Victor Hugo’s creative work was driven by dreaming to a remarkable degree. In a curious essay titled Promontorium somnii (The Headland of Dreams) written shortly after Les Miserables, he remarks, "The dreamer must be stronger than the dream". Il faut que le songeur soit plus fort que le songe.
Hugo is not talking about trying to put the little ego in charge of the dreamstate. He is talking about our need to find a navigator within ourselves than can enable us to sail through the wreckage of dreams and plans that broke on the reefs, through the fog of despair and the will-of-the-wisps of illusion, to find and claim a bigger dream. He is also talking about the need to avoid falling over the edge of madness, when hurled into the "expanding spiral of the self". Hugo was keenly alive to the risk, since he saw both his brother and his daughter confined to mental asylums. He observes in the same essay that "sleep is not a formal necessity for dreams".
Hugo journaled his dreams and they are central to some of his novels, especially Le Travailleurs de la mer [translated as "Toilers of the Sea"] and L’Homme qui rit and to poems including “Booz endormit” (which I discovered many years ago because of a dream of my own Boaz as a sleeping king with a tree growing out of his lower body) and “La Pente de la reverie”.
“The dream is the aquarium of the night,” Hugo writes in Toilers of the Sea, which contains an astonishing account of how realities are created from subtle “stuff” that “floats in dreams”. As the fluid forms that rise and fall in the night aquarium become fixed, "beings emerge".-
Victor Hugo also said, “There is nothing like a dream to create the future.” To fulfill the bold promise of that statement in our lives, we again need to heed the caution that the dreamer may need to be stronger than the dream. Dreams lay a path for manifestation. However, we want to avoid succumbing to a sense of fatality as the elements of our dreams - good or bad - start to play out in physical life. Dreams open paths, and show us possible futures. As we walk those paths, we must never give up our power to choose, and remain conscious how we are choosing.
At a couple of important passages in my life,
stunned by how exactly waking events were replicating incidents in a dream, I
behaved like an actor following a prepared script (one with some missing lines,
however) - and lost important opportunities by abandoning my power to improvise
and be present in the shifting moment. I have observed other dreamers weighed
down by a sense of fatality about "bad" dreams that they feel are
going to play out, thereby setting a course for the rocks. I have seen dreamers
who clung to bright dreams of romance and success but failed to do all that was
required to ground and nurture those dreams in the world - or saw part of those
beautiful dreams unfold, only to be shattered. Out of such wreckage, once
again, the dreamer is challenged to be stronger than the dream - to reach to a
wiser and deeper self to find the power to sail on, into a bigger dream.
Illustration: A caricature of Victor Hugo by
Bertall, titled "Une salade dans un crâne" ("A
Salad in the Head").
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