical environment.

"We are magnets in an iron globe," declared Emerson in his essay "Resources". If we are upbeat and positive, "We have keys to all doors. ..The world is all gates, all opportunities, strings of tension waiting to be struck." Conversely, "A low, hopeless spirit puts out the eyes; skepticism is slow suicide. A philosophy which sees only the worst... dispirits us; the sky shuts down before us." 

Whatever our circumstances, we always have the power to choose our attitude, and that this can change everything.

Text adapted from Sidewalk Oracles: Playing with Signs, Symbols and Synchronicity in Everyday Life by Robert Moss. Published by New World Library.

 

 Art: René Magritte, "The Portrait"

Check Your Inner Soundtrack

Do you check your inner soundtrack, as you wake and at other times during the day? Do you notice how this can set the mood for the day, for good or otherwise? Do certain songs, popping up in your mind, connect you to certain people, life themes or memories? Do you find you sometimes need to change what's playing inside your head?

    This is a very effective way of checking your attitude, including thoughts and feelings you may be carrying that have not risen to your full awareness but may condition or even control what you will encounter in the course of the day. You know, don't you, that your attitude walks ahead of you, helping to generate events and encounters around the next corner.This is because you are magnetic. Unfortunately, however, you are often less than fully conscious of what you attract and repel -until and unless you look back carefully on a certain episode and begin to discern its hidden logic.
    Checking your inner soundtrack is an easy way to check your attitude. I do this several times a day. It might start effortlessly because I wake with a snatch of a song in my head. This is may carry a mood from a dream, or part of the soundtrack of a dream movie, or may anticipate the mood of the day. It may connect me to people or places at a distance, or a certain period of my life. 
      When I am lucky, a song from the night may be an original composition. I will then spring into action to try to record it before it is gone. Like the dreamers of many indigenous traditions, I know that a dream-inspired song is one of the great gifts of dreaming. It can be a way to bring through energy and spirit from a deeper place. It can be a wing song that will help you travel from the ordinary world into real worlds beyond it.     
      A Texas woman told me,  “I wake up with different music every day. Today I woke up with "Shake it Off" by Taylor Swift. In the dream I was watching a sad news story on television. I have not heard that song in a long time. I took it as a message to keep a good attitude during the day, focus my attention on positive things and shake off the bad stuff coming though the TV.”      
     A Vancouver dreamer said, “Today I accept the song that was with me when I woke and I will let it play all day. ‘Calling All Angels’.”     
     The song on your inner soundtrack may connect you to another person in your life, maybe someone at a distance. A friend told me that a song she used to sing for her son when he was very small will still pop into her head when he is thinking of her and getting ready to call her or visit her. The song is “He’s Got the Whole World In His Hands.” She smiles when it starts playing on her inner soundtrack, remembering the joy of slapping hands with her little boy as he tried to reproduce the words.     
    When you check your inner soundtrack, don’t just listen to the music, find the words that may or may not come with a tune. Check for voices from the past that may be cheering you on or bringing you down. Catch yourself when you start going over and over old histories of failure or regret, belittling yourself, telling yourself what’s wrong with you in a way that cannot help you to be right. You may notice that an inner voice has been repeating things like, “I’m such an idiot” or, “I’m in so much pain” or “I’ll never be able to face that crowd, or that person”.      
     Your inner soundtrack may include a whole chorus of voices of people who have lifted you up or pulled you down. Don’t let all of them speak! Choose the ones you are willing to hear.         Above all, check your personal mantras. These are codes for connection and manifestation. These are the magic words that can deform your life or open up avenues of bright possibility. You may have borrowed some of your personal mantras from a spiritual teacher, or a favorite book, or one of those oh-so-cute boxes in your Facebook newsfeed. 
    I have nothing against feel-good affirmations and statements of spiritual correctness, as long as they work. This means that they come to mind when you need them, when you need to respond to a challenge or make a choice at a crossroads. It means that they are playing on your inner soundtrack before you hit a select button.     
    When you check your inner soundtrack, you may find that your personal mantras include:     
    “I’m sick.”     
    “I’m fat.”     
    “I’ll never meet the right guy.”    
    “I’ll never have enough money.”    
     There’s no need for me to expand the list. You want to make your own. When you detect a negative mantra of this kind on your inner playlist, you can try to delete it, but may find that it comes back. You can try to override it with happy tunes and feel-good affirmations. I find that sometimes the best tactic is not to try to cancel a long-playing blues number right away, but to trip lightly around it, saying and singing better numbers.     
     Walking my dog in the park one morning, I checked my inner soundtrack and found I was engaged in making an inventory of the complaints in my aging body, all featuring pain. The pain in my dodgy knee, the pain in my shoulder, the pain of inflammation in one of my toes, the possible beginnings of a sore throat.     
     I hit my inner pause button. I did not try to deny that my body was expressing these complaints, and might need to be acknowledged. We don’t want to push away what may be part of our body wisdom, or — in my case — my body crying out for a little TLC. All I did was shift my attention to the dappled light among the beech trees, the gentle breeze stirring the surface of the lake and playing with my hair, the happiness of my little dog as he nosed after new smells and the nether parts of other dogs. And I said to the wind and the sun and the trees, “Thank you. Thank you for the gift of this day, for being able to walk among trees, by water, with a dog who loves me no matter what. Thank you for the gifts and the challenges of this lifetime.”     
    The best answer to inner naysayers and whiners may be to say to the universe: Thank you. 

Text adapted from Sidewalk Oracles: Playing with Signs, Symbols and Synchronicity in Everyday Life by Robert Moss.Published by New World Library.

Whatever you think or feel, the universe says yes

Whatever you think or feel, the universe says yes. Perhaps you have noticed this. Yes, we are talking about the law of attraction. It is indeed an ancient law, never a secret to those who live consciously. “All things which are similar and therefore connected, are drawn to each other’s power,” according to the medieval magus Heinrich Cornelius Agrippa von Nettesheim. It is a rule of reality that we attract or repel different things according to the emotions, the attitudes, the feelings, the agendas that we carry.

     Before you walk into a room or turn a corner, your attitude is there already. It is engaged in creating the situation you are about to encounter. Whether you are remotely conscious of this or not, you are constantly setting yourself up for what the world is going to give you. If you go about your day filled with doom and gloom, the world will give you plenty of reasons to support that attitude. You’ll start looking like that cartoon character who goes about with a personal black cloud over his head that rains only on his parade. Conversely, if your attitude is bright and open to happy surprises, you may be rewarded by a bright day, even when the sky is leaden overhead, and by surprisingly happy encounters.

     Through energetic magnetism, we attract or repel people, events, and even physical circumstances according to the attitudes we embody. This process begins before we speak or act because thoughts and feelings are already actions and our attitudes are out there ahead of us. This requires us to do a regular attitude check, asking, What attitude am I carrying? What am I projecting?

     It is not sufficient to do this on a head level. We want to check what we are carrying in our body and our energy field. If you go around carrying a repertoire of doom and gloom, you may not say what’s on your mind, but the universe will hear you and support you. Attitude adjustment requires more than reciting the kind of New Age affirmation you see in cute boxes with flowers and sunsets on Facebook. It requires deeper self-examination and self-mobilization.

     What are you doing? A woman in one of my workshops told me she hears this question, put by an inner voice, many times a day. Sometimes it rattles her and saps her confidence. But she is grateful for the inner questioner that provokes her to look at herself. It’s a question worth putting to yourself any day. As you do that, remember that thinking and feeling are also doing.

    “The passions of the soul work magic.” I borrowed that from a medieval alchemist also beloved by Jung. It conveys something fundamental about our experience of how things manifest in the world around us. High emotions, high passions generate results. When raw energy is loose, it has effects in the world. It can blow things up or bring them together.           There is an art in learning to operate when your passions are riding high and to recognize that is a moment when you can make magic. Even when you are in the throes of what people would call negative emotions — rage, anger, pain, grief, even fear — if you can take the force of such emotions and choose to harness and direct them in a certain creative or healing way, you can work wonders, and you can change the world around you.

     How? Because there is no impermeable barrier between mind and matter. Jung and Pauli in concert, the great psychologist and the great physicist, came around to the idea that the old medieval phrase applies: unus mundus, “one world.” Psyche and physis, mind and matter, are one reality. They interweave at every level of the universe. They are not separate. As Pauli wrote, “Mind and body could be interpreted as complementary aspects of the same reality.” I think this is fundamental truth, and it becomes part of fundamental life operation when you wake up to it.

     The stronger our emotions, the stronger their effects on our psychic and physical environment. And the effects of our emotions may reach much further than we can initially understand. They can generate a convergence of incidents and energies, for good or bad, in ways that change everything in our lives and can affect the lives of many others.

     When we think or feel strongly about another person, we will touch that person and affect his or her mind and body — even across great distances — unless that person has found a way to block that transmission. The great French novelist Honoré de Balzac wrote that “ideas are projected as a direct result of the force by which they are conceived and they strike wherever the brain sends them by a mathematical law comparable to that which directs the firing of shells from their mortars.” 

     Scientific experiments have shown the ability of the human mind and emotions to change physical matter: studies by Masaru Emoto have shown that human emotions can change the nature and composition of water, and the Findhorn experiments have taught us that good thoughts positively affect the growth of plants. Conversely, rage or grief can produce disturbing and sometimes terrifying effects in the physical environment.

     “We are magnets in an iron globe,” declared Emerson. If we are upbeat and positive, “we have keys to all doors....The world is all gates, all opportunities, strings of tension waiting to be struck.” Conversely, “A low, hopeless spirit puts out the eyes; skepticism is slow suicide. A philosophy which sees only the worst ...dispirits us; the sky shuts down before us.”

Whatever our circumstances, we always have the power to choose our attitude, and that this can change everything.

Adapted from Sidewalk Oracles: Playing with Signs, Symbols and Synchronicity in Everyday Life by Robert Moss. Published by New World Library.

Art: "Puddle". Woodcut by M.C.Escher

Mad love, found objects, objective chance

Coincidence multiplies when we pay attention, above all when we are charged with certain energies and moving outside the grooves of familiar routines and mindsets. André Breton, the French Surrealist, called coincidence “objective chance”. In his amazing narrative Amour fou (“Mad Love”) Breton shows us the state of mind, and the pattern of behavior, that turns us into walking synchronicity magnets.
     What required is the kind of openness to the unexpected the French call disponibilité and, beyond this the choice of “lyric behavior”: the willingness to give oneself to the “dazzling revenge” of the imagination on a world of stubborn facts.
      Breton describes how two people joined by passion or strong interest become a powerful double attractor for coincidence. "I would be tempted to say that two people walking near each other constitute a single influencing body, primed." He compares this phenomenon to "those sudden atmospheric condensations which make conductors out of regions that were not before, producing flashes of lightning." The “single influencing body” is formed when he is traveling with his lover, but also when he is walking around the flea market with the sculptor Giacometti.
     The sculptor is thinking about the undefined face of a woman in his current piece, and finds a strange mask that speaks to his need. Breton has harbored an odd desire to possess an ashtray shaped like a woman's high-heeled shoe, and finds a curious spoon in the same shape. In the chance discovery of these trouvailles (found objects) we sense the hand of an unseen player behind the scenes.
      Breton writes about how, if we pay attention, we may notice not only that life rhymes but that it can follow a poetic mode of composition. He describes how all the elements in a poem he write in 1923 manifested on a "Night of the Sunflower" in Les Halles eleven years later, as if the poem was taking root in the world.

      Mad Love is a paean to the magic that comes when we go about the world charged with love and desire, magnetically drawing people and events to us in novel ways. Breton does pause to reflect on what happens when passion is thwarted by worldly circumstances; “Indeed passion, with its magnificent wild eyes, must suffer at having to mix in the human struggle”.

It is always with surprise and fright that I have seen...harmless complaints...grow more acute. They hone themselves on the stone of silence, abrupt and unbreakable by anything at all, quite like absence and death. Overhead, between the lovers, flies a rain of poisoned arrows, soon so thick as to prevent any exchange of glances. Then, hastily, hateful egotism walls itself into a windowless tower. The attraction is broken; even the loveliness of the beloved face goes into hiding; a wind of ashes sweeps everything away; the pursuit of life is compromised.

And if objective chance is still operating, its operations will be chancy, for we attract or repel different things according to the emotions and attitudes that live in us.

Photo: André Breton in his Paris apartment, crammed with found objects.