Dream Events in the Pictorial Autobiography of a Confucian Official

 

#1 Father dreams of deceased mother

In the last century of the Ming dynasty in China, court officials hired artists to help create pictorial autobiographies memorializing their achievements. Sometimes these featured inner events including dreams. In 1588, Xu Xianqing (1537-1602), vice-minister of personnel in the government of the Ming empire, engaged two painters to depict the important events of his life. The album, titled “Painting folio of Xu Xianqing's working career” (Xu Xianqing Huanji Tu), is now in the Collections of the Palace Museum of Beijing. It is valued by historians for its vivid depictions of the Ming court.      Minister Xu selected twenty-five important life events for the painters, describing the scenes to them in detail, and providing them with a lengthy caption for each picture. External events he flagged as important included receiving degrees, surviving shipwreck and snowstorms, acting as imperial surrogate and mentoring the emperor himself. However, inner events in this pictorial autobiography are at least as important. Three pictures in the twenty-five paintings in Xu’s life album illustrate big dreams.   The first painting in the album shows Xu's father, with young Xianqing beside him, dreaming of his deceased mother. We know at once that Xu and his family were fully aware that we meet spirits of the dead in our dreams and can be together in the same dream. Mutual dreaming by two or more people is a common theme in Chinese literature in all periods. Xu gave the artists two turning-point dreams from his adult life to illustrate. One again involved meeting the deceased. The other gives us an extraordinary, if not unique, depiction of recovering a wandering soul - of healing through soul recovery. Xu was not shy about describing the painful and embarrassing context of these dreams. He suffered from recurring and extreme bouts of inguinal hernia that affected his testacles, rendering him impotent for long periods, making it hard to urinate, and causing extreme pain and depression. Many times, he felt close to death and may have wished for it. The doctors’ efforts accomplished little.

#15 Confucian dream meeting

During one of his crises of illness, his dream self left the bed and traveled to a beautiful country setting. He found himself naked, at the entrance to the shrine at the time of Confucius, the long-dead sage. A glow inside the building suggested the presence of spirit. Suddenly a voice announced the arrival of the current lineal descendent of Confucius, whose title was Duke Who. The Duke had come to conduct ritual sacrifice. Embarrassed by his nudity. Xu started running from the scene.Two women pursued him, offering him food including deer meat, which was considered highly auspicious. Though he had long lacked appetite, he allowed himself to be fed by the ladies.

Eating and thinking how the savory taste filled my mouth and how my saliva poured forth. I awoke with the flavor still in my mouth. I then chided myself for having this dream as I waited to see my parents’ spirits and follow after them. Could it be that I am not yet supposed to die? …Checking the afflicted place, I saw that the bulge had broken and no longer protruded…The pain then ceased. Over one or two days, urine poured out and the hernia abated.

The hernia on Xu’s left side healed but he continued to suffer agonies on the right side of his groin. Full healing came from another dream years later, on a dreadful night when Xu thought he was dying, freezing under furs and a quilt despite the summer heat. He was begging for his departed parents to come and take him to a better place. "I suddenly heard a sound like talking and laughing. On my bed, startled, I said to myself, 'This is what I sound like! Could it be that my aerial soul has come back?' Then I threw off the quilt, opened the bed curtains, and felt relieved and refreshed." The artist has followed Hun's description of what he saw in the courtyard when he pulled back the bed curtains: a ghostly homunculus - his double, on a smaller scale, floating under the trees. The artist has succeeded in giving us a rare portrayal of the reyturn of a wandering hun soul, embodied in subtle translucent stuff. The painter has added an arc of pearly light between the diaphanous figure in the garden and the sick man in bed. Looking closer, we see that the aerial soul is going to reenter the sick man's head through a kind of energy funnel. This soul recovery had wonderful effects. Xun reported that within a month, his condition was completely healed and he returned to work.

#22 Return of the Aerial Soul

This is not the story of a Daoist sage on a mountain top or ecstatic poet accustomed to roaming with immortals and lyricizing out-of-body adventures. It is the record of a Confucian bureaucrat trained to exercise sober good judgment - think of Judge Dee - with no mystical aspirations, just the desire to set down important facts from his life exactly as they played out. The gifts of Xu's album for the modern reader include its candid account of how dream events brought healing of a physical condition, the rare depiction of an "aerial soul" and its relation to a body, and the juicy description of the sense of taste coming vividly alive in a dream.

Sources: Xu Xianqing’s pictures are in the Collections of the Palace Museum, Beijing. His texts are in Zhu Hong’s Xu Xianqing huanji tu yanjiu. The translations in Lynn A. Struve’s excellent book, The Dreaming Mind and the End of the Ming World. (Honolulu:University of Hawai‘i Press, 2019) pp. 134-5.