My in-flight reading on a trip to California included Dreaming
by the Book by Elaine Scarry, a professor of aesthetics at Harvard. It’s
an inquiry into the magic of narrative and poetry that draws the reader into a
vivid multisensory experience through the agency of little black marks on a
white page. For example, she analyzes how certain writers conjure belief in the
solidity of a wall by streaming fleeting or filmy shapes across it. Locke
says that in the everyday operations of perception, the notion of solidity
“hinders our further sinking downward” – so we are confident of the floor or
sidewalk we are walking on.
Some kinds of reading alter the way we see. I looked out the
window of my taxiing plane and saw the sun hammer the window of a control tower
into a shaman's bronze mirror, flashing light. As the plane came down, its
shadow ran beneath us on the tarmac far below, tiny at first but growing
fast as we dropped. We flew into our shadow, like lovers rushing into each
other's embrace. When we paused for breath, the shadow of our wing erased the
yellow line on the landing strip. Beyond the shadow, there were no boundaries.
On the edge of San
Francisco Bay that Saturday morning, the legacy of the storm erased solid
ground and constructed buildings in the sky. Great puddles of water, shallow
but wide and silver-bright, lay on the cement of the Fort Mason docks. They
opened windows into a mirror world. Brick by brick, the buildings were
meticulously reconstructed, rising towards scudding clouds in a blue sky far
below. I was walking at the edge of a limitless drop. One inch to the right,
and I would be falling into the sky.
That is so beautiful.
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