When I approach a major writing project, I sometimes notice I have decades and decades of journals and drafts and sketches that hold relevant material. They are alluring but perilous. I can get trapped and enmeshed in them, like a tomb raider in an Indiana Jones movie when the roof of the underground temple starts coming down. I need to find how to get out of my self-made literary necropolis and write fresh words.
I often fall back on a practice I lead in all my creative
writing retreats: timed writing. I have found it's incredibly
productive to tell people to do something in a very short period of time. When
I say a short time, I mean five or fifteen minutes. I find that fifteen minutes
is a terrific space in which to get something down.
For my own writing practice at home, I have a marvelous assistant.
It is a quarter hourglass. It runs for fifteen minutes. I found it
online. It has blue sand in it. Blue is my favorite color. Whether I feel ready
or not, if I have fifteen minutes, I will upend the hourglass and start
writing. This is especially good to do when I do not feel ready, maybe utterly
uninspired. I write anyway. And I stop when the sand runs out.
My hope is that I pretty soon I’ll be writing consecutively in
these swift sessions so I may have the whole draft of a book, or at least a chapter
or essay, if I keep doing this for a few weeks. I know that if my fingers go
fast enough, as the sand runs down, there’ll be no time for my inner editor and
my inner critics to take command of my thoughts. Some days I have no clue about
what I am doing or what I want ti to come of this. That’s okay. I write for that quarter hour anyway and sometimes
something wonderful or terrifying or both breaks through – a bigger story that has
been stalking me, the soul of a book I had not planned, a trickster spirit who
wants to remind me that play is always the thing.
While the blue sand runs, I do not look at those notes and digital
files and piles of books and folders. I keep my eyes on the page I am writing,
on paper or screen. Let me say this as clearly as I can. I'm not looking at old
drafts or sketches. I'm not looking at my journals full of treasures though
they are. I'm just writing. I might be drawing from my memories of things that
have happened in my life and things that I've written about in some form
somewhere else, but I'm not looking at anything. . I'm not struggling with the
old furnishings of the mind. I'm writing while the blue sand runs.
I often say that creativity requires us to play first, work later. If you have heard me say that, you may object, “What if you don't feel like doing it?” My response is: however you feel before you get into the swim, doing something for fifteen minutes is no big deal. Make it a game. Play at writing, at being a writer. For quarter of an hour, do what writers do.
Have you heard what William Faulkner said to the wannabee writers who flocked
to Ole Miss for the first and last creative writing workshop he ever gave? He looked
at the eager faces in the lecture room and said, , "So you want to be writers?”.
When the cheers had died down, he said, “So write." And he left the
room.
[from a guidance session I gave at a writing retreat]
For a sample of raw product from one of my personal 15-minute sessions see "You are in the afterlife now"
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