The play of coincidence can shape a whole life, like a musical composition. Out of the weave of small incidents we can find beauty and a secret order. In The Unbearable Lightness of Being, Milan Kundera writes beautifully about the "fortuities" that bring lovers together. Tereza notices Tomas in a pub in a small provincial town because he has a book in his hand and because her favorite Beethoven starts playing on the radio. Six tiny incidents of this kind prompt her to get on a train and follow him to Prague; she feels "the birds of fortuity fluttering down on her shoulders".
Kundera insists that this is not only the stuff of novels but the shape of lives. He is absolutely and poetically correct.
"Our day-to-day life is bombarded with fortuities or,
to be more precise, with the accidental meetings of people and events we call
coincidences," he observes. "Tomas appears in the hotel restaurant at the same time as the
radio is playing Beethoven. We do not even notice the great majority of such
coincidences. If the seat Tomas occupied had been occupied instead by the local
butcher, Tereza never would have noticed that the radio was playing
Beethoven. But her nascent love inflamed her sense of beauty, and she would never
forget that music."
Kundera suggests that "human lives are composed in precisely such a fashion. They are composed like music, Guided by his sense of beauty, an individual transforms a fortuitous occurrence…into a motif, which then assumes a permanent place in the composition of the individual’s life…Without realizing it, the individual composes his life according to the laws of beauty even in times of greatest distress."
So it is wrong to chide a novelist for being fascinated by mysterious coincidences and making his plot turn on them. "But it is right to chide man for being blind to such coincidences in his daily life. For he thereby deprives his life of a dimension of beauty. Synchronicity is a flash moment where you’re glimpsing a hidden structure or web of connections. But these can also be little hints that, yes, I am caught in a novel. That can be reassuring or disturbing, depending if you like the novel or not."
Kundera suggests that "human lives are composed in precisely such a fashion. They are composed like music, Guided by his sense of beauty, an individual transforms a fortuitous occurrence…into a motif, which then assumes a permanent place in the composition of the individual’s life…Without realizing it, the individual composes his life according to the laws of beauty even in times of greatest distress."
So it is wrong to chide a novelist for being fascinated by mysterious coincidences and making his plot turn on them. "But it is right to chide man for being blind to such coincidences in his daily life. For he thereby deprives his life of a dimension of beauty. Synchronicity is a flash moment where you’re glimpsing a hidden structure or web of connections. But these can also be little hints that, yes, I am caught in a novel. That can be reassuring or disturbing, depending if you like the novel or not."
- - quotes from Milan Kundera, The Unbearable Lightness of Being trans. Michael Henry Heim.(New
York: Harper Perennial, 2009).
